Manchester
Ismene Brown
“It’ll be tricky to write about,” said the man next to me last night, a Cubaphile. “It's the good, the bad and the awful.” The Cubans’ second programme, The Magic of Dance, is an old-fashioned warhorse of showstoppers from the classics, a tapas bar of Giselle, Sleeping Beauty, Nutcracker, Coppelia, Don Quixote, Swan Lake and Gottschalk Symphony. Come again, the last one? It’s a company conga by Alicia Alonso. Enough said.The awful we know about - epitomised by last week’s Swan Lake, the bodging of text and exigencies of decor, permissible to put down to accidents of history and economics. Read more ...
Veronica Lee
Dave Gorman, it could be said, invented a genre of comedy. His reality-based documentary tales - about hunting down people with the same name or finding unique Google searches - were meticulously researched and generously illustrated; he was the king of PowerPoint. But here he has returned to his stand-up roots and while the show has a title - Sit Down, Pedal, Pedal, Stop and Stand Up- it has no central theme and is not, like those before, delivered almost as a lecture. It refers to the fact that earlier in the tour, in more clement weather, he was cycling between gigs; here, he merely cycles Read more ...
Matt Wolf
Lesley Sharp could be thought of as an actor's actor: a talent equally at home in theatre, cinema and TV who has been impressing audiences and critics regularly for a quarter-century without quite becoming a star name. That looks set to change in theatre terms at least with Sharp's breakout West End double - first as the blowsy, ferocious Mari in The Rise and Fall of Little Voice, the Jim Cartwright play currently in revival until 30 January 2010 at the Vaudeville Theatre, followed by Mrs Alving in Ibsen's Ghosts early next year at the Duchess, in a production to be directed by Sharp's Pastor Read more ...