Drag SOS, Channel 4 review - absolutely fabulous

Being the best you can be with the Family Gorgeous

According to the Manchester drag collective the Family Gorgeous, “drag should be for everyone.” And on the evidence of Drag SOS (Channel 4) , engagingly voice-overed by Hugh Bonneville, the British public is eager to embrace them in all their spangly, fantastical glory.

The Gorgeouses visit different towns looking for volunteers to get out of that closet and undergo a ravishing, 360-degree drag makeover. They started in Dover, where their candidates included Shaun, a 55-year-old supermarket supervisor who they pulled off a rain-soaked football pitch, to the amazement of his old boy-buddies. Then there was Nico, a 21-year-old art student who’d been driven to panic attacks and paranoia by the turmoil of student life in London, and finally Abby, a single mum and stay-at-home carer for her son and daughter who both suffer from emotional disorders.

The title sounds like mere reality-TV tawdriness, but the programme became steadily more penetrating and emotionally absorbing. The Family Gorgeous, it transpired, aren’t just slick drag professionals, but have remarkable gifts of empathy and perceptiveness. The sequence where Abby confessed her worst fear – “I don’t like me, so why should anybody else?” – was unbearably sad, but Cheddar Gorgeous (creating drag queen names is an art in itself) handled the moment with the deftness of a seasoned psychotherapist.

Black-clad Nico struck up an immediate rapport with self-styled “monochrome drag queen” Liquorice Black, and was steadily transformed into a sexier, more confident version of herself. As for Shaun, he’d been nominated for the show by his gay son Owen, and it gradually emerged that he’d been haunted for decades by the insensitivity he’d shown when Owen first came out. As Shaun enthusiastically transformed himself into “Poppy Love”– you had to wonder what his wife was thinking –  the process triggered an emotional reaction in the Georgeouses’ Anna Phylactic, who suffered flashbacks to the confrontational scenes with his own parents when he was outed.

It all built towards the climactic scene where the remade trio performed their own drag act while lip-syncing to Heather Small’s self-empowerment stomper “Proud”. For that night at least, they were transformed – “the real Abby’s been hiding for 15 years,” said her newly-created persona Bella di Ball. As Cheddar Gorgeous put it, “there’s a little bit of fabulous in all of us.”

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Cheddar Gorgeous handled the moment with the deftness of a seasoned psychotherapist

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more tv

Rebecca Miller musters a stellar roster of articulate talking heads for this thorough portrait
Mick Herron's female private investigator gets a stellar adaptation
The director of hit TV series 'Gomorrah' examines another dark dimension of Italian culture
Soapy transatlantic political drama keeps the Special Relationship alive
Sundance winner chronicles a death that should have been prevented
Jude Law and Jason Bateman tread the thin line between love and hate
Jack Thorne's skill can't disguise the bagginess of his double-headed material
Jackson Lamb's band of MI5 misfits continues to fascinate and amuse
Superb cast lights up David Ireland's cunning thriller
Influential and entertaining 1970s police drama, handsomely restored