TV
Barney Harsent
Kids today eh? Eh? Ask them what they want to be and they’ll probably reply, “famous” or “rich.” I mean, really… what do they aspire to? What do they want? Wearable tech and a free pass to the Boot Camp stage of The X Factor at a guess. Tell you what, let's ask five-year-old Emily. "Emily, what do you want to be when you grow up?" "A jelly maker. A pencil sharpener!" Ooooooookay. I wasn’t expecting that. Good answer. I hope, one day, she achieves her dream. For now though, she and her band of knee-high humans are too busy restoring my faith in humanity. The Secret Life of 5 Year Olds isn’t a Read more ...
Barney Harsent
After the roaring success of Daredevil this year, Marvel brings us the next instalment in the TV rendering of their universe – or part of it at least. Jessica Jones, created by writer Brian Michael Bendis and artist Michael Gaydos in 2001, is a failed superhero and volatile PI who copes with her demons by drinking so heavily that at least one of her superpowers seems to reside in her liver. Super strength, near-flight and a fine line in withering sarcasm make up the rest.Once again, Netflix have released a show, in its entirety, on one day, so it’s up to us how we consume it. Rather than the Read more ...
Tom Birchenough
If the title wasn’t already occupied, television-wise, the BBC might have titled Capital “The Street”. It’s got the high soar-aways over urban geography that recall the soaps, but here they spread wider, taking in a metropolis. It’s “capital” as in London, and we may wonder just who’s been padding around the premises before John Lanchester’s 2012 novel, from which Peter Bowker’s three-part drama is adapted. As a big-blend city story, comparisons to Dickens have been plentiful. But throw in the other meaning of the title – foundations of capitalism, the movement of money and all that, in a Read more ...
Marina Vaizey
Arena is the longest-running arts documentary programme for television at the BBC, and perhaps the world: as the BBC itself phrases it, this compendium celebration presented 24 hours in 90 minutes for 40 years, marking the show's latest anniversary. Conceived by the ever-creative and energetic Humphrey Burton all that while ago, Arena has made over 600 films, looking at high and low culture with equal curiosity, alacrity and even audacity.This visual anthology was a slightly queasy trip down memory lane, dizzying and provoking as we heard TS Eliot himself reading The Waste Land to visuals Read more ...
Jasper Rees
The Saga saga has come round for a third turn of the wheel. Much water has flowed under The Bridge since series two. Without wishing to provoke a visit from the spoiler Stasi, it is safe to reveal that Martin is no longer in the picture. He is currently enjoying Her Danish Majesty’s hospitality, and over the water in Malmö Saga is partnerless. Indeed in the Copenhagen police force, her reputation is no longer just as an oddball with no sense of humour, communication skills or empathy. She’s the one who ratted on her closest colleague.So series three is all about palling Saga Norén (Sofia Read more ...
Adam Sweeting
As you all know by now, Friday is D-Day for Adele's new album 25, and part of the all-media Adelathon is Friday night's show on BBC One, Adele at the BBC. It's a mix of live performances and taped sequences linked together by chunks of interview with Graham Norton, and makes the perfect relaunch package for the reclusive superstar. It opens, aptly enough, with her performing "Rolling in the Deep".It probably won't surprise you to learn that a visibly excited Norton is not at his most critical. There aren't any questions about Adele's ill-starred songwriting collaborations with Damon Albarn Read more ...
Jasper Rees
Nearly 20 years ago the West End was in a lather of excitement about a show called Voyeurz. A "musical revue" set in a nightclub on Manhattan, it was all about a young girl venturing into the uncharted caverns of her own sexuality, and it was opportunistically crammed with hot sapphic action. It tanked. Its producer and co-director was Michael White, known to his legion of chums as Chalky.Voyeurz was a last throw of the dice for White. An impresario always on the lookout for the unexpected artistic gamble, he coughed up the money for Oh! Calcutta! and The Rocky Horror Show, for Dame Edna Read more ...
Tom Birchenough
The story of Orion, aka Jimmy Ellis, really was a case of truth being weirder than fiction. “He couldn’t have failed, if Elvis had never lived,” we heard from Shelby Singleton, boss of Nashville’s Sun Records, which launched his career – meaning that Ellis was born with a voice so close to the King’s that he couldn’t escape becoming something of a stand-in. There was no other direction for his talent, despite efforts to clear matters up by recording a song, “I’m Not Trying To Be Like Elvis”.The mask he donned over his eyes to give an extra element of mystery was a stipulation in his contract Read more ...
Adam Sweeting
Had he not become one of the pivotal members of Pink Floyd, it's not difficult to imagine that David Gilmour might have become an academic like his father Douglas (who was a lecturer in zoology and genetics at Cambridge), or maybe a high-flying lawyer with leftish inclinations. Despite having been at the vanguard of rock music in its greatest and most extravagant years, Gilmour was never a likely candidate for a dissolute life of rock'n'roll hedonism.During this expansive TV profile, he pondered over this himself. Inspired back in the Fifties by Bill Haley's "Rock Around the Clock" and Elvis' Read more ...
Jasper Rees
“He has been in poor health for some time, but was cracking jokes to the last,” read the statement from Warren Mitchell’s family following news of his death today, at the age of 89. That will come as no surprise for those who remember the actor primarily as Alf Garnett, first in Till Death Do Us Part (on the BBC, 1965-75), and later In Sickness and In Health (1985-1992).But, as I discovered when interviewing Mitchell in 2002 on the eve of his playing the lead in Arthur Miller’s The Price, there was much more to him than the Cockney dock-worker. He was Miller’s favourite British actor, and won Read more ...
Veronica Lee
Josh Widdicombe is the tousle-haired guy at the end of the sofa on Channel 4's The Last Leg – where, as in his stand-up, he's permanently baffled by life and quickly reaches screaming pitch about the most minor of controversies. And so, in his new sitcom – written with Tom Craine, a fellow stand-up and his former flatmate – he plays to type as a tousle-haired guy who's permanently baffled by life and quickly, etc, etc.Widdicombe plays Josh, a twentysomething who shares a flat with two former university chums - Kate (Beattie Edmondson) and Owen (Elis James). Their landlord Geoff ( Read more ...
Marina Vaizey
This "mockumentary" concerning the play The Curious Incident of the Dog in the Night-Time was incredibly well-intentioned and unintentionally baffling. It operated on so many levels at once that the viewer could all too easily keep falling through the cracks. Was it about the wonderfully successful play and its productions, the novel that inspired it, or, in the real world, children and adults on the autistic spectrum, and their interaction with society?The conceit is that the programme was itself a documentary made by Christopher Boone, the 15-year-old hero, about the play in which he was Read more ...