satire
philip radcliffe
You know it must be the holiday season when comic caper-loving Told by an Idiot run riot in the Royal Exchange. Expect the theatre of the absurd, with glimpses of Keystone Kops and Marx Brothers-style zaniness. This time, director Paul Hunter has delved into 19th-century Russia and come up with Alexandr Ostrovsky’s self-styled “savagely funny comedy” Too Clever By Half, in the late Rodney Ackland’s adaptation.With its “gallery of grotesques”, as Ostrovsky called them, led or rather duped by the likeable rogue Gloumov, there’s plenty to go at. And you can rely on Hunter and his company to go Read more ...
Adam Sweeting
It's four years almost to the day since The Duckworth Lewis Method released their first album, a whimsical batch of songs about the myths and mysteries of cricket. It earned them a kind of nichey notoriety among cricket fans and was an eccentric treat for devotees of the duo behind the project, The Divine Comedy's mastermind Neil Hannon and Thomas Walsh of Dublin-based pop band Pugwash.Their debut was released to coincide with 2009's Ashes series against the Australians. This summer the Australians are back, and so are The Duckworth Lewis Method - named, as you will doubtless already know, Read more ...
Veronica Lee
What to do with an old warhorse like The School for Scandal, a fantastic play written by Richard Brinsley Sheridan in 1777 full of smart lines and great parts, beloved not just of professional actors but amateur troupes too - and therefore performed with sometimes monotonous regularity? Well, if you're director Jessica Swale you cut a bit, add a bit and give it some musical numbers while remaining mostly faithful to the original.It's an approach that she used on another of Sheridan's comic masterpieces, The Rivals. Here, the actors, in period garb but making some pointed modern references, Read more ...
Kieron Tyler
For anyone who missed Sightseers in the cinema, purchasing it on DVD is a must. Its blend of the shocking and what initially seems a quirky, Mike Leigh-style British road movie is audacious. Mischievously subverting the familiar, it’s funny, pathos-filled and openly questions the nature of morality. It’s hugely entertaining too.By now, the adventures of Steve Oram’s ginger-faced Chris and Alice Lowe’s angry-woman Tina have been recounted endlessly. Both their performances are sure to fuel cult fandom, with Sightseers assured an afterlife akin to that of Withnail and I. Director Ben Wheatley Read more ...
Lisa-Marie Ferla
After the nightmarish vision of justice system turned spectator sport that was last week’s Black Mirror, you’d be forgiven for feeling a little disappointed that writer Charlie Brooker hadn’t ramped up the horror at the start of the final episode of this all-too-short second series. There were many adjectives one could consider throwing at Waldo, the inexplicably popular blue cartoon bear at the centre of the action, but “horrific” probably wasn’t one of them.And yet the climatic moment of this particular piece of drama was the scariest of all, not least because of its sheer plausibility. As Read more ...
Jasper Rees
Is Charlie Brooker a bit of a soppy old traditionalist at heart? In Black Mirror, our tuned-in, switched-on, networked-up society sits for its portrait. It’s never a pretty sight. Brooker’s vision of the near future, or the alternative present, is Swiftian in its modest savagery. There was a surprise in last night’s second-series opener - with Brooker, there always is – and on this occasion it was to do with the nature of the comedy. There wasn't any. Its place was taken by the dead hollow of real grief.In Be Right Back a young couple - Ash and Martha - were moving to the country home of his Read more ...
Jasper Rees
Mostly thanks to Armando Iannucci, we are currently spoilt for political satire. Between the two of them Veep and The Thick of It have Westminster and Washington running for cover: to use that gratingly pious phrase, they speak truth to power. One behemoth that Iannucci has yet to bring down is the befuddling, clusterfucked idiocy of the American electoral machine. Its cynicism has lately been exposed in George Clooney’s The Ides of March, but that was about a candidate for the Democrat presidential nomination who was too good to be true. What of Republicans lower down the pecking order?Step Read more ...
emma.simmonds
Stop me if you know this one. What do you get if you combine Gallic absurdity with a pristine, pouting Eva Mendes and Kylie as a suicidal chanteuse? The answer, it turns out, is gloriously unpredictable entertainment – by turns satirical, melancholy and effervescently eccentric. Following on from David Cronenberg’s Cosmopolis, which chose to set its verbose and violent social critique in a white stretch limo, Holy Motors uses a similar vehicle both to transport and transform its protagonist.The short prologue sees the film’s French director, Leos Carax, fumbling blindly about a hotel room, Read more ...
Kieron Tyler
“Bruce Lacey has had this unbelievable career,” says the Turner prizewinning artist Jeremy Deller. “His is an alternative version of British art history - people didn't seem to know that Bruce has intersected with British history. I felt he deserves to be looked at again." Deller has put his energies into a documentary, exhibition and film season, all celebrating this influential, but largely unsung and unique British artist.In the new documentary The Bruce Lacey Experience, Lacey himself says, “I’m a satirist or, to put it a crude way, a piss-taker. If I see something, I like to take the Read more ...
Kieron Tyler
Bloopy Seventies synths. Glitter Band drums. The fuzz guitar of Sweet’s “Blockbuster”. Eighties electro-robot-pop. New wave chug. The hot dog streets of West Bromwich. Morning TV. Bailiffs at the door, The secularisation of institutions and the decline of civic pride. Mickie Most and his plastic pop. These then, are amongst the contents of the new tablet handed down by former Felt leader, perennial underdog and über-cult figure Lawrence. Bizarre and enjoyable, it’s disquieting too. “Hello, I’m Lawrence and I’m taking over” he declares colourlessly.A series of close-typed, dense paragraphs Read more ...
bruce.dessau
Is this a sophisticated satire or a dumb, laugh-out-loud, nothing-is-sacred comedy? That is the question which pings around your head Sacha Baron Cohen's latest. The title is presumably a nod to Chaplin's The Great Dictator, but while that is still rated as a classic 72 years years after it was made, somehow you cannot see this piece of lightweight froth, in which Baron Cohen plays strutting but stupid North African potentate Admiral General Aladeen, being held in the same esteem for 72 weeks.Baron Cohen's fourth film marks a move away from the teasing and provoking of real people that made Read more ...
fisun.guner
The Master and Margarita is a rare beast. Not only is it considered to be one of the greatest novels of the 20th century, it also regularly tops reader-lists of all-time favourite books. So it’s no wonder that, since its publication in 1966, 26 years after the author’s early death, Mikhail Bulgakov’s Soviet-era masterpiece has attracted a steady stream of film-makers and theatre directors. But their adaptations have so often floundered that one genuinely fears for anyone fearless, or foolhardy, enough to take it on. With its genre-shifting multiple narratives and dense allegorical layers, Read more ...