pop music
joe.muggs
It was a bittersweet kind of evening. Walking down Brick Lane, it was striking how Caucasian, tanned and healthy most people we passed were, and we couldn't help wondering if the Bangladeshi locals were starting to get priced out of their own neighbourhood, while the artists and party-weirdos who ironically made the place such a tourist destination are fading away, sloping off to Dalston and Peckham to continue the gentrification process all over again.On the way to one corporate-sponsored gig we passed another, even bigger one, just yards away, a whole building frontage done up apparently in Read more ...
Kieron Tyler
The Beach Boys: Made in CaliforniaMade in California is a fantastic thing. Six CDs slot into the inside of the back cover of an LP-sized, full colour hardback book with a padded cover. As an artefact, it’s a triumph. As a career-spanning summary of the best of The Beach Boys’ music it’s flawless. Quibbling about individual tracks which aren’t included is possible, but ultimately pointless. Everything which needs to be heard is here. Made in California is a statement of who The Beach Boys were, are and even – as revealed by some of the originally unreleased tracks – who they could have Read more ...
joe.muggs
A casual observer might know Atlanta-born CeeLo Green as the rotund soul man who struck commercial gold twice in the last decade, as half of Gnarls Barkley, and then with his own “Fuck You!” in 2010. But the 39-year-old has a long and rich musical life aside from these projects, including most of the 1990s with the rap group Goodie Mob, part of the Dungeon Family collective which also includes the world-conquering Outkast as members and was instrumental in the rise to dominance of the Southern States in the hip hop world.This is Goodie Mob's first album in eight years and their first since Read more ...
joe.muggs
This is an incredibly hard album to work out. One major clue comes, though, with its second track, “Maxim's 1”, the backing for which is a dead ringer for a lost track from Cocteau Twins's 1990 Heaven or Las Vegas album. Not that any of the rest of the album sounds like Cocteau Twins, but it does hit a very similar magic formula. That is, though it ostensibly comes from an “indie” milieu, it has vast sonic ambition closer to the biggest pop/soul/R&B records of its time than to any guitar-wrangling mitherers, but it is also psychedelically alien to the point of indecipherability.Los Read more ...
Lisa-Marie Ferla
There have been those who have uncharitably suggested that Crystal World is in fact a sixth Ladytron album rather than the solo debut of the band’s frontwoman, Helen Marnie. It’s an easy, if lazy, conclusion to jump to when said album flirts with many of the same electro-dreampop calling cards and features a bandmate on production credits, but take a trip into Marnie’s world and there is plenty to set it apart.Curiously it’s on the vocals that the differences become most obvious. This is still the same Marnie of the sometimes sultry, sometimes glacial persona she adopts on the best known of Read more ...
Kieron Tyler
R Stevie Moore: Personal AppealIt’s a brave person who whittles down the output of R Stevie Moore to one CD. Since 1969, he’s made at least 175 albums, a significant proportion of which he committed to cassette tape. There are also a similar amount of singles, live albums and collaborative efforts. Handily, the British label Care in the Community has taken up the challenge and, instead of releasing a compilation which darts off all over the place stylistically, has issued a disc which unfolds as a unified album. No mean feat considering that the tracks on Personal Appeal originally Read more ...
Kieron Tyler
Nilsson: The RCA Albums CollectionThe irony with Harry Nilsson is that despite being one of pop’s most distinctive and lauded songwriters, his two best-known singles were cover versions. In 1969 he hit the American and British charts with “Everybody’s Talkin’”, written by the ill-stared Fred Neil. Nilsson’s rendering was helped on its path by being featured in the film Midnight Cowboy. Then, in 1972, his interpretation of “Without You” topped the charts on both sides of the Atlantic. It was penned by Tom Evans and Pete Ham of the Beatles-propagated band Badfinger, both of whom would Read more ...
Russ Coffey
Last night the “freaky” Devendra Banhart didn’t make an appearance. No songs were performed cross-legged, nor were there any wig-outs. For the majority of the evening the 32-year-old American-Venezuelan hippy was, by his standards, practically understated. In keeping with his new album, Mala, he chose to emphasise songwriting over personality. For those of us who were beginning to lose faith in him, it all came as something of a relief.At the beginning of Banhart’s psychedelic-folk career, the tall singer’s exotic approach led many to consider him a wunderkind. His imagination was wild and Read more ...
Thomas H. Green
Samantha Urbani is one of the sassiest frontwomen in all pop, a sexy, feline creature whose polyamorous lifestyle fuels her lyrics and adds to her projected sensuality. She sits outside Brighton seafront venue Coalition, watching water-skiers ride the mill pond sea in balmy summer heat, but one whisper from a bandmate in her ear and she's onstage within a minute, attacking opening song "Shattered". She wears a faded denim jacket with a yin-yang logo on the back, a white New York baseball cap, hot pant shorts with bulbous gold trim and a necklace of giant ersatz pearls. Behind her a large LED Read more ...
fisun.guner
Leonard Cohen sang, somewhat indiscreetly, about Janis Joplin “giving head” on his unmade bed, Bob Dylan penned a song to his hero Woody Guthrie, and Don McLean famously sang “the day the music died” about Buddy Holly. The list of pop tributes to pop icons – whether the subject is a distant hero, a dead lover or a good friend – is long. If one were to compile a list of all the songs written about Elvis that list alone would exceed the number below (as it is, I’ve pushed the boat out by including 4 Elvis-inspired songs among the 14, including one penned by Clive James during his folk music Read more ...
joe.muggs
The part-Japanese Brit Maya Jane Coles displays elaborate asymmetric hair, interesting piercings and enormous tattoos in her moody photoshoots, makes sounds that are uniformly smooth and high-gloss, and has a sonic palette that takes in populist trance, chillout and straight-up pop music as well as more nerd-cred underground sounds. And in an era of techno that's been dominated by Berlin-centric cosmopolitanisms – by sophisticated internationalist crowds with creative haircuts and intricately-knotted scarves as well as sometimes tediously tasteful musical minimalism – it'd be very easy to Read more ...
fisun.guner
David Mamet has composed a love letter to Phil Spector. It may not be the most mellifluous ever written, and its tone may occasionally jar, but that’s what this fictional film, which he also directs and which stars Al Pacino as the bewigged legendary music producer, effectively is. It focuses on the months leading up to and during his first trial for the murder of struggling actress and nightclub waitress Lana Clarkson, and ends before we hear the verdict (it’s a hung jury; a retrial convicted him of second-degree murder in 2009).But just in case there’s any danger of mixing fact and fiction Read more ...