pop music
Thomas H. Green
Indie rock has taken a commercial back seat, even if the music press still hasn’t quite caught up. Sure, there have been hit-makers, and bands that sell out stadiums, but overall, indie’s tide is very slowly retreating. Like any genre, it will always be about, like westerns in Hollywood, a classic formula, but the take-up of technologies far beyond the electric guitar renders it a retro curio. Like metal, it offers invigorating rejigs, rendered fresh by each new generation revelling in the classic singer/guitar/bass/drums chemistry. Black Honey from Brighton are just such a case, Read more ...
Owen Richards
Writing something people want to stream one billion times is inconceivable for most of us. But then, most of us aren't Rock and Roll Hall of Famer Daryl Hall. Alongside John Oates, he is behind some of the greatest pop songs of all time: "Maneater"; "She's Gone; "Out of Touch"; "Rich Girl"; "I Can't Go For That (No Can Do)"; and of course, the billion-stream masterpiece that is "You Make My Dreams".Over 50 years after forming, the band are still finding new audiences. They've become a favourite for film soundtrackers and samplers. But they don't rest on former glories - Live from Daryl's Read more ...
Kieron Tyler
The Viscaynes ought to have been a footnote. A minor footnote. From Vallejo in north California, they were one amongst many early Sixties vocal groups giving it a shot. Some were lucky and had hits. The Earls, The Impalas and Randy & The Rainbows did. Like The Marcels, who charted with “Blue Moon”, they were all rooted in the doo wop sound. Despite their three singles – including the Marcels referencing “Yellow Moon” – The Viscaynes did not break through to national success.Nonetheless, Yellow Moon – The Complete Recordings 1961–1962 is a meticulous 19-track compilation dedicated to what Read more ...
Katie Colombus
Best known for winning Sweden's version of Got Talent, at the tender age of 10, Zara Larsson is a shining example of a prodigious young female talent being groomed by the music industry into the perfect pop icon.Her third album Poster Girl is exactly what it says on the tin. Here is a place of dance floor beats and snappy sass for your average teenage girls’ bedroom karaoke session. Perhaps, it’s what the title alludes to, although I was expecting more irony on that front.For the most part, the album is very generic pop. The “touch me the way you do’s” of “Love Me Land”, “Make your jaw drop, Read more ...
Adam Sweeting
The Billie Eilish story is a paradigm of pop music and marketing, 2020s-style. Eilish’s instinctive talent became evident when she was barely into her teens, and she flourished with the support of a close-knit and musical family. But the club-gigs-and-radio-play model is long gone, and Eilish’s high-speed ride was boosted by a deal with Apple Music, releases of individual tracks on SoundCloud and YouTube and hefty promotional support from Spotify. The pitch had been rolled for the arrival of her debut album When We All Fall Asleep, Where Do We Go? in 2019, which became a monster seller and Read more ...
Thomas H. Green
Interest in Britney Spears has not waned. The #FreeBritney movement, the new documentary Framing Britney Spears, and the ongoing controversy around her father’s legal conservatorship have served to put her back in the public eye over the last year. Not that she ever drifted very far away from it. She is, after all, Britney Spears. Eight years ago, theartsdesk offered an overview of her career via her videos. We now revisit it. Despite many dismissing her output as empty fluff, I argued then that “there's a rich story to be told, reflecting the paradoxical nature of the woman herself and Read more ...
Kathryn Reilly
Composed in the first lockdown, and recorded remotely, the seventh album from Newcastle’s Maxïmo Park was produced by Ben Allen (Animal Collective, Deerhunter). But it is not so much a record of the times as a snapshot of a time in the band's lives.And it opens strongly with a typically jerky piece of indie pop considering ageing in an exhausting world “As you can clearly see/I’ve lost some luminosity/I hadn’t bargained for such intensity,” Paul Smith sings in "Partly of My Making", still with the magical accent. I think we can all get behind that right now. Given our times, you Read more ...
joe.muggs
Theartsdesk is a labour of love. Bloody-mindedly run as a co-operative of journalists from the beginning, our obsession with maintaining a daily-updated platform for good culture writing has caused a good few grey and lost hairs over the years. But it has also been rewarding – and looking back over the 10 years of Disc of the Day reviews has been a good chance to remind ourselves of that. One thing in particular that drew me into the collective when it was founded, and has kept me going throughout, was the understanding that artistic forms would be treated with equal respect and Read more ...
theartsdesk
Continuing our week of pieces celebrating the 10th birthday of theartsdesk’s album reviews section, today it’s time to ‘fess up! Seven of our regular reviewers reflect on occasions when, in retrospect, their writing did not correctly sum up the music in question. Yes. It happens. Even to us!The Black Keys - El Camino – by Russ CoffeyContext, in music, explains a lot: it’s why mediocre melodies heard at the right time can send a shiver down your spine, while total bangers, experienced at the wrong moment, leave you cold. That’s pretty much what happened when I received my copy of The Black Read more ...
theartsdesk
On Valentine’s Day 2011 Disc of the Day album reviews sprang into being, and has been solidly reviewing five albums a week ever since. Out of the many thousands, which ones did we rate the most? To mark 10 years since its inception, 12 of theartsdesk’s music writers mark the occasion by choosing an Album of the Decade. They appear in alphabetical order by writer.Alt-J – An Awesome Wave – by Russ CoffeyThe early 2010s was a period when UK rock music slowly lost its swagger. The harsh economic climate meant songwriters increasingly forgot about the good times; instead, they turned their minds Read more ...
Thomas H. Green
Ten years ago yesterday, on Monday 14th February 2011, one of theartsdesk’s writers, Joe Muggs, reviewed an album called Paranormale Aktivitat, by an outfit called Zwischenwelt. It was the first ever Disc of the Day, a new slot inserted into theartsdesk’s front page design, where it still resides today. By the end of the year, we’d introduced the now-obligatory stars-out-of-five system, keeping in the swim with other reviewing media. Since then, Disc of the Day has covered approximately 2600 albums and, before COVID, when the tube trains were running, it gave me great pleasure to see those Read more ...
Lisa-Marie Ferla
It’s difficult to know where to start with Sia’s Music. The album is billed as a collection of songs “from and inspired by” the film of the same name – so not a soundtrack, except for when it is. It tracks range from candy coated to overly earnest; liberated to sexless; pop fun to cinematic; oblique storytelling to big-name co-writes – and yet, as delivered in the Australian singer’s distinctive, powerful voice, have a tendency to blur into one.The album starts strongly with “Together”. Co-written with star producer Jack Antonoff, it’s a huge pop number that taps into both artists’ Read more ...