Portugal
howard.male
Sometimes it’s worth remembering that what is world music to one music lover is pop music to another. Portuguese four-piece Deolinda’s first album, Canção ao lado, spent nearly two years at the top of the charts at home, so there are an awful lot of people who see this band as pop music. This must also make it strange for the band themselves who, presumably, play sizeable venues in Portugal, only to find themselves in front of a London crowd of less than 300 at the Jazz Café last night. And to add one final twist, this London crowd seemed to be largely made up of Portuguese fans.But Read more ...
sue.steward
Isabel Muñoz's Kurdish Sufi trance series, Love and Ecstasy: 'an almost impossible number of images to absorb'
International photography festivals are rivalling rock festivals this summer - and rock festivals are featuring photographers. PhotoEspaña (PHE) Madrid beats the lot. Packed with surprise revelations, with central Madrid as the main stage, the fringe all around it, and the whole city involved in the Night of Photography PhotoMaratón, it’s a highly ambitious, even labyrinthine affair.Sixty-nine exhibitions by 379 photographers from 42 countries occupied the city’s elegant state institutions and museums, international cultural centres, a former water tower, and a bank or two. The latter are Read more ...
fisun.guner
Joana Vasconcelos: 'Garden of Eden': 'As the flowers quiver, you can hear their motors faintly clicking, like a field of crickets'
The former Museum of Mankind, just behind the Royal Academy, has been the temporary home of the Haunch of Venison gallery for some two years. They’re moving back to their original home next spring, and though the newly extended building (Lord Nelson’s former residence at Haunch of Venison Yard, near Old Bond Street) is big and rather grand, the former museum is even bigger and grander. With neither longevity nor reputation to rely on, it’s a tough space for any young artist to fill. Still, if you think Portuguese artist Joana Vasconcelos might be better served in a tighter space, her first UK Read more ...
graeme.thomson
Marisa dos Reis Nunes (b. 1973) is an African-Portuguese singing superstar whose music has deep roots in fado, Portugal’s dark-blue, intensely poetic national music, but which over the course of five albums has gradually taken on inflections of jazz, blues and bossa nova. Born in Mozambique to an African mother and a Portuguese father, Mariza (like all good divas she has long since dispensed with meddlesome surname, converting along the way the soft S in her forename to a zippy Z) grew up in Lisbon, where she fell in love with fado (it translates as “fate”), the starkly melancholic strain of Read more ...
howard.male
A lightness of touch and an instinct for melody make Sara Tavares's music unique
Portuguese singer-songwriter Sara Tavares trades in understatement. She strokes rather than strums guitar chords, her two percussionists are more likely to brush a drum than whack it hard, and her soft close-to-the-mike voice specialises in gentle yearning rather than soul-girl histrionics. So the intimate space of the Jazz Café seems much better suited to her than, say, the Barbican where she had the unenviable task earlier this year of being a viable support act to the larger-than-life Malian diva, Oumou Sangare. As it turned out, Sara did a perfectly good job of warming up Oumou’s Read more ...