songwriters
Jo Southerd
It’s been a great year for music: trailblazing and unforgettable EPs from Stella Donnelly and boygenius; the triumphant returns of Robyn, and Janelle Monáe; flawless albums from Kurt Vile and Tunng; stunning re-imaginings from St Vincent and Waxahatchee; and confident debuts from Snail Mail and The Orielles.My home Welsh scene continues to bubble, with much-loved new works from heroes Gruff Rhys and the Manics; national praise for Gwenno’s iconic Le Kov; and sparkling, significant debuts from fresher faces Estrons, Adwaith and Accü. Meanwhile, the stratospheric success of Boy Azooga’s 1,2, Read more ...
Owen Richards
It’s been a tough few years for Sŵn Festival. Once a genuine rival to fellow urban festivals Great Escape and Sound City, recent events have fluctuated between one-dayers and a string of ticketed gigs. 2018 marked the biggest change yet, but also a return to the multi-day, multi-venue format. Founders Huw Stephens and John Rostron announced they were handing over the reigns to Clwb Ifor Bach, Cardiff’s leading music venue. This fresh injection of enthusiasm and experience was just what the festival needed. This year, Sŵn was spread over four days: large single gigs on Wednesday and Read more ...
Barney Harsent
There are people who do and say awful things in the name of honesty. It can be used as a cover for rigorous appeasement of our own worst impulses, or as a thin veil to disguise needless personal attacks on those around us. With singer-sonwriter John Grant, however, it’s impossible to see it as anything other than a colossal strength. Throughout his career (Love Is Magic is his fourth album) Grant has marked himself out as one of the foremost lyricists of his generation. His literate approach, peppered with laugh-out-loud humour and a predilection for the dark underbelly of human emotion Read more ...
Owen Richards
Why is M.I.A. such a problematic pop star? Why can't she just shut up and release a hit? Tellingly, this is the very question the singer poses at the start of Matangi/Maya/M.I.A - a question she's been asked throughout her career, from interviewers to management. Across its runtime, the documentary answers this in no uncertain terms: this is who she’s always been, and mainstream success is a by-product of her unflinching, challenging nature. It builds a compelling picture of one of music’s most singular stars.Matangi/Maya/M.I.A. (titled after her birth name, anglicised nickname and Read more ...
joe.muggs
Knowing a deceased artist's archives are available for re-release is a double-edged sword. Will there be a shoddy flood of any and every old bit of tat a la Jimi Hendrix? Will there be half-arsed, half-finished and even fake songs bodged together by trashy but popular modern dance remixers like Michael Jackson? Will the vaults just stay infuriatingly locked? With the impossibly prolific, but often self-indulgent Prince, it is doubly worrying: who has the rights? What will the quality control filter be like?Well, thank all that is holy, on the evidence of this release they're taking the right Read more ...
mark.kidel
Peyroux made her name by channelling the sultry sensuality and soul of Billie Holiday and breathing new life into well-known songs written by others - notably Elliott Smith and Leonard Cohen.She still brings enchantment to covers, but has increasingly found her own distinctive voice, without losing that element of sensual magic - those long drawn-out notes - inherited from the great Lady Day.Her new album is drawn strongly together by impeccable arrangements and production, studio expertise and inspiration that provides the album with welcome variety, as well as a touch of melancholy Read more ...
David Benedict
“It has a music of its own. It produces vibrations.” Oscar Wilde was being ironic when he had Gwendolen contemplate the sound of her beloved’s drab name in The Importance of Being Earnest, but he had a point when it comes to composers and poetry. With their own “vibrations”, great poems rarely warrant musical interference; bad poetry, meanwhile, can resist even the finest scoring. Choosing poetry that can be richly enhanced by music is not always a trick composers have pulled off, so it’s to Sarah Connolly's and pianist Joseph Middleton’s enormous credit that they created such an eloquent Read more ...
Owen Richards
It’s hard to know who to write about when reviewing a new Gorillaz release. According to the official line, the band have shorn their usual guests to focus on the core creative team: vocalist 2D, drummer Russell, guitarist Noodle, and new bassist Ace, borrowed from The Powerpuff Girls. Of course, behind these virtual masks is Damon Albarn, who’s teamed with experienced producer James Ford (Arctic Monkeys, Simian Mobile Disco, Haim) and regular collaborator Remi Kabaka to create a surprisingly personal and upbeat record.Gone are the dystopian worlds of environmental ruin and elitist overlords Read more ...
Jo Southerd
Lindsey Jordan was 16 when she released her first EP as Snail Mail on her local punk label Sister Polygon Records. Two years later, she has graduated from high school and signed to Matador Records, home of Stephen Malkmus, Kurt Vile and Helium. Lush is Jordan’s debut full-length album, which she describes as being “more deliberate” than her previous work.The record starts as it means to go on: unapologetically sad. This is a break-up album, and the painful confusion of young love rings through with every chord. A melancholic intro paves the way for “Pristine”, the first of many great pop Read more ...
David Nice
Singing satirist Anna Russell placed the French chanson in her category of songs for singers "with no voice but tremendous artistry". Mezzo Karen Cargill has tremendous artistry but also a very great voice indeed, a mysterious gift which makes her one in a thousand, and also rather good French (put that down to Scotland's "Auld Alliance, perhaps). Whether her particular choice of the Gallic repertoire was ideal to sustain three-quarters of a Wigmore song recital which fell a bit short of the greatness she undoubtedly owns is another matter.You spend all your life not hearing a gem, Hahn’s Read more ...
aleks.sierz
Playwright Joe Penhall and the music biz? Well, they have history. When he was writing the book for Sunny Afternoon, his 2014 hit musical about the Kinks, he had a few run-ins with Ray Davies, the band’s lead singer. A couple of years ago The Stage newspaper quoted Penhall as saying that his initial “bromance” with Davies had “rotted into a cancerous feud”, and that the singer had wanted a writing credit for Penhall’s work. The pair have since patched up their differences, but the emotional fuel of this conflict powers Penhall’s latest play, whose production at the Old Vic gets a shot in the Read more ...
Tim Cumming
Since releasing their first record, Bingo Masters Breakout, Mark E Smith (b 1957) has led The Fall through some of rock music’s most extreme and enthralling terrain, cutting a lyrical and musical swathe that few other artists can match. An outsider, self-confessed renegade, and microphone-destroying magus, Smith has seen dozens if not hundreds of musicians pass through the ranks of The Fall over the last 34 years. With their 28th studio album featuring a line-up that’s as stable as it gets in The Fall's rickety table of elements, they continue to make music like no other band, young or old. Read more ...