World War Two
Saskia Baron
It has become so hard to find funding for non-fiction films that many documentary makers now feel compelled to sell their stories as racy detective yarns, larded with dramatic scores and sneakily obfuscating narratives. There’s a piece of deception at the heart of Sam Hobkinson’s Misha and the Wolves which in this age of Holocaust denial, is distressingly slippery.The film starts out as a portrait of a little Jewish girl, Misha Defonseca, who was hidden with a Belgian family during WWII. Decades later, living in America she tells her synagogue an incredible, heart-rending story of Read more ...
graham.rickson
What we don’t learn about filmmaker Harry Birrell is as tantalising as what is actually revealed during the course of Matt Pinder’s beguiling 90-minute documentary. We hear that Birrell was born in Paisley to a father he never met, who had been killed in action on the Macedonian Front, and that the young Harry was given a cine camera at the age of 10, the start of a lifelong hobby. We see Birrell’s granddaughter, actress and producer Carina Birrell, peering into storage boxes in a garden shed containing 400 reels of film plus assorted photograph albums and diaries.Birrell moved to London in Read more ...
Matt Wolf
Nancy Mitford's 1945 literary sensation looks poised to be the TV talking point of the season, assuming the first episode of The Pursuit of Love sustains its utterly infectious energy through two hours still to come. Adapted and directed by the actress Emily Mortimer, who has given herself a plum supporting role as an errant mother known as "the Bolter", the between-the-war three-parter is off to a galloping and giddy start, as if taking its cue from the breathless Linda (Lily James) at its ever-pulsating heart. The course of true love may not run smooth, to co-opt a line from a Read more ...
Matt Wolf
It can't be easy maintaining dignity when everyone in your vicinity is losing theirs. But that's the position in which the inimitable Judi Dench finds herself in Six Minutes to Midnight, a bewildering movie in which star and co-author, Eddie Izzard, spends a lot of time running hither and yon even as the film itself refuses to budge.Based on the tantalising existence of an English finishing school for daughters of German higher-ups and the like that shut its doors in 1939 just prior to England's entry into World War Two, the director Andy Goddard's quasi-thriller suggests The Read more ...
Tom Birchenough
There’s a striking interview among the extras for this Criterion edition of Russian director Larisa Shepitko’s fourth and final feature. The director was talking in 1978 to Bavarian Television at the Berlin Film Festival, where The Ascent had won the top award, the Golden Bear, the previous year. She had only just turned 40 yet speaks about her World War II film with the absolute authority – not least about moral and spiritual subjects – of a figure far more established on the world cinema scene (her achievements to date were remarkable anyway for the hurdles she had overcome as a woman Read more ...
Saskia Baron
This is an odd film, made even odder by a caption near the beginning, which claims it is "inspired by true events" but doesn’t elaborate. Produced in Belarus, it’s a Holocaust drama based on a novella by the veteran East German screenwriter/director Wolfgang Kohlhaase but made by the Ukrainian director Vadim Perelman. Perelman had quite a success in 2003 with House of Sand and Fog, but since then seems to have mainly worked in television.Persian Lessons tells the far-fetched story of a young Jewish man from Belgium, who when captured in France in 1942, manages to survive by Read more ...
Tom Birchenough
Kantemir Balagov’s second feature announces the arrival of a major new talent in arthouse cinema. Made by the Russian director when he was just 27, and premiered at Cannes last year, where it won in the “Un Certain Regard” strand, Beanpole approaches its bleak aftermath-of-war story with all the practised subtlety of an established auteur while delivering an emotional impact that is empathetic and shocking in equal measure.Set in 1945 in Leningrad, months after the end of the Great Patriotic War at a time when any elation of victory has given way to an understanding that the future will be Read more ...
mark.kidel
Based on a novel by Jerzy Kosinski, The Painted Bird is an extraordinarily powerful chronicle of a young Jewish boy’s survival in Eastern Europe, the scene of some of the most terrible violence, inhumanity, and depredation during the Second World War. The Czech director Vacláv Marhoul worked on the project for more than 10 years. It's a labour of very dark love.The child, separated from his parents, wanders through a horrific landscape, inhabited by peasants whose lives have barely changed since the Middle Ages, Soviet and Nazi troops ravaging the land as if possessed by all the most Read more ...
India Lewis
Since the collapse of the Soviet Union, there has been a collective examination of its past, with Nobel Prize-winner Svetlana Alexievich at the helm. Young Heroes of the Soviet Union looks back at the USSR through the lens of the personal, much like recent memoirs East West Street and The Hare with Amber Eyes. Like these accounts, Halberstadt’s book focuses, at least in part, on the tragic history of the Jews in Europe. It works well in that Halberstadt relates the story to himself throughout – not so frequently as to feel heavy-handed, but often enough so as not to lose himself as the Read more ...
Adam Sweeting
The notion of massed aircraft dogfighting over southern England seems inconceivable now, but the Battle of Britain in the summer of 1940 was all too horribly real for its participants. Marking the 80th anniversary, this three-part recreation of three pivotal days in the campaign began with 15 August, the day of the first major German attacks.This is fairly typical Dan Snow territory, and you can imagine that the chisel-jawed historian might secretly picture himself flinging his Spitfire through the skies in pursuit of the despicable Luftwaffe. Ironically, though, it was his co-presenter Kate Read more ...
Adam Sweeting
Das Boot made an impressive debut early last year with its entwined narratives of war by land and sea. This second instalment (Sky Atlantic) looks set to be better still, exploring the strata of life under Nazi occupation in the German-run port of La Rochelle while also developing the American connection which we saw glimpses of last time around.It opened with a bang, or a series of bangs, as we joined Johannes von Reinhartz (Clemens Schick), skippering his submarine U-822 in an attack on a merchant ship on a dark and turbulent Atlantic. As the ship sank, von Reinhartz was horrified to see Read more ...
Liz Thomson
Last Sunday evening I was making lentil soup (words I never thought I’d type) when Radio 4’s discussion of wealth, or lack thereof, gave way to a profile of Dame Vera Lynn. She was “trending”, her NHS fundraising duet with Katherine Jenkins of “We’ll Meet Again” having hit number one on iTunes. A mash-up of the song, in aid of West End artists, is to follow.I resisted the urge to switch stations and listened as presenter Mark Coles chatted to friends and family, including daughter Virginia, who revealed that her mother is often trilling away (in tune) at 11.30 at night as she gets ready for Read more ...