new music buzz
miss.kittykowalski

Ladies and gents, the time has come. The Strumpettes are ready and set for Sunday night at Glasto! The tent is packed, along with three pairs of red patent heels, three figure-huggin’ frocks, three retro-style microphones and three beautiful ukuleles (a soprano for Bettina, to match her harmonies; a concert deluxe for me, and a tenor for Velma). The Strumpettes sure don’t travel light.

The truth of it is, we're kinda a high-maintenance band. So I tell ya, the best thing about performin’ at Glastonbury is this: we get to use the “artists’ facilities”, which in short means we get showers and a proper, clean powder room, thank the Lord! I mean really, three classy ladies like us having to face the long drop? I don’t think so. So now the only thing we really gotta worry about is all that mud. Here’s hopin’ for blue skies…

Right now we’re feelin’ pretty positive about it all. We had a rare ol’ time at our gig last Saturday night – after a somewhat inauspicious start, I might add. After drivin’ to the other side of this sprawlin’ ol' metropolis, we found ourselves starin’ at the world’s tiniest pub, on the corner of no-man’s land and the least swingin’ neighbourhood in south-west London. Hell, we were this close to turnin’ back.

And it got worse. When we started settin’ up, we hit upon a little snag. Our little ukes - all courtesy of London’s finest ukulele emporium, the Duke of Uke - each have their own pick-up fitted inside so we can plug ’em in to the sound system and give ‘em a bit of oomph. But no sirree, not today; the DI boxes weren’t playin’ ball, which meant no amplification, which meant we had to play unplugged.

But The Strumpettes are resilient young things, we bounced back and sailed through the first set, mostly of safe songs, coped admirably in the second set where we road-tested our new numbers and even managed our solos – Velma’s “I Wanna be Loved by You”, Betty’s “My Funny Valentine”, and my “Oh, Look at me Now” - without a hitch. And by the time we got to the third set, we were really in the swing o' things; the room was jam-packed and we had every man, woman and child in that place in a good ol’ fashioned singalong to a little tune we stole from Bugsy Malone.

Sure, a glass of whisky each helped no end… as did the lovely locals. They were just plain sweet to us, very appreciative. Hell, they even asked for our autographs, the cuties. But then I guess we oughta get used to that, huh?

So we’re feelin’ okay. Excited I might even say. Velma, Betty and I are just about ready to head on outta the big smoke, into the sticks and to march out onto that festival stage on Sunday night, hip flask in hand. Wish us luck, folks…

joe.muggs
The cover of Rinse FM's first compilation CD featuring station founder Geeneus

Today Rinse FM, London's leading pirate radio station, announced it has been granted a legal broadcast licence after 16 years of illicit transmissions. It's almost impossible to overstate how potentially momentous this event is for the UK's most vibrant and promising music scenes, and what opportunities it presents for artists, personalities and record labels ranging from the deep and experimental to the most flagrantly commercial. From the rumbustuous, teen-friendly fun of Scratcha's breakfast show to the experimental electronic jazz and funk of Alex Nut at Saturday lunchtime to various hard and dark grime and dubstep shows - as often as not playing exclusive music fresh from the hard drives of its creators that may never even become commercially available - it is a brilliant representation of London's cultural vitality in the 21st century.

miss.kittykowalski

theartsdesk has an insider at Glastonbury this year - one of our writers is performing in the festival. Here we present the diary of Miss Kitty Kowalski, ukulele diva, and her cohorts in The Strumpettes.

Thomas H. Green

The arrival on the scene of The Klaxons a few years back gave indie, pop and rock a much-needed kick in the pants. Sure, they were a band born of self-consciously over-trendy east London, causing the NME to froth about "nu rave" for ten minutes, but they were also a sudden flash of raucous beatnik psych-pop in a landscape dominated by mundane Luddites such as The Fratellis, The Kooks, et al. The Klaxons harked back to rave culture's utopian bluster but littered their music with knowing nods to Ballard, Burroughs and The Beach Boys. How could anyone not be smitten?

peter.quinn

An unprecedented second consecutive year for saxophone colossus Sonny Rollins, celebrating his 80th birthday, is one of the many highlights of the 2010 London Jazz Festival announced yesterday. One question immediately springs to mind: which Noël Coward classic will he dust down this year?

fisun.guner
There'll be art, film, music and performance in a weekend of organised mayhem
Since its millennium opening, Tate Modern has managed to transform the landscape for the contemporary visual arts in Britain. This week it celebrates its 10th anniversary by inviting 70 of the world’s most innovative, independent art spaces to take over the Turbine Hall. No Soul for Sale – a Festival of Independents will see an eclectic mix of art, performance, music and film throughout the weekend. Organised in collaboration with Italian conceptual artist Maurizio Cattelan (most famous for his dead Pope John Paul II struck by lightning), the weekend promises visitors a chance to experience a “pop-up village of global art”.
Adam Sweeting
Despite his "interesting" haircut and fondness for the undeleted expletive, violinist Nigel Kennedy is a man of exceptional taste and discernment. While recording his new jazz album Shhh! at Rockfield studios, he took time out to hail theartsdesk and greet the 'desk's Adam Sweeting.

Peter Culshaw
Serge Gainsbourg: Poet, musician, love machine would have been 82 this week
This week's musicians birthdays include the genius/lecherous mediocrity (according to taste) Serge Gainsbourg, singing a duet with Brigitte Bardot, classic early 60s footage of Marvin Gaye, vibraphone maestro Red Norvo, Herb Alpert in a rodeo video doing “Casino Royale”, and Astrud Gilberto from Ipanema. Composer birthdays of the week are Franz Joseph Haydn and William Walton. Videos below.

joe.muggs

A little revolution is taking place at the top of the pop charts. UK artist Tinie Tempah's rap track “Pass Out” has had two weeks at number one, and at the time of writing looks very much like it may successfully fight off Lady Gaga & Beyonce's spectacularly-hyped “Telephone Thing” to make it a third week on top.

Ismene Brown

Jonathan Mills has announced the programme for Edinburgh International Festival 2010, on a theme of modern culture in the New Worlds of the Americas and Australasia. Ranging from California to Canberra, New York to New Zealand, from Santiago to Samoa, the festival opens on Friday 13 August with John Adams' oratorio El Niño and closes on Sunday 5 September with the traditional fireworks concert.