TV
Adam Sweeting
Some things never change. About 60 per cent of this first show in Strike Back’s seventh series consisted of Mac McAllister (Warren Brown) and his intrepid Section 20 squad mowing down members of a Malaysian triad gang with automatic weapons. The triad people didn’t help themselves by all wearing black suits with white shirts and running like lemmings into the line of fire, where they did a funny little jitterbug dance on the spot as they were pumped full of bullets.But that’s the way they like it in Strike Back world, where there isn’t an imminent global catastrophe that can’t be solved by Read more ...
Adam Sweeting
“I’ve remained a vital presence on the fringes of TV Land,” argues Alan Partridge in an interview with Radio Times, the man whose latest claim to… well, not fame, but at least he has been presenting Mid Morning Matters on North Norfolk Digital. For this new series, Partridge has been hauled out of the low-rent regional twilight zone where somebody called Jenny does the station’s accounts in an exercise book to provide sickness cover on the anodyne BBC TV magazine show, This Time.On the This Time sofa he’s joined by Jennie Gresham (Susannah Fielding), who keeps the show rolling along with a Read more ...
Jasper Rees
Curfew (Sky One) is a new drama that begins as it means to go on, roaring from nought to 60 with a wildly implausible car chase. An electric blue McLaren is haring and weaving through London, with the law in hot pursuit. Forget the computer-generated high-speed U-turn and the armour-plated panda cars. We are clearly in the outer reaches of sci-fi alt reality because the arteries are miraculously unclogged of jams that snarl and belch with white vans and Priuses. Bet they don’t even have the congestion charge.This London, with its gleaming towers, would be paradise if only the eponymous curfew Read more ...
Owen Richards
It’s always interesting to see how presenters make their presence known in documentaries. Louis Theroux hovers on the sidelines like an ethereal presence, Stacey Dooley connects immediately on an emotional level, and one-time host Keith Allen handled proceedings like a fight before a Millwall game. Alice Levine wasn’t the most obvious choice to tackle the rise of the far right; she’s best known for her work on Radio 1 and comedy podcast My Dad Wrote a Porno. In her first foray into TV journalism, there was some promising headway but her inexperience ultimately shone through.Levine is Read more ...
Adam Sweeting
It’s 1945 and World War Two is nearly over. Somewhere in England, Fiona Symonds (“Feef” to her friends) is training to be a spy and be dropped behind enemy lines. Her training involves such amusements as being woken in the night by having a bucket of water chucked over her, then being interrogated by two fake German officers.But the end of the war in Europe brings Feef’s dreams of covert derring-do to a sudden halt. Wrapped in the arms of her American lover Peter McCormick (Matt Lauria), she wistfully laments that she now won’t be able to parachute into Germany and blow up bridges. Perhaps Read more ...
Saskia Baron
Is there an algorithm for writing this review? There seems to have been one used to create Baptiste, a spin-off from The Missing, and even the staunchest fans of Tchéky Karyo will be struggling not to see the all-too-familiar formula poking through the script. Julien Baptiste is the weary French detective with the hole in his head where a tumour used to be, coaxed out of retirement (just one more time...) by his old flame Marthe (Barbara Sarafian) who just happens to be the Chief of Police. She tells him no-one else has his expertise. We're in Holland (cue dodgy Read more ...
Jasper Rees
When the third series ended with a car crash, I did wonder whether Catastrophe (Channel 4) should maybe think about calling it a day. The previous half-dozen episodes had gone to a dark place in their exploration of alcoholism, but stealthily, as if the script didn’t quite know whether it was meant to be funny or a gut-wrenching purgative. Well it’s always good to be proved resoundingly wrong. Catastrophe, written by and starring Sharon Horgan and Rob Delaney, returned for a fourth turn of the wheel with the filthy smile restored to its face.The scripts have been to some awkward and icky Read more ...
Adam Sweeting
And so back to the windswept landscapes of the Shetland archipelago, where stoical DI Jimmy Perez is still keeping the bad guys at bay while continuing to cope with life as an ageing widower. You do wonder, though, how he sustains his commitment to the job in a territory offering such a restricted career ladder.Anyhow, the challenge is keeping screenwriter David Kane on his toes (the original Ann Cleeves novels having been all used up). This opening episode of a new six-part story revolved around the fate of a young Nigerian man called Daniel Ugara (Ayande Bhebe), although it took a while to Read more ...
Adam Sweeting
The end of series five of Endeavour found PC George Fancy shot dead, Cowley police station closed and the old crew dispersed. With Led Zeppelin on the soundtrack (it’s 1969), the sixth series opened minus WPC Trewlove, but with Fred Thursday demoted and shunted off to Castle Gate police station. As for Sgt Morse, they’d put him in uniform, given him a dinky little blue-and-white Austin 1100 and parked him in the leafy wilderness of Woodstock.However, screenwriter Russell Lewis cheered us up with a comical little skit starring Chief Super Bright (Anton Lesser), now the star of a TV commercial Read more ...
howard.male
Even the most ardent Bowie fan might dismissively sum up their idol's pre-fame years with just these three words: The Laughing Gnome. And so it's hardly surprising that the director of Bowie: Finding Fame, Francis Whately (who also made David Bowie: Five Years and David Bowie: The Last Five Years), found himself wondering if there was enough meat on this particular bone for another 90 minutes' worth of enlightening information and entertainment.But he needn't have worried. The Bowie he uncovered turned out to be just as compulsive in his greed for creating identities, just as keen to move on Read more ...
Adam Sweeting
Picture this. You’re sailing in the Timor Sea with family and friends on your luxurious yacht, hoiking the occasional plump fish out of the ocean to provide a ready meal washed down with Aussie plonk, when you suddenly chance across a decrepit, broken-down fishing boat crammed with mostly Iraqi refugees. What do you do?There are too many of them to fit on your yacht, so you can either try to tow them to where they want to go (Australia) or, since you’re currently out of radio range of coastguards or police, leave them while you go in search of rescue. Other options might have been tow them Read more ...
Adam Sweeting
Wolfgang Petersen’s film Das Boot is now nearly 40 years old, but in this new TV sequel time has moved forward a mere nine months from the original story, into the autumn of 1942. Whether it’s still springtime for Hitler is moot, but the U-boat crews based at La Rochelle are locked in a grim struggle with both the Atlantic and with Allied ships and aircraft.From the furniture-rattling opening sequence of a submarine being sunk by depth-charges, these first two episodes (out of eight) were tightly-wound and exuded a powerful atmosphere of menace. The series extends the war onto a new front, Read more ...