world music
Matthew Wright
For three unassuming musicians, sitting cross-legged in a row, Korean folk-noise fusion band Jambinai’s London debut last night was seismic. With an ambitious project to integrate the techniques and idioms of traditional Korean folk with a blend of noise-rock, drone-rock and electronic music, they gave a concert that was, from the moment the grinding drone of the geomungo started yawing through the crowd, utterly distinct and original.There are two formations performing, a trio of multi-instrumentalists, with Eun Young Sim playing geomungo (a traditional seven-stringed zither, plucked with a Read more ...
Tim Cumming
Not many concerts at the Queen Elizabeth Hall culminate in a string of beautiful African women sashaying down the aisles to the stage to press fivers and tenners upon the still-crooning singer. After taking their hands in turn, as if in benediction, Kassy Made Diabate turned and dropped the fistful of notes at the feet of his ngoni player. Then, after the encore, the final bows, the raising of the house lights, the ngoni player got up with his instrument and left the money there behind him. Enough for a very good night out. Perhaps the roadies were going to get lucky.Kasse Mady Read more ...
Tim Cumming
Africa Utopia at the Southbank Centre is back for its third year with a raft of concerts and events, and for Friday night Senegal's Orchestra Baobab returned to the UK for the first time in three years, one of the great names of the post-independence African renaissance. They were joined by a young French-Cameroonian artist, Blick Bassy (pictured below), who was coming to London for the first time with his debut album Ako.He was here with his trio of cellist Clement Petit and trombonist Fidel Fourneyron, both superb, malleable players, and Bassy on banjo, singing songs inspired by Skip James Read more ...
Barney Harsent
Producer Ruf Dug has released a slew of singles and remixes, both on his own label, Ruf Kutz, and other independent imprints, including Porn Wax and Banoffee Pies, that have made the UK such an exciting prospect for new music for the past few years. For this, his debut LP, he decamped to Guadeloupe, a location that has clearly influenced the very bones of the work. After a vinyl release earlier this year, it’s now getting the full treatment later this month, and deservedly so.This is an album that will undoubtedly be hailed as a Balearic classic. No surprise there, the genre is so wide, it’s Read more ...
Matthew Wright
Eno Williams is lead singer and composer of the band Ibibio Sound Machine, an eclectic fusion in which contemporary dance and synth are laid over classic Nigerian highlife rhythm and vocals. The full line-up consists of eight musicians working with a range of influences, including Brazilian percussionist Anselmo Netto, Ghanaian guitarist Alfred Bannerman, and producer and saxophonist Max Grunhard. The band’s debut album, Ibibio Sound Machine, was released on the West African specialist label Soundway, to widespread acclaim last year, and they are already busy performing across the festival Read more ...
Peter Culshaw
Now was the summer of our disco tent. The disco tent in question backstage was not jumping as much as in previous years – somehow strutting your Travolta moves in wellies doesn’t quite cut it. A glam tribute band at Molly’s Bar on Thursday night, knocking out Bolan and Bowie numbers dressed in cheap sci-fi tat were hugely entertaining though.Friday was a washout, with nonstop rain, but there were gems – like Tinariwen (pictured, below) whose music is more roll than rock, something to do with how the camels move in the Sahara. Though their main man Ibrahim seems to have been replaced by Read more ...
mark.kidel
Trudging through the mud at last weekend’s WOMAD provided fleeting moments of random entertainment, as if surfing old-style across the bandwidths of a short-wave radio, you’d stumble unexpectedly on snatches of exotic sounds from around the globe: an eerie double-bass Mongolian throat-song one minute, and a horror-dark wisp of electronically enhanced tango the next. The food was taste-bogglingly varied too, from Algerian-flavoured steak wraps to a mysterious array of Tibetan treats. WOMAD’s programmers know their stuff. There was a profusion of excellent music drawn from all corners of Read more ...
Kieron Tyler
The Mothmen: Pay Attention!On their 20-minute “Mothman”, Manchester’s The Mothmen took a trip fusing bendy Captain Beefheart-style guitar, dub, insistent percussion and a Krautrock sensibility. The side-long track closed their album Pay Attention!, originally issued in March 1981 by the On-U Sound label. As a sign-off, “Mothman” was undoubtedly arresting but however absorbing it was, this was the sound of history. The workout was recorded by a line-up of The Mothmen which split shortly after it was recorded in May 1980.The band carried on with a reconfigured membership, but Pay Attention! is Read more ...
Tim Cumming
The fifth Songlines Encounters Festival at Kings Place brought together artists from around the world, offerering a powerful cultural kick-back against all manner of extremist positions. The opening Thursday featured young Portuguese Fado singer Gisela João, with Cypriot trio Monsieur Doumani, and the closing Saturday paired the Shikor Bangladesh All Stars with the Anglo-Bangladeshi Afrobeat Latin grooves of Lokkhi Terra.But it was Friday night’s coupling of Iranian singers Mahsa and Marjan Vahdat with Highlands fiddler Duncan Chisholm that showed how striking and creative these Encounters Read more ...
Thomas Rees
Though they're separated by thousands of miles, Cuba and Mali share a common musical connection. Right at the heart of Cuban music lie rhythms from sub-saharan African and last night the two traditions were united once again when Havana-born piano virtuoso Roberto Fonseca (of Buena Vista Social Club fame) took the stage with Fatoumata Diawara, a Malian singer and guitarist who is fast becoming a giant of the world music scene.The pair first met when Fonseca invited Diawara to feature on his 2012 release Yo, in which he explored his own African roots. Since then they seem to have been Read more ...
Thomas H. Green
Most people like new music to sound as much as possible like music they’ve heard before. At the very least it should adhere to core genre tenets that don’t force listeners from their comfort zone. Music that’s regarded as brave by a conservative music media usually has the tiniest hint of something fresh, resulting in self-satisfied hurrahs for the excitements of Vampire Weekend, Arcade Fire and the like. A label such as Belgium’s Crammed Discs, then, which consistently backs artists unbound by genre or even locality, never receives the mainstream attention it deserves as one of the world’s Read more ...
fisun.guner
What was that about the difficult second album? If you thought Ground of its own, Sam Lee’s Mercury-nominated album of 2012, broke new and fertile ground for traditional folk music, then you’ll find The Fade of Time even richer, even more musically ambitious. Here on this 12-track disc is an evocative and heady brew of global influences, featuring the koto, conch, uke, banjo, hunting horns, Jew’s harp, a variety of brass and strings, and wow, not an acoustic guitar to be heard. If you think you know folk, then you don’t know Sam Lee.Sampled sounds, from mineral to animal, archive material of Read more ...