Shedding a Skin, Soho Theatre review - feel the love

★★★★ SHEDDING A SKIN, SOHO THEATRE Feel the love 

Great staging enlivens this well-written monologue about a cross-generational relationship

Love is the most difficult four-letter word. And platonic love is perhaps the hardest kind of emotion to write well about. But it’s the central subject of Amanda Wilkin’s Shedding a Skin, and she describes it beautifully.

One-Woman Show review - Liz Kingsman's spot-on spoof

★★★★★ ONE-WOMAN SHOW Liz Kingsman's spot-on spoof deep dives Fleabag territory

Comic does a deep dive into Fleabag territory

Imitation is the sincerest form of flattery, they say. I'm not sure One-Woman Show, written and performed by comic, writer and actor Liz Kingsman, is an imitation of a solo show that catapulted another female actor-writer to worldwide fame, but it's imitation-adjacent in a spot-on spoof kind of way.

Alfie Brown, Soho Theatre review - a contrarian on great form

★★★★ ALFIE BROWN, SOHO THEATRE Mental health and male privilege examined

Mental health and male privilege examined

Well, this is a first: a comedy show with footnotes. Alfie Brown tells us at the top of the hour that he'll be stepping out of his routines from time to time to explain why the gag he's about to tell, or has just told, isn't offensive. It's a clever touch, one of several in Sensitive Man.

Sessions, Soho Theatre review – intense, but inconclusive

★★★ SESSIONS, SOHO THEATRE Powerful play about masculinity is intense but inconclusive

Powerful play about masculinity in crisis fails to reach a satisfying resolution

After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped companies put single actors into simple playing spaces to deliver good stories for audiences that just wanted to visit playhouses again. But this theatre form, which is relatively inexpensive and often immune against the pingdemic, does have its limitations. If the essence of drama is conflict between two or more characters, the absence of the other people on stage can often defuse the emotional force of the story.

Ahir Shah, Soho Theatre review - lockdown laid bare

Disappointing show feels like a work in progress

During lockdown most of us were caught in a Groundhog Day existence of sleep, eat, exercise with Joe Wicks, take part in a Zoom quiz, bake banana bread, repeat – or variations on that theme. So a comic doing a show talking about his lockdown experience is taking a risk that it might not be the most scintillating hour – and so it proves with Ahir Shah's Dress.

Mark Thomas, Soho Theatre review - new state-of-the-nation show

★★★★ MARK THOMAS, SOHO THEATRE  Post-Brexit Britain under the spotlight

Post-Brexit Britain under the spotlight

Mark Thomas comes on stage unannounced. It's not a show of humility – rather, he told us, amused at his own mistake, that his hearing isn't what it used to be and he had misheard his music cue. It was a modest start to his new show 50 Things About Us, which he is giving a runout at Soho Theatre before touring with it later in the year.