pop music
david.cheal
It’s a long time since I laughed during a show as much as I did in this one. And not, I hasten to add, in a snarky, narky, sarky way, but simply because it was fun. In another illustration of just how deeply competitive the business of the arena pop show has become, Britney Spears’s Femme Fatale tour is a formidable song-and-dance spectacle, with a full complement of dancers and hydraulics and epic visuals, and one that also features some damn fine music. But what makes this one memorable is that it's sexy and silly in equal measure.First, I laughed at the sheer campness of the opening Read more ...
Kieron Tyler
This wasn’t going to offer any surprises. Bernadette Nolan, Lulu and Stacey Solomon would deliver the questions they’d rehearsed. Manilow would respond, then deliver the relevant song. He’s a charmer, and you’d have to be made of lead not to be lifted by some of his songs. But he didn’t need this audience and format. The interaction added nothing. His fantasticness doesn't need restating.Barry Manilow will never be hip. His path is similar to Randy Newman’s, but his early liaison with Bette Midler always meant he was going to be broader, lean towards the bold, the brash. Answering a question Read more ...
Thomas H. Green
Ah, the Duke of York’s Picture House, the oldest consistently operating purpose-built cinema in the country. It’s a beautiful venue, just over a century old, and almost too comfortable. It’s been jazzed up a few times over the decades and, tonight, bathed in red light, wears its history with lazy insouciance, merging it with the current interior design’s burlesque Art Deco spin. My seat is at the back of the balcony, plush and comfortable, with a little shelf where I place my salted popcorn and horrible pear cider (the latter, a mistake). Mostly the Duke of York’s is still a cinema but they Read more ...
bruce.dessau
With the scheduled start time of last night's gig long gone and George Michael nowhere in sight, scurrilous jokes, gossip and unfounded rumours were floating around the Royal Albert Hall. We won't reprint them here but, needless to say, funny ciggies and Hampstead Heath were being mentioned. George's offstage antics might keep the red tops interested, but once he kicked the show off, backed by a 41-piece orchestra for the opening performance of the London run of his Symphonica tour, his glittering musical pedigree was absolutely centre stage.This was certainly an odd gig though. Often slow, Read more ...
joe.muggs
Is there any point criticising Coldplay? You might as well take issue with your own digestive system, or the word “the”, or the colour brown. They're there, they're part of the fabric of things, they're not going away. Indeed, so etched are they into our culture, with not just ambitious indie bands but every rapper from Jay Z on down adding a mopey none-less-funky chant-along chorus into their tracks in the hope of getting some of those Chris Martin dollars, that getting riled by their sound is, frankly, a short cut to insanity.And anyway, they're not awful as such. For every mimsy-whimsy Read more ...
Peter Culshaw
One of the problems with Peter Gabriel’s back catalogue for me, I tell him, as he is reclining in an office at EMI in London, is the sounds - some of them really are very dated. Gabriel would often pioneer a sound like the reverse-gated drum sound - others would imitate, it becomes trendy, over-used, and then hugely unfashionable.“Exactly!” he concurs. The excuse for our chat is that he has a new album out called New Blood, reworkings of some of his most celebrated songs done with an orchestra working with arranger and composer John Metcalfe. “The subtext of your question I take to be that Read more ...
ash.smyth
Two years ago, Spiritualized reprised their bestselling (one might say "only major") 1997 album, Ladies and Gentlemen We Are Floating in Space, in the curiously titled concert series, Don't Look Back. Since then, their frontman (one might say "only notable band member") Jason "Spaceman" Pierce has been constantly promising new material, along with persistent assurances that the band's (would-be) seventh album will hearken back to the glory days of yester-millennium and also have a more-than-usual inclination toward pop. The oft-postponed release is Read more ...
Kieron Tyler
Remember the big music? Eighties big. Tears for Fears’ “Everybody Wants to Rule the World” big. Simple Minds’ “Waterfront” big. Anthony Gonzalez does. He might say his fifth album as M83 is inspired by The Smashing Pumpkins’ 1995 double set Melon Collie and the Infinite Sadness, but it’s built on foundations from a decade earlier.Ten years on from the first M83 album, Antibes’s Gonzalez hasn’t travelled quite as far as Messier 83, the galaxy whose name he’s adopted, but he has arrived at a point where intimacy has become distant. His reconfigured shoegazing – which prefigured much of the Read more ...
david.cheal
Who needs songs, when you have song titles that are as good as those written by Luke Haines? The man who, we’re told, could have been a Britpop contender (though I’m not convinced myself; he’s far too clever, and much too odd) has previously, under his own name or in bands such as The Auteurs and Black Box Recorder, penned tunes with titles such as “Unsolved Child Murder”, “Girl Singing in the Wreckage”, “The English Motorway System”, and of course “Luke Haines is Dead”, now brings us this cornucopia of magnificently titled tat. Gems here include “Inside the Restless Mind of Rollerball Rocco Read more ...
graeme.thomson
A companion piece to last year’s Scratch My Back, on which Gabriel restrung classic material by the likes of Radiohead, Lou Reed and Elbow, New Blood finds the arch tinkerer dismantling some of his own greatest songs, stripping them of their rockist infrastructure (bass, guitar, drums) and rearranging them for a 46-piece orchestra.The two fundamental problems rest with the wide-ranging choice of material and the mode of reinvention: the fact that Gabriel has struggled to write anything of real magnificence for a couple of decades (hence why he’s doing this, Read more ...
matilda.battersby
After two years holed up in a Toronto retreat hiding from the fame and adulation that filled arenas for three solid years after her breakout album The Reminder went platinum, excitement has been mounting for Leslie Feist’s new recording, Metals. She has spoken about her struggle to write it after exhausting herself touring, but the 35-year-old’s new material doesn’t disappoint. It is rockier, more melancholy and doesn’t have the same commercial charm as her last record - which is probably quite deliberate.The Reminder was full of chirpy songs with lovelorn refrains and breathlessly whispered Read more ...
bruce.dessau
The 14th album from Vince Clarke and Andy Bell is supposed to herald a change, or so we are told by their people. Have they gone Goth? Have they discovered dubstep? Like heck. The only thing that has changed appears to be Andy Bell's eerily robotic face. Don't be fooled by the title. There is nothing futuristic about the nine songs here. There isn't even a cameo on backing vocals from Raymond Baxter, the presenter of the BBC series that got to their title first.But before you start demanding a refund, have a listen. Tomorrow's World is classic handbag electro with knobs on. From the yearning Read more ...