Netflix
Adam Sweeting
This Korean-made show suddenly became Netflix’s all-time greatest hit, demonstrating once again the irresistible allure of a game show which ruthlessly massacres its contestants. Squid Game has some fairly obvious antecedents – for instance The Hunger Games, the Schwarzenegger vehicle The Running Man and the Japanese TV show Battle Royale – and also carries echoes of the 1960s cult mystery The Prisoner and perhaps a soupçon of Lord of the Flies. The fact that it has come out of South Korea undoubtedly sprays on an added miasma of strangeness (avoid the dubbed English dialogue option, because Read more ...
Veronica Lee
Say what you like about Dave Chappelle, but if nothing else he's an equal-opportunities offender, as his latest Netflix special, The Closer, proves. The last of his six specials for the network, all of which have drawn criticism – as well as plaudits – for his uncompromising “I tell it as I see it” material has again provoked ire in some quarters.Whatever some may think of his work, he is an accomplished comic, weaving stories – often around a grain of truth – that move from the factual to the fantastical in mid-sentence. He tells the tales with such a straight face that in many it's Read more ...
Adam Sweeting
It seems Covid-19 may not be the only plague threatening mankind. The virus is nowhere to be seen in Netflix’s grippingly twisty mystery Clickbait, but it’s the use and abuse of social media that drives its tale of malice, murder and deception.The journey of one of the central characters, Nick Brewer (Adrian Grenier), mirrors the switchback ride of the narrative as it jumps between viewpoints and keeps throwing a new light on aspects of the story. Nick is a physical therapist at a school athletics department, apparently a popular guy with a perfect wife and two kids. Imagine everybody’s Read more ...
Adam Sweeting
Lior Raz is Israel’s very own man with a very particular set of skills. However, unlike the looming 6ft 4in Liam Neeson who plays Bryan Mills in the Taken films, Raz is stocky, shaven-headed and clocks in at a mere 5ft 7in.He’s not your standard off-the-peg action hero, but he packs some serious credentials. He served in an undercover counter-terrorist unit in the Israeli army, and later moved to the USA and was hired as Arnold Schwarzenegger’s bodyguard. He funnelled his experiences into the Israeli-made series Fauda, a fraught portrayal of anti-terror operations in the West Bank.Now Raz is Read more ...
Veronica Lee
Some people perfected their banana loaf or sourdough bread during lockdown. Others tried to learn a new language or how to play an instrument. Bo Burnham produced this masterpiece.He is listed as the sole performer, writer, camera operator, editor and director of Inside. It was shot at his home studio in Los Angeles, his growing straggly hair and beard marking the passage of time (though it often jumps between timeframes). It's a tour de force of original songs, stand-up comedy (with a laughter track), straight-to-camera-confessionals, music videos and special effects.It starts playfully, Read more ...
Adam Sweeting
Has Netflix succeeded in reshaping Mills & Boon for the YouPorn era? Though situated in a contemporary New York where empowered women run investment companies, earn doctorates in psychology from Columbia University, and deliver forceful lectures on race and gender roles, Sex/Life is the story of Billie, whose emotional stability is being blown to pieces by her inability to choose between two hunky men.Billie (Sarah Shahi) has abandoned her PhD studies, where she’s been working on a revolutionary thesis about how commitment and monogamy are the best route to a sensational sex life, to Read more ...
Adam Sweeting
Lupin isn’t really about the fictional character it’s named after (the gentleman thief Arsène Lupin, created in 1905 by French writer Maurice Leblanc), but about Assane Diop, who’s an obsessive fan of the Lupin novels. He’s also a gentleman thief and master of disguise himself, as he displays in multiple disappearing acts, sleights of hand and bewildering stunts in this French-made series.This five-episode Part 2 is really a season-ette, since it’s the second half of the first part which appeared in January. That left viewers dangling nervously, as it ended with the abduction of Assane’s son Read more ...
Tom Baily
Success for the Belgian-Dutch crime series Undercover has led Netflix to produce an origin story for the show’s drug lord character Ferry Bouman (Frank Lammers). While this may be a dream come true for a portion of the show’s diehard fans, this formulaic movie is stalling, predictable and riddled with every gangster cliché in the book.Before he made it big, Ferry Bouman was the right hand man to one of Amsterdam’s senior drug kings Ralph Brink. After their gang is brutally attacked and Ralph’s son is killed, Ferry is sent on a revenge mission. He finds himself in a mobile camping community Read more ...
Tom Baily
Watching Milestone, a new Netflix original directed by Ivan Ayr, I was reminded of the films of the great Iranian director Abbas Kiarostami. This story about an aging truck driver facing redundancy whilst grieving for his wife attempts the still mood and loneliness that Kiarostami favoured in his quiet epics. Milestone borrows a lot from existing filmmakers – no problem in itself – but does Ayr offer a unique style? Is Milestone just another Netflix original that isn’t really all that original?Suvinder Vicky plays Ghalib, the withdrawn driver (the echoes to Ramin Bahrani’s films are Read more ...
Tom Baily
Since launching his directing career in 2011 with The Showdown, Park Hoon-jung has established himself as a promising devotee of the bloody gangster genre. The pandemic may have slowed the South Korean director’s momentum, as the producers were forced to release the film belatedly on Netflix. Still, the move could provide an auspicious entry into the American market.The lonesome lead is Tae-gu (Eom Tae-goo), a lowly member of a notorious Seoul gang who is eager to up his rank. His cockiness is concerning to his sister, who worries that he may be killed. Tae-gu shrugs off the warnings. Soon Read more ...
Adam Sweeting
The 2020 Formula One season was all set to start in Australia last March when it was derailed by the Covid emergency. The F1 organisers insisted that they’d get the racing back on track somehow, and what sounded like foolhardy bravado was justified when they successfully staged a 17-race championship between July and December.It proved to be a surprisingly exciting and often emotional season, with all kinds of human and political dramas woven through the action, and Netflix’s ubiquitous Drive to Survive crew was there to catch all the nuances. F1 had an advantage over most other sports Read more ...
Adam Sweeting
Readers of John Marrs’s 2017 novel The One should probably look away now, since Netflix’s dramatisation of the story bears scant resemblance to the book. The basic premise – that a corporation has invented a method of DNA testing which can match individuals with their perfect partner who “you are genetically guaranteed to fall in love with”– remains, along with a group of characters who experience the repercussions of this techno-dating app, but their identities and storylines have all been reinvented for the TV incarnation.By and large, this is not a good thing. The One has a chilly Read more ...