rock
Kieron Tyler
Bill Nelson knew February 1978’s Drastic Plastic was the last Be-Bop Deluxe album. In his essay for the book coming with the new “deluxe expanded” box-set reissue, he writes “that, as far as I was concerned, was that, the final Be-Bop Deluxe studio album, an era ended and a new one was about to begin. As the songs developed, I felt that the album might provide a kind of bridge to what might happen further along the road. It was definitely a half-way house between Be-Bop Deluxe and Red Noise.”Be-Bop Deluxe split in August 1978 and Nelson’s new band Red Noise first played live on 2 February Read more ...
Thomas H. Green
The debut album by Australian-Ghanaian artist Genesis Owusu is so musically restless it’s exhilarating. What’s clear is this guy doesn’t want to be placed in a box, marked hip hop or anything else. Over a wild variety of music, he adopts multiple vocal styles, reminding of beatbox genius Reggie Watts (most especially his recent Wajatta project with John Tejada). The album cover encapsulates the cinematic, occasionally garish persona that comes across during the 15 tracks. What’s clear is that Genesis Owusu is no wall flower.Running through Smiling With No Teeth is the theme of a “black dog”. Read more ...
Barney Harsent
Over the course of seven albums and nearly two decades, Kings of Leon have gone from spiky, short bursts of adrenaline-fuelled garage rock to swollen stadium pomp, full of big builds and grandiose gestures. Following on from 2016’s WALLS (We Are All Like Love Songs) the band’s eighth collection, When You See Yourself, doesn’t suggest a complete volte face in this regard, but there are definitely more elements jostling for attention.Like analogue synthesisers for instance. While the Followill family aren’t swapping guitar picks for patch cables in the way that Kevin Parker’s Tame Impala have, Read more ...
Thomas H. Green
A decade ago, Alice Cooper reconnected with his roots. He created a sequel to his 1975 album Welcome to my Nightmare with Bob Ezrin, the producer whose vision crystallized Alice Cooper, the band, and shot them to stardom in the early-Seventies. The survivors of that original outfit also played on the album, their first recordings with the singer in 38 years. After a couple of decades firing out increasingly stale metal, Cooper suddenly sounded refreshed and full of mischief. That same team partly reconvened for 2017’s Paranormal. Now they’re at it again. Alice Cooper has had more comebacks Read more ...
joe.muggs
Theartsdesk is a labour of love. Bloody-mindedly run as a co-operative of journalists from the beginning, our obsession with maintaining a daily-updated platform for good culture writing has caused a good few grey and lost hairs over the years. But it has also been rewarding – and looking back over the 10 years of Disc of the Day reviews has been a good chance to remind ourselves of that. One thing in particular that drew me into the collective when it was founded, and has kept me going throughout, was the understanding that artistic forms would be treated with equal respect and Read more ...
theartsdesk
Continuing our week of pieces celebrating the 10th birthday of theartsdesk’s album reviews section, today it’s time to ‘fess up! Seven of our regular reviewers reflect on occasions when, in retrospect, their writing did not correctly sum up the music in question. Yes. It happens. Even to us!The Black Keys - El Camino – by Russ CoffeyContext, in music, explains a lot: it’s why mediocre melodies heard at the right time can send a shiver down your spine, while total bangers, experienced at the wrong moment, leave you cold. That’s pretty much what happened when I received my copy of The Black Read more ...
joe.muggs
It’s odd to hear a band benefit from becoming more conventional. But where Glasgow’s Mogwai used to fiercely stake out a very distinctive musical space of their own, here they’re letting their influences flood into their songs – and note the word “songs” there – yet managing to retain all the sonic power they ever had, and adding extra emotional impact to boot. It’s been a gradual process: from the late Nineties records that scraped along a grindingly slow and sinister instrumental rock groove occasionally welling up into barrages of noise, they’ve gradually elaborated. Melodies, vocals Read more ...
theartsdesk
On Valentine’s Day 2011 Disc of the Day album reviews sprang into being, and has been solidly reviewing five albums a week ever since. Out of the many thousands, which ones did we rate the most? To mark 10 years since its inception, 12 of theartsdesk’s music writers mark the occasion by choosing an Album of the Decade. They appear in alphabetical order by writer.Alt-J – An Awesome Wave – by Russ CoffeyThe early 2010s was a period when UK rock music slowly lost its swagger. The harsh economic climate meant songwriters increasingly forgot about the good times; instead, they turned their minds Read more ...
Thomas H. Green
Ten years ago yesterday, on Monday 14th February 2011, one of theartsdesk’s writers, Joe Muggs, reviewed an album called Paranormale Aktivitat, by an outfit called Zwischenwelt. It was the first ever Disc of the Day, a new slot inserted into theartsdesk’s front page design, where it still resides today. By the end of the year, we’d introduced the now-obligatory stars-out-of-five system, keeping in the swim with other reviewing media. Since then, Disc of the Day has covered approximately 2600 albums and, before COVID, when the tube trains were running, it gave me great pleasure to see those Read more ...
Thomas H. Green
The top-selling vinyl at independent UK record shops in 2020 was Idles' latest album (closely followed by Yungblud, which is impressive, given his only came out in December!). The Top 10 is dominated by indie, rock and retro but, actually, the bigger picture is that limited runs by music in all styles are selling across the board. Our first theartsdesk on Vinyl of 2021 showcases, as ever, the enormous range of music pouring out on plastic. From Bond themes to blues rock to Afro-experimental and much more, it’s all here. Dive in!VINYL OF THE MONTHAlostmen Kologo (Strut)This album is punkin’. Read more ...
Russ Coffey
Four albums in and The Pretty Reckless singer, Taylor Momsen, still feels the need to explain herself to her doubters. In a recent interview, the former actress reiterated that quitting the TV show Gossip Girl, a decade ago, was her best decision ever; music has always been her real passion, she said, and now it's become her saviour. Momsen's recent emotional struggles are laid bare on Death By Rock And Roll. The album's tracks are shot through with tragedy and grief. Two deaths, in particular, underpin the LP: Firstly, the suicide of friend-of-the-band Chris Cornell. Read more ...
Nick Hasted
The massed rock audiences which caused Dave Grohl’s old band such angst have fuelled the Foos. This tenth album was finished early in their 25th year, with a celebratory lap of 2020 festivals booked. Now these are anthems without an audience, released into a world in stasis, where communal closeness is an alien and fearful prospect.Then again, I’ve stood feet away from the band’s festival gale-force, seen the whites of Grohl’s eyes as he grins and sweats at his work, and felt indifferent to the relentless, undifferentiated uplift. Grohl’s proverbial niceness, the positivity with which he Read more ...