singer-songwriters
Lisa-Marie Ferla
To the first-time listener of Martha Tilston’s work, the “folk” tag seems like a tremendous over-simplification. Right from its opening track, “Stags Bellow”, the songwriter experiments with novel percussion and call-and-response choruses to create complex compositions that demand to be gotten lost in.These compositions do, however, blend the more traditional percussive and string sounds associated with the genre with some of its central concerns; both personal and political. And Tilston certainly has the pedigree: her father, Steve Tilston, ran a folk club with Bert Jansch and has released a Read more ...
peter.quinn
Jazz pianist and singer Diana Krall has won two Grammys and sold more than 15 million albums worldwide. Born in 1964 in Nanaimo, British Columbia, Canada, she attended Berklee College of Music in the early 1980s and had her major breakthrough with the 1995 album, All for You: A Dedication to the Nat King Cole Trio. Produced by T Bone Burnett and featuring Marc Ribot on guitar (and a cameo from Howard Coward, a.k.a. Elvis Costello, whom she married in 2003), her new album of vintage material largely from the 1920s and '30s, Glad Rag Doll, features songs that Krall has spent a lifetime Read more ...
garth.cartwright
Garland Jeffreys, a 68-year old singer and songwriter, is not simply New York City’s best-kept secret but American’s music’s most consistently underrated and overlooked talent. Garland is a remarkable talent and his latest album, The King of In Between, is musical dynamite. Oddly, he has remained largely invisible in Britain for the past 40-plus years.I first heard Jeffreys on Kiwi radio in 1977 when he had a minor, reggae hit called “Cool Down Boy”. The video showed a light-skinned black man who possessed a fine voice and a sensibility more New York than Kingston. Around the same time I read Read more ...
Russ Coffey
Motherhood doesn’t always bring out the best in singer-songwriters. On the album Aerial Kate Bush, for instance, sings “luverly luverly luverly Bertie…you give me so much joy/ and then you give me more joy”. Yeuch. So when I heard that recent mum Martha Wainwright’s new album was to be called Come Home to Mama my heart sank. It needn’t have. If there’s one thing this album isn’t, it’s sickly.The title actually comes from “Proserpina", the album's only cover and the last song her mother, Kate McGarrigle, wrote before her death in 2010. In Roman mythology Proserpina was condemned to live the Read more ...
peter.quinn
Christine Tobin’s latest CD Sailing to Byzantium brings to life the lyrical magic of W B Yeats’ poems and has been widely acclaimed. Reviewing the album earlier this year, I wrote that "Tobin has created an unqualified masterpiece. Setting poems from across the entire spectrum of Yeats's oeuvre, Tobin perfectly gauges the emotional and spiritual resonances of the texts, aided by performances of incredible subtlety and understatement."In October and November, the BBC award winning jazz vocalist and her group - Phil Robson (guitar), Kate Shortt (cello), Liam Noble (piano) and Dave Whitford ( Read more ...
Kieron Tyler
After 65 years in music, over 55 of them as a solo artist and songwriter, it’s a tad surprising that Neil Sedaka has taken until now to declare he’s revealing the real Neil. Even when his former girlfriend and Brill Building colleague Carole King was baring it all in song, he kept it less personal. The Real Neil isn’t so much a window into his soul though, but a follow-on from recent tours where Sedaka has performed solo, accompanying himself on piano.The Real Neil, a mix of old songs and newly written material, opens with a speech from Sedaka: "Hi, this is Neil, welcome to my world of music Read more ...
Lisa-Marie Ferla
Sugaring season refers to the time of year when maple trees are "tapped", gallons of sap collected and boiled down to make the sweet syrup that goes so well with pancakes. The words trip off the tongue; conjure images of homeliness and those early autumnal sunsets that are by far the prettiest. As titles go it would have been hard to find one more apt for Beth Orton's first release since 2006's Comfort of Strangers; packed itself with pretty moments and the comforts of home.But before the sugar comes that sap, and the Norfolk-born songwriter's six years away have been as tumultuous. Single Read more ...
Lisa-Marie Ferla
The past few years have seen the anniversary reissue, or concert tour in which classic albums are performed in their entirety, become something of a standard. Not so for Tori Amos, who this year is celebrating two decades since the US release of her debut solo album Little Earthquakes. To mark the occasion, she is instead collaborating with the Netherlands’ renowned Metropole Orchestra to rework and recreate some of her best-loved songs in an orchestral setting.The resulting album, Gold Dust, will be released next month and accompanied by a limited run of dates with the orchestra, including Read more ...
Jasper Rees
It’s been 27 years since Suzanne Vega began pressing her almost fey coffee-shop songbook on a receptive global audience. The albums came out at a measured lick – seven by 2007 - each making a successively smaller impression on the charts. Then two years ago she went back and embarked on Close-Up, a four-album project to rethink her entire back catalogue. On each release she partitioned the songs along thematic lines. The first volume dealt with love, the second people and places, the third something called “states of being” and with Volume Four she rounds off the project with Songs of Family Read more ...
Lisa-Marie Ferla
You’ll know by now, perhaps, that Sun is supposed to represent a “rebirth” for Chan Marshall, the famously intense singer-songwriter who performs as Cat Power. Since the release of 2006’s The Greatest Marshall has shunned her own material, instead reinterpreting Memphis soul and Delta blues in a sensual, dusky croon. When your songs are as personal, as taut and extreme as some of Marshall’s work can be, however, there must be times it pays to take a step back.It may sound as if I’m trying to say that Sun is one of those albums is difficult to listen to, but it’s not like that at all. It’s Read more ...
Thomas H. Green
Ry Cooder is an unpredictable quantity. He’s a prickly, opinionated old coot who doesn’t seem the type to pass a night in the pub with. He’d probably not get your jokes and moan about the Rolling Stones nicking his songs. His musical output is equally tricksy. For every fab film soundtrack (Paris, Texas, Southern Comfort, The Long Riders) or Buena Vista Social Club, there’s some less loveable tangential whim, such as his Buddy concept album, about a cat and a toad.However, there’s little doubt Keith Richards did find a golden seam of new songwriting via Cooder in the early Seventies, or that Read more ...
garth.cartwright
Cult figures from rock music’s golden age are numinous today but few are more obscure than Sixto Rodriguez. The Mexican-American singer-songwriter released two albums on Sussex Records in 1970 and ’71. In the US they were quickly deleted and he seemingly vanished. Only a handful of crate-digging acolytes valued these albums, the first of which, Cold Fact, opened with "Sugar Man", a haunting ode to a drug dealer.In the age of Mojo (ie the late 1990s) Rodriguez began to be championed, his albums were reissued David Holmes put "Sugar Man" on one of his compilations, Nas sampled this same tune Read more ...