Michael Fassbender
James Saynor
For those who ever wonder if soccer scoreboards, or score-line captions on TV, can ever be made to reach three figures, consider the match between AS Adema and SO l’Emyrne, two teams in Madagascar, in 2002. It ended 149-0, but that was only because of an on-field protest. (They were all own goals.)A more shocking shellacking was a year earlier when American Samoa lost 31-0 to Australia in a World Cup Qualifier. It was the biggest loss in international football history, or possibly in school playground history, or possibly in back garden history against the dog – and is now the starting point Read more ...
Jasper Rees
The crime novels of Jo Nesbø are rampaging Nordic psycho-operas. The author's Oslo detective Harry Hole is a lofty alcoholic who takes an outrageous pummelling in his pursuit of deranged serial killers. His many adventures fill the crime shelves in bookshops with their fat spines in flashing yellow upper case, but until now he's been kept from the screen. Michael Fassbender feels like correct casting, a loping, freaky lunk who can embody obsession and self-loathing.In The Snowman, we first encounter Hole waking up on a public bench with a hangover from hell. He has an ex-girlfriend Rakel ( Read more ...
Adam Sweeting
When Ridley Scott returned to his hideous intergalactic monster with Prometheus five years ago, he brought with him a new panoramic vision encompassing infinite space, several millennia of time and the entire history of human existence. With Alien: Covenant, he makes a more modest proposal.Picture, if you will, a spacecraft loaded with 2,000 hibernating colonists. They are en route to a distant planet called Origae-6, but the voyage is interrupted when the ship (it’s called Covenant) is battered by a blast of cosmic radiation. The emergency wakes the crew, and you might find yourself thinking Read more ...
Matt Wolf
Michael Fassbender and Alicia Vikander fell in love in real life while making The Light Between Oceans, which lends an extra dimension to a morose period weepie that needs every bit of excitement it can get. Reminiscent of the laboured celluloid romances of a bygone era that could once have starred Robert Taylor, the film is as vacuous as it is pretty, and if director Derek Cianfrance cut some of his stars' lingering glances, it would have the added virtue of being short.As it is, 132 minutes is a long time for a movie whose narrative more or less demands that the audience is several steps Read more ...
Adam Sweeting
It's getting mighty crowded in the superhero lounge. After the underwhelming Batman v Superman and the overwhelming Captain America: Civil War, here's the X-Men posse back on the warpath, once again under the bombastic helmsmanship of Bryan Singer.The extended opening sequence is a mesmerising standalone episode. It sets up the action by whisking us back to ancient Egypt and introducing the infinitely ancient Apocalypse, a self-styled god who has spent aeons gathering ever-increasing powers by transplanting the gifts of assorted mutants into himself. As pyramids tumble, Singer zooms us back Read more ...
Veronica Lee
If you saw The Social Network, for which Aaron Sorkin wrote the script, you will recognise the type also on display here – a hugely driven, arrogant genius who is emotionally illiterate. In The Social Network it was Facebook founder Mark Zuckerberg; in Steve Jobs, it’s the co-founder of Apple.Directed by Danny Boyle and written by Sorkin from Walter Isaacson’s authorised biography, the film focuses on three tumultuous periods in Jobs's life: his private crisis before the Macintosh launch in 1984, the unveiling of his ill-fated NeXT computer in 1988, and the iMac launch in 1998, and seeks to Read more ...
Jasper Rees
A couple of years ago there was a television documentary about Steve Jobs which wafted much smoke up the sainted iHole. A variety of famous fanboys wept over the curve on the iPhone 3 and simpered at the kleptocratic takeover of the music industry. Never mind that Jobs was reportedly short of redeeming features. A documentary has no obligation to supply drama. A feature film is another story. The makers of Steve Jobs have their work cut out finding something plausibly nice to say about a driven egomaniac who tells anyone who’ll listen that he’s changing the planet.Michael Fassbender is always Read more ...
Graham Fuller
The first feature written and directed by John Maclean, the former Beta Band keyboardist, is a Western comprised of late-genre tropes and references – but one that’s fresh and sincere. It’s knowing and affecting, unlike Django Unchained.A tremulous aristocratic youth, Jay Cavendish (Kodi Smit-McPhee), is searching for the fellow Scot (Caren Pistorius) he loves in the hell of 1870 Colorado Territory. The terrified survivors of a burned Indian camp flee murderous bluecoats. Their officer is about to shoot Jay when bounty hunter Silas Selleck (Michael Fassbender) intervenes. After Silas hires Read more ...
Jasper Rees
The question of the Macbeths’ dead child is one of those Shakespearean quandaries, like Hamlet’s age, Iago’s cuckolding and Beatrice and Benedick’s earlier dalliance. How much do they really matter? In this new film version of the Scottish play, it’s all about the back story. Everything – Macbeth’s disdain for death in battle, Lady Macbeth’s descent into somnambulant madness – hinges on the loss of a child.The solemn, wordless opening locates the Macbeths’ motivation in bereavement for a little child onto whose dead eyelids Macbeth places pebbles before the body is paganistically cremated on Read more ...
Katherine McLaughlin
Frankly, the idea of a female superhero flying solo at the front of a modern movie is becoming a bit of a joke. Despite there being a Wonder Woman film in the pipeline, that this relies on the success of "Batman vs. Superman" (both of whom have had their fair share of reboots) is disheartening. But going into an X-Men film there’s always the hope of both sexes having gripping storylines - a trend we’ve also seen play out in Captain America: The Winter Soldier - so step forward Jennifer Lawrence's Mystique. In a film that’s all about righting past wrongs you can't do much better than casting Read more ...
David Nice
Nearly everything may have been said or written about the relationship of artist-filmmaker Steve McQueen’s masterpiece to Solomon Northup’s 1853 book relating how he was kidnapped and sold into slavery. But there can be no end to observations on how the true story is unfolded. We know from the title that the protagonist begins, and will end, as a free man, so it’s a question of pacing the narrative. Which McQueen does with absolute mastery, binding the visual beauty or horror of every frame to a genius art of storytelling in film.There are countless examples of dramatic juxtaposition which Read more ...
Kieron Tyler
Two potential obstacles need navigating while considering Frank. First, despite what it initially seems, this is not an account of the life and times of Frank Sidebottom, the giant-headed character created by maverick musician Chris Sievey. Second, the attitude towards mental health issues exhibited by those close to Frank in the film makes for awkward viewing. Beyond these health warnings, the presence of Michael Fassbender and Maggie Gyllenhaal in this eccentric, touching film makes it more than a curiosity.As Frank, despite being masked by the disconcerting, big-eyed, blank-faced papier- Read more ...