pop music
joe.muggs
This is an extremely impressive undertaking. how i'm feeling now was conceived, written and recorded in under two months, in isolation, with Charli XCX sourcing beats and artwork from a sprawling collective of regular collaborators and fans. The tracklist was finalised only in the last week or so, and even two days before release date, only “work in progress” promos were available, signalling that it was still in flux. It's all a perfect encapsulation of the singer's position as the emblematic artist of Gen Z (“Zoomers”), the generation who've grown up with video communication and Read more ...
Kieron Tyler
The enduring status of The Beatles shouldn’t distract from them having been one amongst many Liverpool bands while they found their feet. In October 1961, local impresario and Cavern Club DJ/MC Bob Wooler worked out that there were 125 active bands in Liverpool and its environs, and that he knew of 249 overall since he began working with music in the city.At that point, like The Beatles, King Size Taylor and the Dominoes were on the rise. They had come together in 1958 in Seaforth, north of Liverpool, as a union of rock ’n rollers The Dominoes and six-foot-five guitarist Ted “Kingsize” Taylor Read more ...
caspar.gomez
What times. They cancelled Glastonbury. Festival season 2020 disappeared. Then certain potions and compounds associated with festivaling ran dry. Well, the latter exist, of course. There’s a fellow over the road who’s still selling talcum powder and stinking chemo-skunk from his porch. The reprobates who gather there on sunny days clearly think “social distancing” is an alternate term for a restraining order which, on this one lucky occasion, doesn’t apply to them. So how about a mini-music fest right here? With all the quality quivver fizz and nom noms an insurmountable car journey away, I’m Read more ...
Thomas H. Green
One thing with this whole lockdown business is that we’re all trying to be as nice as possible to each other. At the moment, we music writers aim to recommend material people can enjoy while stuck at home. Our knives are staying sheathed. What, then, are we supposed to do when confronted with Twinnie’s debut album? The most positive thing that springs to mind is that the best of it sounds like Taylor Swift just before she went full pop. Which is hardly a glowing endorsement. I’ve one other nice-ish thing to say but will save that until the end of this review, then maybe you’ll forget the Read more ...
Thomas H. Green
Another week of lockdown so another fresh and lively update on what’s out there, including an interactive orchestra experience, DJ sets, and a concert in your own living room. Dive in!One World: Together at Home – Curated by Lady GagaThe big event in popular music this week is, without doubt, this epic from-their-homes broadcast organized by Global Citizen, the Global Poverty Project’s New York festival arm, and the World Health Organization, in support of frontline healthcare workers. Put together by Lady Gaga, it features an American-leaning who’s who of music stars – Pharrell Williams, Read more ...
Thomas H. Green
Given the times, theartsdesk’s New Music section is starting weekly round-ups of new streaming fare to liven the spirits and entertainingly pass the time during this lockdown. Here are our first five suggestions. Dive in!Light In The Attic ShowcaseThe archival/reissue label Light In The Attic put together an impressive continent-hopping set of live-from-home performances, running the gamut from veteran Brazilian musician Marcos Valle to Alex Mass of Texan fuzz-rockers The Black Angels. Mostly cover versions, the biggest name is probably Jarvis Cocker who, psychedelically shadowed, offers a Read more ...
Joseph Walsh
The world might have changed drastically in the wake of Covid-19, but thankfully those hyperactive, candy-coloured Trolls haven’t. Anna Kendrick and Justin Timberlake are back as the delightful odd-couple, Poppy and Branch, for round two of pop-infused peppy animated adventure in the land of felt and feelings, where music can solve a myriad of problems. The first movie was a gleeful delight. Yes, it was slight on plot, but it possessed an infectious optimism and a message of love and acceptance. It wasn’t going to have the bosses at Pixar quaking in their boots, but it was an undeniable Read more ...
joe.muggs
The Colors studio in Berlin has quietly created one of the biggest new brands in music from filming back-to-basics performances with laser-focused branding. From international megastars (Billie Eilish, Mac DeMarco) to up-and-comers, singers and occasionally rappers are filmed alone in a simple cube-shaped stage with distinctive colour-cycling lighting. In one sense, it's an incredibly slick marketing operation: for all the international diversity of the performer, they're photogenic one and all, and the consistency of the visuals gives an eerie, slightly cult-like air to things.But at the Read more ...
Kieron Tyler
Filmic. Lushness balanced with intimacy. Ren Harvieu’s follow-up to 2012’s Top Five Through The Night is crammed with wide-screen aural dramas. Take “Cruel Disguise”. It begins with a slinky Sixties spy thriller vibe along the Shirley Bassey lines and after a brief moment of contemplation evolves into a swirling drama evoking Dusty Springfield’s “You Don’t Have to Say You Love me”. Next up, the crisp “Yes Please” nods to Laura Nyro when she’d hooked up with LaBelle but, again, darker – trip-hop-tinged – terrain is explored.The singing voice is melodic, yearning and nuanced. Yet Read more ...
Nick Hasted
Alongside the man he calls “the other half of my brain”, Flying Lotus, Stephen “Thundercat” Bruner sits near the heart of Los Angeles’ fertile, genre-busting scene, helping to link Kendrick Lamar’s righteous rebel rap, Kamasi Washington’s spiritual jazz, and the faux-nerd white one-man bands of Louis Cole and Sam Gendel. Breaking through himself with Drunk (2017), It Is What It Is confirms Thundercat’s own complex character, being both slyly funny and obscurely moving, as if attending a party that’s almost over.“Black Qualls” features another in the current generation of prodigious, Read more ...
Thomas H. Green
Coming in at around four hours, in two parts, this 2015 documentary is ostensibly about Ol’ Blue Eyes, Frank Sinatra, but really, via the prism of his existence, it’s as much about America’s journey through the first two thirds of the 20th century. What other life intersects so neatly with such a scattershot selection of key names – Franklin D Roosevelt, Elvis Presley, Lucky Luciano, Mia Farrow, Louis B Mayer, Edgar J Hoover, Louis Armstrong, Ronald Reagan, Martin Luther King, Eli Wallach, and on and on. It’s a compulsive biography that, like the man it covers, never slows, and never grows Read more ...
Kieron Tyler
“No Control” feels like an instant pop classic. It opens with a brief introduction where layers of instrumentation are added in waves. There’s a restraint. Then, three-quarters of minute into what initially seems like a reflective mid-tempo ballad, a soaring chorus with contrapuntal drums and piano hits home. Basia Bulat’s gospel-like incantations reach the stars. Even so, there’s an intimacy.The Fleetwood Mac-esque “Your Girl” is equally arresting. It’s a different sort of song though – linear, with a rhythmic chug. The two are connected as each unites an understanding of dynamics with the Read more ...