Everybody in the comedy industry started out with so much hope that, finally, things could get back to normal in 2021 – and for a while they did, and there were some gems as live comedy returned to clubs and theatres.
The lengthy ovation Chris and Rosie Ramsey received when they walked on stage at the O2 showed there was a lot of love in the room, and why wouldn't there be? The married couple's podcast Shagged. Married. Annoyed. has clocked up 144 episodes and built a large and loyal following, and now here they were doing the show live.
"Off-grid" wasn't a thing in the mid-'70s. Sure, people planted a few potatoes in the garden and pottered about a bit in an allotment, but nobody went the whole hog. The rat race was certainly a thing though, a fertile seam for comedies like The Fall and Rise of Reginald Perrin.
Well, this is a first: a comedy show with footnotes. Alfie Brown tells us at the top of the hour that he'll be stepping out of his routines from time to time to explain why the gag he's about to tell, or has just told, isn't offensive. It's a clever touch, one of several in Sensitive Man.
During lockdown most of us were caught in a Groundhog Day existence of sleep, eat, exercise with Joe Wicks, take part in a Zoom quiz, bake banana bread, repeat – or variations on that theme. So a comic doing a show talking about his lockdown experience is taking a risk that it might not be the most scintillating hour – and so it proves with Ahir Shah's Dress.
Iliza Shlesinger is an American writer, performer and presenter whose film work includes roles in Pieces of a Woman and Good on Paper, the latter which she also wrote and produced. She's also an established stand-up comic, with five Netflix specials to her name. For her latest stand-up show, Back in Action, she was on a fleeting visit to London as part of an international 70-date tour, delayed by COVID, before she performs some dates in the US.
Say what you like about Dave Chappelle, but if nothing else he's an equal-opportunities offender, as his latest Netflix special, The Closer, proves. The last of his six specials for the network, all of which have drawn criticism – as well as plaudits – for his uncompromising “I tell it as I see it” material has again provoked ire in some quarters.
Tickets for Jason Manford's Like Me went on sale in 2019 but the tour had to be put on hold as events unavoidably detained him at home. "I hope you haven't gone off me in that time – it does happen," he said. He needn't have worried as the Palladium crowd were as delighted as he was to be in a theatre, having a laugh.
We’re in an agreeable drawing room with an author, Charles Condomine, who is looking forward to having a bit of fun with a local spiritualist, Madame Arcati, whom he has invited over for an evening séance. But once a conversation with his wife, Ruth, debating the relative attractiveness of his deceased first wife, Elvira, cracks like a shot from Chekhov’s gun, trouble is as sure to come as the spirits themselves.