Since Back in Time for Dinner in 2015, this BBC Two social history strand in which families travel into a recreated past to experience ways in which society, leisure and lifestyles have changed has proved a robust perennial. Its latest iteration, Back in Time for The Corner Shop, whisked us away to a Sheffield corner shop in 1897, where the local Ardern family threw themselves into the rigours of late-Victorian retailing with commendable joie de vivre.Sara Cox played presenter and sergeant-major, chivvying the Arderns along in their unfamiliar new roles, and filling in some factual history Read more ...

Armando Iannucci’s move away from the contemporary political satires that made his name, first signalled by his bold, uproariously brilliant Death of Stalin, continues apace with a Dickens adaptation that feels quietly radical. It’s not just the colour-blind casting, which includes Dev Patel playing the young hero; the most striking thing about Iannucci’s Copperfield is how gloriously exuberant it is. While not turning away from the social concerns and personal cruelties that permeate Dickens’ work, Iannucci cranks up the comedy, humanity and sense of community of David Read more ...

"Dickensian" commonly means both sentimental Victorian, apple-cheeked family perfection (especially at Christmas) and abject poverty. The story of Scrooge encompasses both as the old curmudgeon learns to mend his miserly ways and open his heart to others in a tale of redemption.Matthew Warchus's enveloping production has already had two successful outings here (with Rhys Ifans in the "Bah Humbug" role in 2017 and Stephen Tompkinson last year) and another iteration of it has just opened on Broadway.This version, by Jack Thorne (a writer whose work is familiar to all-age audiences for Harry Read more ...

Wild Rose director Tom Harper blends fact with fiction in a charming Victorian ballooning adventure that reunites Eddie Redmayne and Felicity Jones for the first time since The Theory of Everything.Redmayne gives an earnest performance as the real-life James Glaisher, an aspiring aeronaut who aims to vie with the mutton-chopped scientific community by soaring higher than anyone has ever gone before. However, Jones steals the show as Amelia Wren, Glaisher’s derring-do pilot. A fictional wealthy widow, she has little interest in petticoats and doilies, preferring to soar through the heavens, Read more ...

Focusing on twelve women who played a key role in the lives of Pre-Raphaelite painters like Dante Gabriel Rossetti, John Everett Millais and William Holman Hunt, this timely exhibition begins with a whimper and ends with a bang. First up at the National Portrait Gallery is Effie Gray whose marriage to art critic, John Ruskin was annulled after six years for non-consummation. The story goes that, having only seen classical Greek sculptures, he was horrified by her pubic hair!Gray then married Millais and assumed the traditional role of supportive wife. This involved keeping house, bearing and Read more ...

It may sound perverse to say it, but Albert was the perfect twenty-first century prince. Thrust into the heart of the British monarchy he was simultaneously an oppressed outsider who – despite his reputation as the most handsome prince in Europe (not least when wearing white cashmere pantaloons) – struggled to make his voice and intelligence heard.  This curiously female aspect of his plight certainly adds a frisson to a story that would be remarkable by any standards. Thank goodness for historians that it is: for two hundred years after both he and Victoria were born we are being Read more ...

Revisiting Gillian Armstrong's My Brilliant Career for the first time since I saw it in its year of release, 1979, is a mixed experience. I was close in age to its heroine and it was one of the first mainstream feature films I’d ever seen directed by a woman. At the time, it seemed incredibly exciting and inspiring and while the film is still impressive and enjoyable, it’s somewhat less radical than I remembered. The film’s glorious costumes, ornate interiors and repetitive piano score threaten to obliterate its relatively subtle feminist message: I remembered it as more Read more ...

Given that the life of Queen Victoria spanned the best part of a century, the first task for any biographer is to hack a path through the mountain of facts. It ought to help that the queen was a prolific diarist. Too bad for choreographer Cathy Marston that Victoria’s youngest daughter got there first. Princess Beatrice, claiming to be her mother’s appointed literary executor, devoted the latter half of her life to excising all the juicy bits and more besides. Not only did she re-write the diaries. She also destroyed the originals.This narrative two-acter for Northern Ballet, the third by Read more ...

When, in 1853, Edward Burne-Jones (or Edward Jones as he then was) went up to Exeter College, Oxford, it could hardly have been expected that the course of his life would change so radically. His mother having died in childbirth, he was brought up by his father, a not particularly successful picture- and mirror-framer in the then mocked industrial city of Birmingham. Early on at King Edward’s School he was marked out as a pupil of promise and transferred to the classics department which enabled him to attend university and prepare for a career in the Church. Yet he never took his degree, Read more ...

There are not that many plays about sport, but, whether you gamble on results or not, you can bet that most of them are about boxing. And often set in the past. Joy Wilkinson's superb new drama, The Sweet Science of Bruising, comes to the Southwark Playhouse, a venue which regularly punches above its weight (sorry!), armed with a beautifully evocative title and plenty of theatrical energy. It is also tells a story that is both original and affecting, about the Victorian subculture of female boxing. So hold tight, leave your squeamish side at home, and roll up to the ring to watch the Read more ...

It is a very human crowd at Victorian Giants: The Birth of Art Photography. There are the slightly melancholic portraits of authoritative and bearded male Victorian eminences, among them Darwin, Tennyson, Carlyle and Sir John Herschel. The Victorians invented and eulogised childhood, so we see a procession of children, including the inspirational Alice of Alice in Wonderland and her siblings, bathed in a kind of wondering innocence that is later echoed by some gorgeous young women. It is the Victorian age in full flow, gleaming from the walls of the National Portrait Gallery in the gradated Read more ...

Jenny Uglow’s biography of Edward Lear (1812-1888) is a meander, almost day by day, through the long and immensely energetic life of a polymath artist. She builds her narrative on an enormous plethora of primary sources – his marvellous illustrated letters, his limericks and poetry, his hundreds of paintings, prodigious sketches and watercolours, his travel narratives, and the reminiscences, letters and narratives of his contemporaries.These Victorians, tireless travellers, left behind such copious piles of paper that they can practically write their own biographies (at least in terms of Read more ...