pop music
Thomas H. Green
Every month we start theartsdesk on Vinyl with the Vinyl of the Month, however, the truth is that, depending on your taste, many of the records reviewed below may be your own vinyl of the month. Whether reissues or new material or compilations, theartsdesk on Vinyl attends to all music on plastic. This time we run the gamut from country’n’western to Eighties pop to acid techno to Ozric Tentacles and much else. All sonic life is here. Dive in!VINYL OF THE MONTHYves Jarvis The Same But By Different Means (Anti-)Montreal artist singer Jean-Sebastian Audet recorded three albums as Un Blonde but Read more ...
Thomas H. Green
The Drums appeared a decade ago out of New York, riding a media froth about indie music to critical acclaim and, at least for their debut album, some degree of commercial success. They were a four-piece who owed a large debt to New Order but had enough of their own pizzazz to look promising. Ten years and four albums later (meaning this is their fifth), The Drums are a one man band and don’t sound anything like New Order. This isn’t necessarily always an improvement.For a couple of years The Drums have been the solo project of frontman Jonny Pierce. According to the press release, Brutalism Read more ...
Kieron Tyler
This new collection, compiled by Bob Stanley and Pete Wiggs of Saint Etienne, aurally delineates a period when much that was British had an edge of bleakness. Accordingly, Three Day Week – When the Lights Went Out 1972–1975 ought to be a grim listen, a slog during which the mind is improved and new outlooks are brought on board but is as lively as a tractor reversing through swiftly setting concrete.Glam rock and sparkly soul may have been on the chart menu, but as the back cover puts it: “In 1973 Britain was still a nation of outside bogs; tens of thousands were housed in wartime pre-fabs. Read more ...
joe.muggs
Billie Eilish is a vaudevillian. Crack that and everything else falls into place. Her impossible precociousness (at 17, she's a superstar and has been in the public eye for four years) and voraciousness (her and her brother Finneas's writing swerves from torch songs to trap beats, far-out electronica to glam-goth) should by all rights be an annoying mess, but absorb this album like a hallucinatory gothic cabaret show and it all makes sense. The gender ambiguities and gallows humour make sense. Even the manic pixie dream girl filtered via Resident Evil persona makes sense. Dammit, even the Read more ...
Guy Oddy
While Oasis have so far resisted the temptation of the big pay-off that a Gallagher family reunion would ensure, plenty of other Britpoppers have been considerably less coy about getting back together since the heady days of the 1990s. We’ve already had reunions from Blur (albeit temporarily), Suede, Dodgy and even Shed Seven. Now though, it is the turn of Louise Wener’s four-piece, Sleeper.Slipping easily back into their old sound with New Wave guitars and bitter-sweet, spoken-sung vocals, The Modern Age could easily be a reissue from Sleeper’s first time around. However, while the sound is Read more ...
Kieron Tyler
The US music trade weekly Cashbox chose a picture of the then-hot Diana Ross & the Supremes and Temptations joint enterprise for the cover of its 14 December 1968 issue. On page 28, under the header “Best Bets”, a review of the “It’s the Loving Season” single by The Vareeations (pictured above) said “Standout female lead makes an especially fine showing on this blues-pop ballad side. Single is bound to attract attention and could prove a solid seller.”Despite the thumbs-up, the 45 did not attract much more attention outside The Vareeations’ Philadelphia home base. Nonetheless, “It’s the Read more ...
Barney Harsent
Birmingham’s reggae veterans UB40 are a band who have often worn their politics on their sleeves, and the title of their new album is taken from Jeremy Corbyn’s Labour Party mantra. The parallels between the two have already been noted, of course. After a turbulent time, a split saw a new man thrust into the spotlight while divisions raged and claims were made over who had the rights to the soul of a British institution. Sound familiar? In fairness to Duncan Campbell, brother of former singer Ali, he seems to have adapted to his role rather better than the current Labour leader (fair Read more ...
Lisa-Marie Ferla
You’d be forgiven for thinking, in the age of streaming, that the promotional single was a dying art. And yet there’s already something familiar about Sigrid’s long-awaited debut album. It’s almost two years since “Don’t Kill My Vibe” was the song of the summer, propelling its young Norwegian protagonist to the heady heights of Glastonbury and the BBC Sound of 2018 title making its inclusion, along with fellow 2017 track “Strangers”, on her first full-length appear a little cheeky. Consider them the advance guard - or perhaps a Trojan horse - for a collection of bittersweet bangers with just Read more ...
Kieron Tyler
Although American, Sparks’ initial commercial breakthrough was in the UK where their rococo art-rock chimed with ears attuned to, say, Roxy Music. Their sensibility has always been more European than American. In 2009 they issued an album titled The Seduction of Ingmar Bergman. Its theme was a flight of fancy which took the Swedish director to Hollywood. Later, in 2015, Sparks and Franz Ferdinand collaborated as FFS. As ever, Sparks were a bridge between Europe and the USA.Another indication of this inclination was their 1979 album No. 1 In Heaven. Newly reissued to mark its 40th anniversary Read more ...
Owen Richards
Compared to Scotland, Welsh independence has yet to hit the mainstream. The idea has been mostly supported by the Welsh-speaking population, with opinion polls hovering around 19 per cent. It’s fallen to Super Furry Animals keyboardist Cian Ciaran to change this with the Yes is More campaign. On Friday night, Cardiff’s Tramshed played host to a mini festival of music, food and discussion, with the aim to engage the public in its political and social future.As line-ups go, it was a hell of a launch event. Mainstream appeal was clearly the target, with self-proclaimed “prosecco socialist/dank Read more ...
Kieron Tyler
Full marks for shoehorning-in the names of city’s two major football teams into the title of Manchester - A City United In Music. But this spiffy double-CD compendium roams further than the boundaries of the titular metropolis. Leigh, Salford, Stockport, Timperley and Warrington are in the mix too. “Manchester-area” or “Manchester-region” wouldn’t be such snappy designations but the point is made – Manchester is suffused in music.The period covered is covered is 1963 to 1994 with a couple of outliers rounding-out the picture. What’s dealt with is from the Beatles-dominated beat era up to and Read more ...
Katie Colombus
Avril Lavigne was the original Punk Pop Queen. Fearless, feisty and perfectly fitting for the early noughties as the manufactured antithesis of Britney and Christina, she was the rebellious antidote alongside the likes of Pink and Gwen Stefani. After a six-year hiatus, a battle with Lyme Disease, a divorce and a new millionaire boyfriend she’s back with what I was hoping would be a new, evolved sound that mirrored the growth from angsty teen sensation to mature female musician, working with her distinctive sound and vocal prowess.Her new album is capped up with a strong piano ballad, the Read more ...