pop music
Barney Harsent
Not even a worldwide health epidemic could stop the meteoric rise of the Irish singer, who has managed to crack America, achieve national treasure status in his homeland and rack up streaming figures that could actually pay his winter gas bill. Not bad going.He’s managed it by being a broad strokes performer with film-star good looks and big, big voice – colossal emotion with a rough-edged burr. His appeal is deep and wide, capturing the hearts and imaginations with simple songs that render universal emotions in popular, comfortable colour schemes and Sonder, his second album, does little to Read more ...
Thomas H. Green
After an unavoidable delay theartsdesk on Vinyl returns with over 9000 words on new and recent releases, ranging across the entire spectrum of known music. Dive in!VINYL OF THE MONTHEdrix Puzzle Coming of the Moon Dogs (On the Corner)Nathan Curran is an in-demand session drummer for the likes of everyone from Elton John to Kano. Ah, but like Hong Kong Phooey before him, he has an alter-persona that will surprise. Unlike Hong Kong Phooey, though, it’s not a canine crime-fighter cashing in on a global craze for martial arts. No, it’s a demented attempt to weld the fringes of jazz to retro sci- Read more ...
Jonathan Geddes
Any younger Sugababes fans might have felt a little neglected here. “Who’s a 90s child?” yelled out enthusiastic DJ Shosh as she warmed up the crowd, followed soon after by a cry of “Who’s an 80s child?”, which received an even louder roar in response. This was an audience seeking a nostalgic party all right, albeit a rowdier one than anything by the girl group during their chart-topping days, with even a pint glass sailing through the air during a lively opener of “Push the Button” that felt more like a rave than a pop gig.The good spirits lay not just in the tunes, of which there was a Read more ...
joe.muggs
The Oslo World organisers are at pains to point out that, despite the name, they are not a “world music” festival. And with good reason, really. There may have been a few familiar WOMAD veterans headlining over the week-long event – Senegal’s Youssou N’Dour, Malie's Fatoumata Diawara, the queen of Cuba Omara Portuondo – but the emphasis was emphatically not on any kind of beads-and-bongoes authenticity.Far from it: even in just the three days I was there the culture on offer in venues across Oslo felt more like a trip into a giddy sci-fi vision than the worthy anthropologist’s guide to other Read more ...
Kieron Tyler
John Lennon does not appear on “Love You Too” and “For No One”. With “Taxman”, “Eleanor Rigby”, “Here, There and Everywhere”, “Good Day Sunshine” and “I Want to Tell You”, his contributions are limited to backing vocals and, on odd occasions, some percussion too. He appears semi-detached from seven of Revolver’s 14 tracks.This realisation comes after reading the handsome book accompanying the Revolver box set. The pages with the track-by-track commentary have headings above each section of text, listing dates of recording, the studios used, the personnel and who played what. Leaf through, and Read more ...
Katie Colombus
First Aid Kit have grown up and moved on. So says the cheerful conglomeration of lockdown-emergent pop sounds that makes up their fifth studio album.The record has the movement of a road trip around the USA with kitschy Americana, echoes of Fleetwood Mac and Tom Petty, folk and acoustic country. It makes you feel as though you’re driving down open highways under warm starry skies with the roof down. But Palomino is actually the first album Swedish sisters Klara and Johanna Söderberg have recorded in Sweden since their debut, The Big Black & The Blue 12 years ago.Written during the Read more ...
Nick Hasted
Taylor Swift’s transitions have become imperious, from the woody hush of her collaborations with The National’s Aaron Dessner, Folklore and Evermore, to the remade reclamations of her early work. Working at pace, she has assembled an impregnable coalition of critical acceptance and creative range.Her contemporary country roots remain in her focus on relatable personal stories, pushed now into a hyper-realm of total fame and universally pored-over relationships, dropped like paper trails in her lyrics. She confesses with wry assertion, a female star taking everything in her messy stride. Like Read more ...
Kieron Tyler
In the third week of April 1967, Frank and Nancy Sinatra’s “Somethin’ Stupid” topped the UK’s single’s chart. Sandie Shaw’s “Puppet on a String” was number two, and The Monkees’ “A Little Bit me a Little Bit You” snapped at her heels. Englebert Humperdinck’s recent number one “Release me” was at number five. All very pop, very mainstream.The Jimi Hendrix Experience’s “Purple Haze” was in running too then, as were Pink Floyd’s “Arnold Layne” and The Beatles’ “Penny Lane” / “Strawberry Fields Forever”. But other chart entries like Whistling Jack Smith’s “I Was Kaiser Bill’s Batman”, The Read more ...
Thomas H. Green
At the start of the song “Two Ribbons” Rosa Walton and Jenny Hollingworth of Let’s Eat Grandma do a brief schoolyard pat-a-cake hand-game. The song is a guileless ode to female friendship, love even, a paean to their own bond, which was strained at one point by the travails of a music career.Of course, it’s a piece of theatre, but the pair also emanate a very real sense of young women enjoying each other’s company, revelling in the sheer creative fun they have together. It’s a big part of their appeal. Kate Bush would be proud of them.Three albums into their career, the Norfolk duo are still Read more ...
Barney Harsent
You’d be within your rights to imagine that Direction of the Heart, the follow-up to 2018’s patchy-but-decent Walk Between Worlds, would see the Simple Minds twin engine of Jim Kerr and Charlie Burchill pull on billowing white shirts and head for the nearest massive windswept stadium, filling it to the brim with widescreen synths, anthemic singalong choruses and a staggering extravagance of emotion.And you’d be about right. After all, when you get to album number 18, no one’s expecting a volte-face, and no one particularly wants one either. Similarly, however, no one expects a classic. So it Read more ...
Jonathan Geddes
Rarely will the bar staff at the Glasgow Barrowland have had an easier night. The crowd for Beabadoobee was so youthful that the vibe felt more like a school disco at times, right down to clusters of parents at the back and on the sidelines alternating between keeping a wary eye on proceedings and burying themselves in their phones. Their offspring, meanwhile, were racing to the front eagerly, leaving the usually busy bar areas deserted.Given wild cheering greeted a roadie checking a guitar, it was no surprise that the actual appearance of Beatrice Laus brought on hysteria, both vocally and Read more ...
Katie Colombus
There are many reasons that I am obsessed with Florence Shaw. It's not just that as a long time sufferer of Resting-Bitch-Face I identify hard with her deadpan nonchalance, it's also pure props that she's brought spoken-word-set-to-music into the mainstream.Shaw fronts the band Dry Cleaning, a foursome with talent as luscious as their combined hair condition. The group's speech/song style occupies similar territory to Wet Leg, Sleaford Mods, Black Country and Yard Act. Their tracks consist of totally random musings that swing between barbed, bewildered, sarcastic and exhausted, and Read more ...