New York
David Nice
Never use one word when you can get away with two: that seems to have been the maxim of Eugene O’Neill even in one of his shorter plays. After all, when is an ape not hairy, and why does stoker Robert “Yank” Smith, a natural hulk brought low by mechanised capital, have to bang home the title at every opportunity? Yes, this must have been an astonishing play to see on Broadway in 1922, and it still gives director Richard Jones a chance to throw every stylised trick in his very singular book at its eight diverse scenes. But masterpiece it isn’t.Its ensemble is in some ways the opposite of the Read more ...
Marianka Swain
Rents are going up, local businesses priced out, and the rich folk and hipsters are invading. That’s in Washington Heights, New York’s largely Dominican-American quarter, but it could as easily describe King’s Cross, one of multiple London areas undergoing gentrification. This Tony Award-winning musical from pioneering composer Lin-Manuel Miranda (currently ruling Broadway with Hamilton), which features an irresistible hip-hop, rap, pop and Latin fusion score, is propulsive entertainment with a resonant social conscience.Our guide to the Heights is Usnavi (Sam Mackay), whose bodega – Read more ...
David Nice
If you don’t know the steps or the stars being semi-spoofed, will you laugh? Yes, though perhaps not as much as anticipated. The best parody needs to be as good as the original, and “the Trocks”, as Tory Dobrin's New York-based company has been known in its 40-plus years to date, take their Petipa and Ivanov very seriously. The drag gags are mere ornaments to a classical feast, and don’t fly into the fantastical like some of the ones you get in any Matthew Bourne show; the real reward is some remarkable dancing.For a start, there’s the visual feast of men en pointe, as the corps – of eight Read more ...
Marianka Swain
“My brother died.” That’s the reality New York-based banker Willem struggles to inhabit when he returns to his estranged family in Amsterdam. There is no sense in Pauli’s loss – a sudden heart attack at 20, cradled by a stranger in the street – nor finality. Willem’s response is to continue the conversation through an elegiac series of letters, countering the abandonment and searching for meaning in both a life interrupted and his own isolated existence.Protean Simon Stephens, in his first original play for the Young Vic, delivers a penetrating 75-minute monologue. Its stark potency is Read more ...
Florence Hallett
It was suggested more than once during this adventure in Warhol-world that Andy Warhol himself was the artist’s greatest achievement. It’s a neat sentiment if not an original one, and while it may well be true, it didn’t bode well for a documentary in search of the “real” Andy Warhol. However exclusive the access to Warhol’s “planning diary”, however frank the interviews with friends, relatives and Factory colleagues, it seemed unlikely – and as a venture somewhat misguided – that we would ever really get beyond the version of Warhol so carefully cultivated by the artist himself.In Read more ...
Marina Vaizey
Pop went the easel, and more, as we were offered a worldwide tour – New York, LA, London, Paris, Shanghai – of the art phenomenon of the past 50 years (still going strong worldwide). We were led by a wide-eyed interlocutor, the bright-eyed and bushy-tailed Alastair Sooke, to the throbbing beat of – what else? – pop music, Elvis and much else besides.Sooke protested a bit too much, doing down the previous big deal in modern art, Abstract Expressionism, in order to enhance the revolutionary nature of Pop in its fascination and appropriation of the tropes of advertising and consumerism. He Read more ...
Markie Robson-Scott
If you liked the Coen Brothers' Inside Llewyn Davis, with its Dave Van Ronk-esque hero in Greenwich Village in 1961, you'll enjoy the new exhibition Folk City: New York and the Folk Music Revival, a celebration of NYC as the centre of folk music from its beginnings in the Thirties and Forties to its heyday in the Fifties and Sixties. It's at the Museum of the City of New York, far uptown at 103rd Street in east Harlem, a block or two from Duffy's Hill, the steepest in New York and the scene of many cable-car accidents in the 19th century. The kind of thing Peter, Paul and Mary might have Read more ...
james.woodall
Half a century ago today, on a warm August Sunday night in New York, The Beatles played a 30-minute concert in a baseball field. Home to the New York Mets the venue was called the William A Shea Municipal Stadium and had opened in spring 1964.In January 1965 Beatles manager Brian Epstein and US promoter Sid Bernstein had struck a deal to present the boys in the largest space they’d played in: it would be the first gig of the third US tour, and remained, by far, the biggest live event The Beatles ever did. It was, indeed, at the time the biggest instance of outdoor entertainment in history. A Read more ...
Matt Wolf
People talk at and not to one another in Mistress America, the latest collaboration between director Noah Baumbach and actress Greta Gerwig and the first to make me wonder whether the unarguably gifted real-life couple might benefit from an outside eye to let them know when enough is enough.A tribute to the life force here embodied by Gerwig as a go-getter New Yorker who may be less confident than she lets on, this short film (less than 90 minutes) starts out entertainingly enough but soon wears out its welcome on the way to an ending suggesting Baumbach and co may love this Read more ...
ellin.stein
As Noah Baumbach moves into his forties, his youthful archness is becoming increasingly tempered with a wry melancholy. It adds depth and piquancy to this story of a forty-something couple trying to come to terms with the fading of youth’s infinite possibilities (“What’s the opposite of 'the world is your oyster'?”) by embracing, occasionally literally, a pair of Millennials who introduce them to cool enthusiasms such as cycling, walking in disused subway tunnels, and ayahuasca ceremonies (self-realization through shamanic ritual and copious magic mushroom-induced vomiting).Josh (Ben Stiller Read more ...
Matt Wolf
All the charm in the world provided by two seasoned pros can't make a satisfying whole out of Ruth & Alex, a glutinous portrait of a longtime marriage that is gently tested when the eponymous couple decide to move house. Burdened with a bewilderingly wrong-headed pair of subplots, British director Richard Loncraine's film makes only partial use of the off-the-charts amiability and ease of leading players Diane Keaton and Morgan Freeman: so much so, in fact, that one wishes the two Oscar-winners had thrown away Charlie Peters's script altogether and started from scratch.Intermittent voice- Read more ...
Marina Vaizey
The hook for Alan Yentob's portrait of the 86-year-old architect Frank Gehry was the initiation and progress of an enormous new building in a rough portside area of Sydney, the Dr Chau Chak Wing Building for the business school of the University of Technology. It opened after nearly two years of construction, on time and on budget, last autumn. To commission it, the dean of the school, Ron Green, simply rang Gehry up, and Gehry replied with just four words: "I’m up for it." As he said, the dean took a conscious risk in all sort of ways. We heard from a range of Australian workmen, Read more ...