Netflix
Adam Sweeting
The author of the original Watership Down novel, Richard Adams, used to insist that it was “just a story about rabbits”, but its eco-friendly theme and warnings about the destruction of the natural environment were impossible to miss. In the 46 years since Adams wrote it, these concerns have become vastly more pressing, and his depiction of displaced rabbits wandering the earth in search of a new home could hardly be more topical. Thus, this new BBC/Netflix adaptation is aptly timed.The 1978 film version, voiced by the likes of John Hurt, Richard Briers and Ralph Richardson, was a giant hit Read more ...
Adam Sweeting
Destiny is all. The first two series of The Last Kingdom debuted on BBC Two, but for series three it has been fully embraced by Netflix. Global domination surely looms, since these latest exploits of Uhtred, the warrior who was born a Saxon but raised by Vikings, find the show hitting new peaks of throat-slitting, skull-crushing action and intense personal drama.Mostly penned by lead writer Stephen Butchard from Bernard Cornwell’s Saxon Stories, the action again takes us to a bleak and chilled ninth-century England (it’s shot in Hungary). It’s a land of mud, snow and woodland seemingly in the Read more ...
Owen Richards
It’s an event that only comes around once a generation: a new Matt Groening TV series. The Simpsons is rightly regarded as one of the greatest shows ever made. It changed the face of American television, and 10 years later was followed Futurama, a series that may lack the cross-demographic appeal of its predecessor, but consistently produced satirical masterpieces. Now, with a vastly changed viewing landscape, Groening makes the jump to streaming giants Netflix with his new show Disenchantment. The question is, can lightning strike thrice?On first appearances, probably not. Disenchantment is Read more ...
Adam Sweeting
Mild controversy hovers over the new film by Alex Garland, the novelist-turned-screenwriter-turned-director. Garland’s 2015 directing debut, Ex Machina, was a slow-burning hit which found favour with critics and film festival juries. This follow-up, then, should have been Garland’s giant bound into the big (or at least bigger) time, but instead, after a disappointing theatrical debut in the States, it’s now bypassing cinemas and streaming on Netflix for the rest of the world.However, dark rumours of a science fiction masterpiece cruelly abused by a timorous Paramount Studios, who apparently Read more ...
Owen Richards
There’s a storm heading to La Belle, the small forgotten town in the heart of the American West. As black clouds flash above the prairie, the injured body of Roy Goode (Jack O’Connell) falls at the door of widowed rancher Alice Fletcher (Michelle Dockery). After adding one more wound to his collection, she takes in the stranger and helps him heal.  Alice isn’t the only widow; everyone in town carries the weight of loss. Sheriff McNue is one of the only men not killed in a mining accident, but he passes like a ghost through the town, mourning his wife and failing sight. With news that Read more ...
Adam Sweeting
They’re all going into TV nowadays, and here amid the cinematic runners and riders at the LFF is David Fincher directing Mindhunter. It's Netflix’s new series about the FBI in the Seventies, when the Bureau was slowly starting to realise that catching criminals needed more than the old “just the facts, ma’am” approach. Society is changing and so is crime, with serial killers like Ted Bundy and David “Son of Sam” Berkowitz baffling the sleuthing community with their seemingly motiveless killings. Into this strange new world walks Agent Holden Ford (Jonathan Groff), who, despite his Joe College Read more ...
Saskia Baron
This is not a movie to see in the front row – intrusive close-ups, hand-held camerawork, colour saturated night shots and a relentless synthesiser score all conspire to make Good Time, shown at London Film Festival, a wild ride. An unrecognisable Robert Pattinson plays Connie Nikas, a nervy con artist who enlists his intellectually disabled brother Nick in a bank robbery. The heist goes horribly wrong and the camera clings to the brothers’ and their nightmarish fate over the next 24 hours. Directed by real life brothers Josh and Benny Safdie (the latter also plays Nick), Good Time is a homage Read more ...
Jasper Rees
How much plotting went into GLOW? It has been gussied up by the people who brought you the jumbo Netflix hit Orange Is the New Black. Both shows are based on a true story and feature women of all ethnicities bitching and slapping in a contained environment. In Glow there’s less orange, and less black, but even more bitching and slapping.This time the perimeter wall is not a prison but the ropes of the wrestling ring. GLOW is based on the true story of the Gorgeous Ladies of Wrestling who were a cable TV hit in the late Eighties. Netflix supplies a complementary documentary all about the real Read more ...
Jasper Rees
Is meat murder? Will people eat anything if it’s cheap? Is the taste of bacon really what stops us half the western world turning vegetarian? Okja is a commercial stretch, a partly subtitled children’s fable from South Korea which unstintingly confronts all of these deep moral questions. But it does so in the most – if you will – palatable manner. After the briefest release in the cinema, it makes the short on-trend transition to a streaming service, and it’s on Netflix that it should be consumed by anyone and everyone with a strong enough stomach to enjoy an enchanting adventure with a Read more ...
Adam Sweeting
If there's one big question hanging over the television industry, it's "how long can the old broadcast networks survive in the new era of subscription and downloading services?" No doubt there will be a variety of answers, with different hybrid arrangements and partnerships springing up to deliver programming across multiple formats. From the viewer's point of view, it's a pain to have to keep subscribing to multiple providers such as Netflix or Amazon, not to mention all the extra devices we now have sticking out of the back of the TV. On the other hand, have viewers ever had it so good? Read more ...
Jasper Rees
Dirk Gently’s shtick as a detective is interconnectedness. Everything happens for an incalculable reason, there’s no such thing as chance, and all neural pathways lead randomly to the correct outcome. It's a philosophy paper gussied up as a whizzbang entertainment. “I will eventually solve the mystery merely by doing whatever,” says Dirk, having introduced himself as a detective.The history of Dirk Gently as a brand concept is similarly subject to haphazard forces. The not necessarily psychic detective was the less loved (by the punters) second child of Douglas Adams, the creator of The Read more ...
Adam Sweeting
Peter Morgan can't get enough of Her Majesty. Ten years ago he wrote The Queen (with Helen Mirren starring), in 2013 he brought us the stage play The Audience (Dame Helen, again), and now he's written all 10 episodes of this first series of Netflix's royal juggernaut, The Crown.The long-term strategy is for The Crown to tell the story of the Queen from her wedding in 1947 to the present day, which producers Left Bank Pictures reckon will take six seasons. Stepping into the royal shoes is Claire Foy, whom we first meet as she prepares for her wedding to Philip Mountbatten (Matt Smith, pictured Read more ...