soul music
Thomas H. Green
With Cliff Richard it’s tempting for commentators and critics to pull a conceptual double bluff. Cliff is regarded as naff, safe and beloved of grannies, so restating that angle and sneering is tired - it was tired 40 years ago. So what to do? Dig around his back catalogue for a corner to be fought? (I’m Nearly Famous and Wired for Sound are the usual contenders.) Make the valid case that he was the British stepping stone between rock’n’roll and The Beatles? Or simply quote the stats – upwards of 200 million records sold, a national treasure, etc?It doesn’t wash, any of it. Cliff and the Read more ...
Kieron Tyler
By 1977, disco was a cliché to be mocked. But a few years earlier, before its ubiquity, disco was a liberating music uniting minorities on the dance floor. Funk, too, became a cliché, little more than a reductive musical cypher. Two new reissues celebrate these genres when both were still vital, still able to surprise. Disco Gold: Scepter Records & The Birth of Disco is exactly what its title says it is, while Darondo’s Listen to My Song: The Music City Sessions collects A-grade funk that had languished in the vaults until now.Disco wasn’t just the place to dance, but the music, too: a Read more ...
Kieron Tyler
Little Rock, the state capital of Arkansas, usually comes to mind in association with hometown boy Bill Clinton. Soul and funk fans, however, aren’t fussed with the sax-playing former governor and president and fixate on the city’s True Soul label, the home of a raft of rare and sought-after sides. Two volumes compiling the imprint have just been issued and include previously unissued tracks. The harmony-driven soul, Southern grooves and tight funk make a case for True Soul being an essential component of soul USA.Musically, Bill C’s sax was in keeping with Little Rock’s limited musical Read more ...