rock
Barney Harsent
“Bohemian Rhapsody” is, depending on who you listen to, either a work of unparalleled theatrical daring and creative genius or an unlistenable descent into ludicrously self-indulgent toss. Of course, these are not necessarily contradictory positions... Me? Well, I’m revisiting Queen now that I have an eight-year-old fan living in my house, and it’s been quite the eye-opener, as was BBC Four’s documentary. Queen: From Rags to Rhapsody, along with Days of Our Lives and Freddie Mercury: The Great Pretender, completed a trilogy of documentaries. It used the band’s sonic triptych as a reframing Read more ...
Barney Harsent
The 100 Club is dark. Really dark. People are shrouded in the ink-light. I think it’s to save their embarrassment as they order a drink and realise they’ll have to either apply for a loan or sell a child in order to get drunk. In any case, the indoor gloaming provides the perfect setting for the opening act of the evening, Demian Castellanos. The creative helm of psych-rock act The Oscillation, he's on his own tonight with a wordless solo set showcasing new material.Starting off with tones and drones, Castellanos doesn’t so much create a mood as conjure up musical weather. There’s a gadget Read more ...
graeme.thomson
Exactly three years ago, Imagine Dragons played to 150 people in Glasgow. This time, there were 12,000 people in attendance. The ascent of the Las Vegas quartet (swelled to a five-piece for this tour) brings to mind Peter Cook’s withering assessment that David Frost “rose without trace”. Their 2012 debut Night Visions and this year’s Smoke + Mirrors have shifted in their millions in both the US and UK without the band making any discernible cultural impact.Imagine Dragons make brooding existentialist rock with a post-digital sheen. Self-billed as alternative, they are in reality custom-built Read more ...
Tom Birchenough
The story of Orion, aka Jimmy Ellis, really was a case of truth being weirder than fiction. “He couldn’t have failed, if Elvis had never lived,” we heard from Shelby Singleton, boss of Nashville’s Sun Records, which launched his career – meaning that Ellis was born with a voice so close to the King’s that he couldn’t escape becoming something of a stand-in. There was no other direction for his talent, despite efforts to clear matters up by recording a song, “I’m Not Trying To Be Like Elvis”.The mask he donned over his eyes to give an extra element of mystery was a stipulation in his contract Read more ...
Adam Sweeting
Had he not become one of the pivotal members of Pink Floyd, it's not difficult to imagine that David Gilmour might have become an academic like his father Douglas (who was a lecturer in zoology and genetics at Cambridge), or maybe a high-flying lawyer with leftish inclinations. Despite having been at the vanguard of rock music in its greatest and most extravagant years, Gilmour was never a likely candidate for a dissolute life of rock'n'roll hedonism.During this expansive TV profile, he pondered over this himself. Inspired back in the Fifties by Bill Haley's "Rock Around the Clock" and Elvis' Read more ...
theartsdesk
In the arts there is never a best of anything. There is good, great and glorious. But best? There is, however, Stop Making Sense. Talking Heads invited the director Jonathan Demme to film them in performance over three nights in December 1983 at Pantages Theater in Hollywood. The result is (arguably) the greatest concert movie ever made. And the good news, as a restored version is released on disc, is that time has not diminished its greatness, any more than it has shrunk the outsize suit David Byrne wears for “Girlfriend Is Better”, which if anything looks bigger in an era free from shoulder Read more ...
Hanna Weibye
A good triple bill should have something for everyone, so Rambert have all bases covered with their latest: rare must be the person who likes neither love, nor art, nor rock 'n' roll. In fact, it's a safe bet that most people like all of them, and so last night's programme at Sadler's Wells was something of a crowd-pleaser – no mean feat for an evening with two new works, created for this season and here receiving their London première.If you want to count in whole numbers, as it were, then Didy Veldman's new The 3 Dancers is probably Art, inspired as it is by Picasso's 1925 painting Les Read more ...
Adam Sweeting
Some artists you'd only ever want to see in a club or a theatre, but if ever there was a group who belonged naturally in stadiums and arenas, it's U2. They have a history of elaborate stage productions, and for this tour, focusing on last year's album Songs of Innocence, they've shown the opposition a clean pair of heels with a remarkable show based around a wall of screens that stretches out towards the back of the auditorium.It's a kind of rock'n'roll IMAX, projecting giant blow-ups of the band in action or dazzling panoramas of imagery to illustrate the songs. Particular attention has been Read more ...
Barney Harsent
As part of BBC4’s continued course of musical regression therapy, we revisited a time of wide-eyed innocence, when ideas were big and pupils even bigger. The Sixties had swung and now they were set to start spinning as people looked to the past for inspiration, and to the future with aspiration.It’s often said, mainly by ageing hippies I suspect, that if you can remember the Sixties then you weren’t really there. Ageing hippies are, of course, notorious bullshitters as the parade of contributors here proved, having both very clear memories – and opinions – about what went on in the build Read more ...
Barney Harsent
Killing Joke are a band that inspire near devotion in their fans. Their 1980 eponymous debut is regularly cited as one of the best of all time, and they’ve managed two very decent outings since the original line-up of Jaz Coleman, Paul Ferguson, Kevin "Geordie" Walker and Martin "Youth" Glover reformed in 2008.With Pylon, their 15th studio album, not a great deal has changed. The band show absolutely no sign of letting up on the raging fire and apocalyptic anger that have become trademarks, but it seems to suit the times a little better now. Perhaps the world has caught up with them – maybe Read more ...
Jasper Rees
Time, released in 2013, was Rod Stewart's first album of fresh compositions in nearly two decades. The business of working on his deservedly bestselling autobiography triggered a windfall of new songs in the key of Rod: reflections on love and family with the odd mea culpa thrown in. Another Country picks up where he left off.Thus from another dad-rock goodies bag comes “Love Is” (see video overleaf), a four-square chugger with bluegrass tinges in which Rod expatiates, presumably to one of his vast brood, “on a subject on which I’m well versed”. A younger bairn is apostrophised in the lullaby Read more ...
Barney Harsent
Back when this was the plain old Brixton Academy, before Britpop, before New Labour, before the world wide web had weaved its way into our homes, before the war on terror, before the nebulous notion of ‘content’ had yet to ruin everything and devalue everyone, I saw Ride play a gig here. It was ace.Tonight, it seemed as though everyone who had been there that night was back: older, wider and balder perhaps (the ratio of men to women was roughly that of a pre-suffragette parliamentary cabinet), but with the anticipation of a child on Christmas Eve. It’s a heritage gig of course – let’s not Read more ...