All was quiet in room 509 when I turned up with my bottle of Jura whisky. Tinariwen’s sound engineer, Jaja, was watching a vampire movie on TV. Elaga, their rhythm guitarist, was sitting at a small, darkly varnished table eating pasta from a Styrofoam carton. Said the percussionist was lying on his bed, delving through the archive of photos and recordings on his LG mobile, keeping his own counsel as he usually does. As I entered I saw Ibrahim Ag Alhabib, Tinariwen’s iconic founder and frontman (pictured below right), standing by the window. He looked better than he had done that morning Read more ...

Malian singer-songwriter Fatoumata Diawara produces guitar riffs that are like quiet musical mantras from which songs seem to blossom like exquisite orchids. Or at least that’s the effect achieved by a combination of the songs themselves and the exquisitely understated arrangements which one can imagine were a pleasure for Diawara to work on with regular World Circuit producer Nick Gold.Comparisons have already been made between the Côte d’Ivoire-born 29-year-old and the Malian legendary diva she has sung backing vocals for, Oumou Sangare (who Diawara pays tribute to here with “Makoun Oumou Read more ...

Late on Friday night at WOMAD, on the more intimate Charlie Gillett Stage in Charlton Park, there was an unusual cross-cultural treat. Ballaké Sissoko is one of Mali’s most accomplished kora players: not as well known as his Bamako next-door neighbour Toumani Diabaté and more firmly rooted in Manding musical tradition, but undoubtedly in the same class. Vincent Ségal is a brilliant French cellist who moves with consummate ease from the classical repertoire to free jazz. They are both technical virtuosi but neither of them plays to the gallery.   In a manner consonant with some of the Read more ...

I’m pleased to report that the expression “like father like son” becomes more applicable to Vieux Farka Touré with each album he makes. But perhaps I should qualify that statement. It’s not about Vieux slavishly imitating the legendary Malian blues man’s unique guitar style, or becoming in any way a tribute act. But what The Secret represents is a certain maturing of his style and a noticeable calming down of his dependence on the kind of rock clichés and histrionics that can still mar his live performances.Also there are fewer nods towards hip hop or the dance floor. Instead the Read more ...

Gagner l’argent Francais (which translates as “to earn French money”) begins, like any other West-targeted West African album, with the pitter-patter of tiny congas and some delicately picked kora. But then, two minutes in, a bright stab of reverb-heavy keyboard heralds the entrance of grungy rock guitar and drums. It’s a bold way to open an album in that it may alienate some of the Radio 3 Late Junction world music demographic. But it isn’t the first time Mamani Keita has put before her audience challenging and innovative music. I have particularly fond memories of Electro Bamako, her  Read more ...

Back in June of this year, the international successful Malian blues band gave what felt at the time like a curiously muted performance at the World Cup Kick-off Celebration Concert in Johannesburg. But perhaps it was the effect of having their laidback hypnotic grooves juxtaposed to the in-your-face emoting and hip-gyrating of the likes of Shakira and Alicia Keys that seemed to somewhat mystify the stadium audience. Because this is a band that seem to have little interest in doing any more than just playing their music, and humbly hoping that people will climb aboard without them having to Read more ...

I am talking to Toumani Diabaté on a phone line into Bamako that, as he explains with an audible shrug, sometimes works and sometimes doesn’t. He was due in London a couple of weeks ago to promote Ali & Toumani, his album of duets with the late, great Malian guitarist Ali Farka Touré, but was struck down with malaria at the eleventh hour. It rather puts the standard rock star bleating about "stress and exhaustion" to shame. “At the last minute I had packed my suitcase but I started to vomit and malaria came, it was really bad,” he says. “Thank God, thank God, today I’m getting better." Read more ...

Here’s a deceptively simple question. What is African music? Does a band make African music simply by dint of the fact they come from Africa? One of last night’s three African Soul Rebels acts was South Africa’s Kalahari Surfers. Ensconced behind a table’s worth of laptops and other gismos, they made subtly menacing, dubby rock with an early '80s slant. And in fact they did it rather well, conjuring memories of Gang of Four and their ilk.Warrick Sony, the band’s vocalist looked and sounded a little like Billy Bragg, and his fractured, edgy guitar work was involving. There was even one moment Read more ...

Oumou Sangare, Malian diva and one of the world’s great singers, is not, as I eventually found out myself, a woman to be trifled with. When she bought some land outside Bamako, the capital of Mali, a local official by accident or oversight also sold the land to someone else who planted the fields. Sangare turned up with a bulldozer and destroyed the man’s crops. She also had a quiet word with the President of Mali and got the offending official sacked. I could easily imagine Sangare in her preferred garb of traditional colourful African robes and Parisian stilettos in the driving seat of a Read more ...

Theatre director Peter Brook is back in London. Brightly, eloquently, he's promoting his new show, in English (most of his work since the 1970s has been in French), currently running at the Barbican: entitled Eleven and Twelve, it's a dense chamber piece exploring a religious dispute in early 20th-century Mali. Quiet, sensitively investigative of an unknown strand of north African faith, it will enlighten some and bore others. Classic Brook?Well, certainly not redolent of the firebrand deconstructor of the 1960s, who imported an alarming thing called Theatre of Cruelty into mainstream British Read more ...

theartsdesk's critics look back fondly on their favourites of 2009. An eclectic selection full of eccentricities, our favourite music from the past year varies from the pop strangeness of Lady Gaga and Muse to "world-mariachi" from Tom Russell, West African grooviness from Oumou Sangare, electronica from Tim Exile, jazz from Branford Marsalis, Brazilian seduction from Céu as well as a couple of old warhorses on top form: Tom Waits and Neil Young. We've made it easier for you to purchase our recommendations: all you need to do is click on the link at the end of each review.2009: a selection Read more ...