Shakespeare
Gary Naylor
Four centuries on from the publication of the First Folio, is there anything new to be said about William Shakespeare? Well, the fact that there is nothing old to be said about him (very little is known about the life of the glover’s son from Stratford) means that there’s always something new, as the evidence to gainsay any claim is minimal. Tedious conspiracy theories aside, it’s the kind of paradox the man himself might have appreciated.That’s the jumping off point for 72 Films’ lavish production for BBC Arts, a three-hour series that sits somewhere between the "clips and talking heads" Read more ...
Mert Dilek
Few would have imagined that Kenneth Branagh’s return to the West End would see him garbed in fur-lined, prehistoric clothes. But this is how he takes on the gargantuan role of King Lear, in a compact, fast-paced production of Shakespeare’s great tragedy featuring a cast of RADA graduates and directed by himself.Branagh not only distils the play to an intermissionless two hours, but also sets it in a neolithic period of sticks, stones, and spears, where Lear’s tale of psychic and political dispossession gains a timeless aura. Jon Bausor’s set is surrounded by a Stonehenge-like series of Read more ...
Helen Hawkins
The RSC apparently has a hit on its hands with its West End transfer of Hamnet. Box office demand has already prompted an extension of the run by six weeks, until February 2024.The draw is presumably the bestselling 2020 novel by Maggie O’Farrell on which the play is based, which is a commandingly and inventively written unfolding of the Shakespeare family’s poignant story over almost two decades, at the heart of which is Agnes Hathaway’s relationship with Will Shakespeare and their three children, who include the Hamnet of the title.O’Farrell maps out this story in chronological zigzags, Read more ...
Gary Naylor
Shakespeare gives Iago over 1000 lines to implant the jealous rage in Othello, so there’s plenty to of raw material to work with. The director Sinéad Rushe has had the idea to split these weaselly words between three actors, a device that seems so natural, so revealing, so obvious that one wonders why it hasn’t been done before (or, perhaps, more often).Cut to 100 minutes all-through, this production does not just re-invent the wicked ensign, but forces us to reconsider the Iagos we have met in the past and the Othellos he has driven to dreadful murder. Michael C Fox, Orlando James and Read more ...
Rachel Halliburton
To proclaim that you’re playing gender games with Shakespeare’s As You Like It seems a little like announcing that you have a bicycle with two wheels, or indeed that you’re doing something interesting with rhythms in Stravinsky’s Rite of Spring.Let’s face it, this is a plot in which the female love interest doesn’t just disguise herself as a man but names herself after Ganymede, famed in mythology as Zeus’s gay lover. The idea that this might be heteronormative in any way sounds like a spurious idea on some emotionally constipated academic’s bookshelf. There’s not just sauce for the goose Read more ...
Gary Naylor
That Shakespeare speaks to his audiences anew with every production is a cliché, but, like so many such, the glib blandness of the assertion conceals an insistent truth. The Thane of Glamis has had some success in life, gains preferment from those who really should have seen through his shallowness and vaulting ambition – he even says the phrase himself – and achieves power without really knowing what to do with it. The crown not only justifies the means of his ascension up the slippery pole, but its preservation becomes the sole object of his every deed. History does not record if Read more ...
Rachel Halliburton
Rebecca Frecknall’s Romeo and Juliet burns like ice, paring back and tightening the script so that love and death are constant bedfellows. She underscores her vision with a thrilling, furious physicality, interspersing explosive fight scenes with steely dance sequences heightened by Prokoviev’s immortal Montagues and Capulets.A Frecknall production these days arrives bearing the weight of high expectations; just whisper the words Summer and Smoke, Cabaret, or A Streetcar Named Desire, and most avid theatregoers will spontaneously combust. At her very best, this powerfully instinctive director Read more ...
Gary Naylor
Two years on from Sean Holmes’ production and seven on from Emma Rice’s (both of which featured diverse casts), Elle While takes a turn with the old warhorse’s lovers and fairies, its sparring couples and its Morecambe and Wise-like shambles of a play-within-a-play. The question hangs in the air – what to do to excite audiences, some of whom are so familiar with A Midsummer Night’s Dream that, a row behind me, they were laughing a beat before the punchlines were delivered?The result of such consideration is a bit of a mishmash of things that work, some that don’t and quite a lot in- Read more ...
Jane Edwardes
Shakespeare drew on Plautus’s Menaechmi for this early short comedy. Was it his competitive streak that made him up the ante with not one set of identical twins but two?Imagine that you have newly arrived in a place that you have never visited before, and within 24 hours you are met by a woman who claims you as her husband, a man who thrusts a gold chain in your hands that he insists you had long ordered, and a courtesan who demands the return of a ring she says she gave you earlier. Farce or tragedy? That is the plight of poor Antipholus of Syracuse, who arrives in Ephesus with his servant Read more ...
Matt Wolf
Plays about the theatre are many and varied, from Gypsy and Noises Off to the numerous Shakespeare works that absorb theatrical performance into their very fabric.Jack Thorne's The Motive the Cue immediately takes pole position amongst recent entries in this genre in telling of a onetime Broadway venture – Richard Burton's career-defining Hamlet in 1964, directed by John Gielgud – that surely is itself in time destined for Broadway. By the point, look for various performances, and Sam Mendes' direction, to have been laurelled along the way: the National Theatre hasn't hosted so purely Read more ...
Helen Hawkins
This is a Hamlet for fans of speed-dating. It comes in at just over the two-hour mark, which is standard for a feature film. But considering the uncut text runs to four hours, as it did in the 1996 Kenneth Branagh film (and his earlier stage production), big chunks of text have clearly gone missing.Only those fascinated with the Fortinbras sub-plot that snakes through the action, a counterpoint to the dynastic struggle at Elsinore, will mind most of the cuts, however. John Haidar, the stage director of the 2022 Bristol Old Vic production filmed here by Tom Morris, has rightly calculated Read more ...
alexandra.coghlan
As course after course of Noma-style creations are served up to Leontes and his guests – curious mouthfuls with their accompanying spoons, edible branches as though straight from the tree, elaborate miniatures ritually revealed from beneath a cloche – it’s clear that, in Sicilia, eating is scarcely the point. When you dine among sleek Swedish interiors, surrounded by a military drill-team of waiters, it’s hardly going to be about anything so vulgar as appetite, is it?Director Sean Holmes has pulled off a coup: the first director to use both of the Globe’s theatres in a single evening. It’s an Read more ...