TV
Adam Sweeting
Is it always the same bit of Cornish clifftop they gallop along in Poldark? Anyway here it was again, raising the curtain on the third series. As the camera flew in over a gaggle of squawking seagulls spiralling above the foaming surf crashing on the rocks, we could discern a lone horseperson charging across the skyline. But it wasn’t Ross Poldark. It was his former (or is she?) inamorata, Elizabeth Warleggan.From the quasi-orgasmic wailing sounds Elizabeth (Heida Reed) was making as she bounced atop her thundering steed, it was difficult to tell whether this equine excursion was business or Read more ...
Adam Sweeting
As the accompanying music reminded us, it's the time of the season for looking back in languor at the psychedelic daze that descended on America's West Coast in 1967. It was an era when one was enjoined, if going to San Francisco, to "be sure to wear flowers in your hair". "Feed your head," added the Jefferson Airplane, ensconced in their Haight-Ashbury rabbit-hole.However, the scope of this first of two programmes was much wider, and far more interesting, than a mere survey of the rock groups of the day. It went back to the beginning of the 20th century and travelled both east and west as it Read more ...
Barney Harsent
The latest test of the nation’s perseverance and patience – a snap election called just before the negotiations for Brexit are due to start – seemed like an extraordinary act of hubris at the start. The initial billing of “Strong and stable” vs “Coalition of chaos”, was a statement that implied the Tories’ lead was so big that only by ganging together could the other parties beat it. It also appeared to be an assumption that was probably fair enough.However, a decision for Theresa May to fight the campaign on personalities not policies stumbled upon the realisation that hers is Read more ...
Adam Sweeting
Welcome to Ackley Bridge Academy, home of a new Channel 4 drama and a new amalgam of two segregated schools in a Yorkshire mill town setting out to prove itself “a new school with a new attitude”. This, at least, is the vision of new headteacher Mandy Carter (Jo Joyner, pictured below), as she sets about creating a workable blend of her white and Asian clientele.Apparently the town is known as one of the region’s most divided communities, so can the new academy become “a great big melting pot, big enough to take the world and all it's got” (to quote the mercifully forgotten Blue Mink)? Read more ...
Jasper Rees
Four years ago the BBC dramatised the story of the Lucans. Rory Kinnear donned the forthright moustache and Catherine McCormack played his spouse Veronica as a brittle victim of mental cruelty. The script speculated about the murder of the nanny Sandra Rivett using all the known sources. A year later Laura Thompson’s book A Different Class of Murder was published and last year the vanished earl’s death certificate was issued. That might have been thought to be that. But since 1974 Lucan’s widow – whose official name is Veronica, Dowager Countess of Lucan - stayed mainly silent. In this Read more ...
Markie Robson-Scott
The second episode of Bruce Miller’s brilliant dramatisation of Margaret Atwood’s The Handmaid’s Tale on Channel 4 finds Offred (the wonderful Elisabeth Moss) being penetrated by Commander Fred Waterford (Joseph Fiennes, looking conflicted). Of course, his barren wife Serena Joy (Yvonne Strahovski) is there too, lying on the bed with Offred’s head bouncing in her lap. Offred tries to take her mind off this no-fun threesome with thoughts of blue things from the time before. Her blue car, "Tangled up in Blue", Blue Oyster Cult – how alien the words sound. Especially as handmaids only wear red Read more ...
Adam Sweeting
It probably hasn’t escaped your notice that we are celebrating the 50th anniversary of Sgt Pepper’s Lonely Hearts Club Band, the triumphant vindication of the Beatles' decision to quit touring and instead exploit the possibilities of the recording studio. Could there be anything new to say about an album so thoroughly analysed, anatomised, eulogised and mythologised?Eager to answer that question with a resounding “yes” came Howard Goodall, bounding eagerly into the studio to tell us why, exactly, Sgt Pepper is so blinking marvellous and how it blew open the doors to a limitless new Read more ...
Adam Sweeting
This is Jimmy McGovern, so it’s no surprise to find ourselves up north and feeling grim. The prolific screenwriter’s latest drama series is located in what is described only as “a northern city” (though apparently it’s 60 miles from Sheffield, which would take you to McGovern’s home town of Liverpool as the crow flies).Here, wherever it is, kindly Father Michael Kerrigan (a sotto voce Sean Bean) does his best to minister to his depressed and impoverished flock, who are struggling to make ends meet both physically and spiritually. In particular, we zero in on Christina Fitzsimmons (Anna Friel Read more ...
Jasper Rees
Playwrights have long migrated to the small screen in search of better pay and room to manoeuvre. Most don’t leave it as long as Conor McPherson, who was perhaps cushioned from necessity by the global success of The Weir. A quarter of a century after his stage debut, Paula (BBC Two) is his first go at television drama. In order not to frighten the horses, it features some conventional post-watershed thrillerish tropes: an extramarital affair, a psychopath, a murder, a police investigation.But some things never change: frightening the horses is a McPherson speciality. Tom Hughes plays white Read more ...
Adam Sweeting
In the dog-eat-dog world of White Gold it’s 1983, when greed was about to become good and (as the show’s creator Damon Beesley puts it) “a time when having double-glazed patio doors installed meant you were winning at life”. The streets were full of sludge-coloured cars from British Leyland, and Duran Duran and Bonnie Tyler ruled the charts.Beesley (of Flight of the Conchords and The Inbetweeners fame) served time as an Essex Man in his youth, and this pungently-flavoured opener dripped with closely-observed ambition and ruthless one-upmanship. Our protagonist and narrator Vincent Swan ( Read more ...
Jasper Rees
Television dramas about catastrophic events in broken Britain are meant to be cathartic. They knead the collated facts into the shape of drama for millions to absorb and understand. Then we all somehow move on, sadder but slightly wiser. The Murder of Stephen Lawrence. Hillsborough. The Government Inspector. And still they flow onto the screen: only recently there’s been Damilola: Our Loved Boy, The Moorside and Little Boy Blue.Now Three Girls, in which over three nights on BBC One redemption was dealt out with extreme parsimony. You knew it was going to end complicatedly when the guilty Read more ...
Adam Sweeting
EastEnders habituees will be familiar with the colourful past of Alfie and (especially) Kat Moon, who have both been AWOL from the mothership since early last year. But they’ve used the time wisely, preparing busily for this new spin-off drama in which they’ve shipped out to the seaside village of Redwater, County Waterford, to track down Kat’s long-lost son. She gave birth when she was scarcely more than a child herself, and the infant was whisked away from her and taken to a convent.It started quite promisingly. It was the summer of 1994 (or so the caption said), and we saw a pair of small Read more ...