politics
Jasper Rees
The name will never trip off the public tongue. Millions watch his work - most recently his superb realisation of Hilary Mantel's Wolf Hall. But there is no hall of fame for television directors. It’s only on the big screen that they get to be big shots. The difference with Peter Kosminsky (b 1956) is, although it’s the title he takes in the credits, he's not really just a director. In the last 25 years he has researched, storyboarded and painstakingly cajoled into existence a body of work which, for sheer linearity of purpose, stands comparison with, say, Anthony Powell’s 12-volume portrait Read more ...
aleks.sierz
A new plague is sweeping British theatre: audience participation. Instead of just sitting back and enjoying the show, your visit to a venue is now likely to involve voting on the guilt or innocence of terror suspects (as in Terror or Blurred Justice) or, in Rob Drummond’s new solo show for the National Theatre, voting on a whole range of issues as this Scottish playwright and performer teases out a handful of ideas about democracy. The first step is technological: as we take our seats, we are issued with a small voting machine (you press one for yes and two for no) and given our instructions. Read more ...
David Nice
"Ura!" as soldiers cry in Russian epic opera's last fling, Prokofiev's War and Peace: supertitles have arrived at the Proms, after much special pleading here and elsewhere. They're needed more than ever in Musorgsky's typically quirky survey of rival interest-groups at the beginning of young Tsar Peter I's reign, though I like to think that newcomers to Khovanshchina ("The Khovansky Business") would have got the message about each formidable personage and scene without them, so vivid was this realisation of the way Musorgsky characterises roistering princes, humble scribes and calm Old Read more ...
Susan Sheahan
Much loved, yes. But Dickens’s novel is probably little read by modern audiences and so a chance to see a new adaptation of this tale of discontent, riot and general mayhem set in the French revolution and spread across London and Paris in the late 1700s should be a genuine treat for theatregoers. And on paper Matthew Dunster’s version for Regent's Park of this intense exploration of injustice (billed, in fact, as "a new play") has it all: love, death, comedy, revolution and the promise of a provocative exploration of the underlying issues of power, oppression and tragedy connecting how we Read more ...
Marianka Swain
A memorable 2015 parliamentary select committee hearing asked Kids Company CEO Camila Batmanghelidjh and chair of trustees Alan Yentob whether the organisation was ever fit for purpose. Tom Deering, Hadley Fraser and Josie Rourke’s new verbatim musical – think This House meets London Road – asks the same not just of the charity, but of the political system itself and the way we treat the most vulnerable in this country.Kids Company was the feather in the cap of David “Big Society” Cameron, and thus, despite repeated warnings, received hefty sums from the Government, including a final £3 Read more ...
Marina Vaizey
Talk about survival: St Petersburg, Petrograd, Leningrad, now again St Petersburg, all the same city, has it nailed down. It was founded through the mad enthusiasm, intelligence, determination and just off-the-scale energy of Peter the Great in 1703, built on the bodies of around 30,000 labourers (not the 300,000 that later rumours have suggested) at the whim of an Emperor. You can visit his original wooden cabin there today; the nobles he ordered, on pain of forfeiting titles and wealth, to come and live in his new city had to build in stone.It has been at times the capital of Russia. Its Read more ...
Liz Thomson
It’s 25 years since Chris Patten lost his seat as Conservative MP for Bath. The 1992 election was called by an embattled prime minister, bruised by the Maastricht Treaty (remember “the bastards”?). Neil Kinnock had been expected to win, Labour ahead in the polls until the last. Party chairman Patten orchestrated the campaign so perhaps the exigencies of the role left little time to attend to his own constituency. In any event, to those disappointed that the Tory order was not overturned, Patten’s defeat was a cheering moment in a grim night.He felt “sick at the humiliation” but a consolation Read more ...
caspar.gomez
It’s a Tweet-age Glastonbury aftermath. It’s monsooning grey outside. The real world’s back, consensus reality fast encroaching. Everything’s moved on, spun to the next thing as we A.D.D. onto Wimbledon, Hard Brexit or whatever. Even my 14-year-old daughter knows the “Oh, Jeremy Corbyn” chant (to the riff from White Stripes “Seven Nation Army”) that rolled across this year’s Glastonbury crowds like a steady rumble of perturbed destiny. “Jeremy Corbyn isn’t just Jeremy Corbyn, he’s a thing now,” she explained. And I sort of know what she means.I woke up today with Rag’n’Bone Man’s chorus Read more ...
Nick Hasted
Julian Assange’s white hair marks his public persona. To some he’s an unmistakably branded outsider, or a lone white wolf hunting global injustice. Hollywood would cast him as the coolly enigmatic superhero who’s revealed as the supervillain in the last reel. Laura Poitras’ Risk shows him as a slippery character in his own spy film, dying those famous locks brown as he alters his appearance under his adoring mother's gaze, before making a Bourne-like motorbike getaway under the authorities’ noses, to become a cramped citizen of Ecuador.Poitras’ extreme access films several such pivotal Read more ...
aleks.sierz
The recent general election result proves that the power of the rightwing press has diminished considerably in the digital age, but there was a time when media magnate Rupert Murdoch could make grown-up politicians quake in their socks. James Graham, whose This House, his National Theatre play about the 1970s hung parliament, was a big success in the West End recently, now looks at the origins of the Sun, and its Frankenstein-like rejuvenation in 1969, when Murdoch was a young Australian tyro whom few took seriously. He is played by the ever-likeable Bertie Carvel in a theatrically confident Read more ...
mark.kidel
As Wonder Woman hits screens worldwide, the publication of a book that explores the myth and reality of the Amazon seems timely. The latest of John Man’s works of popular history is opportunistic enough to end with a fascinating account of the origins of the female world-saviour originally launched by DC Comics in 1941. He relies extensively on – and acknowledges – Jill Lepore’s The Secret History of Wonder Woman, which explains the proto-feminist origins of the female answer to Superman.The invention of Wonder Woman is one of the most recent manifestations of a mythologising thread Read more ...
Barney Harsent
Immigration…immigration… immigration… that’s what we need! Not the words of record-breaking, tap-dancing trumpeter Roy Castle, rather it’s the gist of a Times leader from 1853 (admittedly, fairly heavily paraphrased). It was just one of the eye-opening discoveries in Ian Hislop’s engaging BBC Two documentary about the birth of one of the most divisive political issues of the last 100 years, as he looked at surprising historical pinch points and used them to shed light on their future shocks.Britain’s open-door policy in the mid-19th century was, we were told, an issue of moral importance. For Read more ...