techno
Thomas H. Green
Welcome to the final theartsdesk on Vinyl of 2022 which is topped off by two Vinyl of the Months, one there for seasonal jollies and the other for musical adventurousness. As ever, the rest runs the gamut from reissues of albums from decades ago to the most contemporary, cutting edge music around. Dive in!CHRISTMAS VINYL OF THE MONTHVarious The Muppet Christmas Carol (Walt Disney)Is there a more Christmassy object than a picture disc of the soundtrack to The Muppet Christmas Carol? There may be but this will do us very well. Coincidentally, theartsdesk on Vinyl’s festive film-show this year Read more ...
joe.muggs
Want an antidote so forced seasonal cheer and the catchiness of Christmas pop? How about some almost entirely atonal drone, clatter and throb with titles like “Fish Death”, “Tales for Violent Days” and “Dissonance Émancipee”?Music presented as a “lucid nightmare” fuelled by “toxic relationships; job insecurity and exploitation; immateriality of the future, translated into frustration, exhaustion/desperation, claustrophobia and a desire to escape; anguish, panic and a sense of powerlessness towards nature and disease”?Well here’s the funny thing: this album by a Rome-based audiovisual artist Read more ...
Thomas H. Green
The chorus to Working Men’s Club’s song “Money is Mine” usually runs, “Endless depression, it’s time/Suicide is yours when the money is mine.” Presented as the penultimate song of their set, frontman Syd Minksy-Sargeant distils this. Grim-faced, his hand twisting about under his tee-shirt as if suffering from an untenable itch, he spits “endless depression” and “suicide” into the mic on a jarring loop, backed up every inch by harsh, dark, techno-adjacent battering. It’s a moment that sums the night up.Appearing a couple of years ago from rural Yorkshire, Working Men’s Club are a contradiction Read more ...
Thomas H. Green
Carl Cox is one of the key DJs of his generation, the generation that propagated the club culture which blossomed from the European acid house/rave scene (and originally, of course, from black American house and techno).Going through various musical stages Cox ended up as “the three-deck wizard”, focusing on tougher techno-centric sounds. These are the core of his fifth album, and first in over a decade. Utilising analogue equipment dug out of his garage, he achieves mixed results, but the best of Electronic Generations, despite its uninspiring title, has solid exhilarating whip-bang foot- Read more ...
joe.muggs
The Oslo World organisers are at pains to point out that, despite the name, they are not a “world music” festival. And with good reason, really. There may have been a few familiar WOMAD veterans headlining over the week-long event – Senegal’s Youssou N’Dour, Malie's Fatoumata Diawara, the queen of Cuba Omara Portuondo – but the emphasis was emphatically not on any kind of beads-and-bongoes authenticity.Far from it: even in just the three days I was there the culture on offer in venues across Oslo felt more like a trip into a giddy sci-fi vision than the worthy anthropologist’s guide to other Read more ...
joe.muggs
There is now a kind of “leftfield mainstream” in electronic music. It’s populated by people a decade or more younger than the original acid house generation, but who take their core inspiration from post-rave experimentation of the early-mid Nineties. Dusky, Bicep and to an extent people like DJ Seinfeld, Four Tet and Jon Hopkins all channel the rich melodies and textures of Future Sound of London, Orbital, early Aphex Twin, Underworld and co to arena-filling effect. And Daniel Avery has been chief among these. Running through his work from the beginning have been tones and Read more ...
caspar.gomez
My friend George claims to have nightmares about The Great Escape. In them he’s standing in an endless queue, never reaching the front, never entering the venue, and never seeing the band he wants to see. That was his experience the only time he attended, and he consequently reckons The Great Escape is rubbish.“I’ve been going for years and that’s never happened to me,” I said to him.“Yeah, well, you’re press, aren’t you,” he responded, with only a smidgeon of bitterness.“I s’pose so,” I replied, with only a smidgeon of smugness.But now photographer Finetime and I are standing outside Horatio Read more ...
Thomas H. Green
Spring is in the air and vinyl is, as always, on the turntable here at theartsdesk on Vinyl. We’ve been ploughing through all the latest releases and reissues, played loud on a large sound system, each evaluated as fully as possible. Below you’ll find 7000 words to pick through and locate what sounds good to you. Unrestricted by genre, all musical life is here. Dive in!VINYL OF THE MONTHJames Domestic Carrion Repeating (Amok/TNS)Suffolk-based James Scott is in more bands than there’s space to list here, most notably punk outfit The Domestics. His solo debut is a complete treat that deserves Read more ...
joe.muggs
The three Canadians Richie Hawtin (Plastikman), Jason Beck (Chilly Gonzales) and Tiga Sontag (aka just Tiga, who exec produced this album) are each so laden with image and persona it is easy to forget they are musicians sometimes. Hawtin has since the early Nineties not only brought techno to mass audiences, but adorned it with all kinds of conceptual and design spectacle in arenas and galleries as much as in nighclubs. Sontag too, has turned dance music into theatre to huge success, albeit in a much more knowing, camp sense ever since the turn of the millennium electroclash era. And the Read more ...
joe.muggs
Eamon Ivri, from Cork on the Irish south coast, is a polymath. He’s a poet (his nom de techno is taken from minimalist poet Aram Saroyan), a fascinating political thinker, and a searing online satirist of cultural mores (or “shitposter” as the vernacular has it). He is also one of the most exciting electronic music talents in the world right now. His first two solo albums, Gore-Tex In The Club, Balenciaga Amongst The Shrubs and Holy Light, and his recent Entropy in collaboration with Claire Guerin, are flat-out masterpieces, blurring the Read more ...
Barney Harsent
A Life in the Day is the second album from Bed Wetter, nom de plume of DJ, producer and experimental artist Geoff Kirkwood. Perhaps best known for his dancefloor-centred productions under the Man Power moniker, Kirkwood’s thoughtful and committed approach to his art has often seen him venture into uncomfortable territory and work within self-imposed boundaries – from a spell as Artist in Residence for the Sage Opera House and Concert Venue to his music subscription service that promised fans an EP a month for the duration of 2021.During the UK’s second big lockdown, roughly a year ago, the Read more ...
Thomas H. Green
As we ride towards the holiday break on our magic reindeer, it’s time for one last theartsdesk on Vinyl, a seasonal special that, if you scroll down, contains all the usual up-to-date music reviews but, before that, takes a look at Yuletide-themed releases, reissues and heritage fare that might make great presents. As ever, all musical life newly pressed to plastic is here. Dive in.VINYL OF THE FESTIVE SEASONPatrik Fitzgerald featuring Lemur No Santa Clauses (Crispin Glover)This year’s VINYL OF THE FESTIVE SEASON top pick is by long lost new wave troubadour Patrik Fitzgerald. It’s only his Read more ...