Mali
mark.kidel
Trio Da Kali are griots, and their traditional role in West Africa is to connect: to evoke the glories of the past and to bring communities together through mediation and spiritual admonition. Their role, even though sung in Bambara, without surtitles – a thought worth considering – could not be more appropriate in a world so perilously divided. Their performance at the Barbican’s Milton Court concert hall transported the audience into a space in which boundaries were erased, and hearts open full-wide. The members of the trio are all three outstanding musicians: Lassana Diabaté is Read more ...
mark.kidel
Combining ancestral music with electronic sounds has become so widespread that it’s almost a cliché. Dance floors now pulsate with sounds from around the globe, adding a welcome warmth and heart to the tropes of techno, house and trance. Malian singer Rokia Koné with producer Jacknife Lee stand miles above the rest, and offers an object lesson in working so subtly with the original that the richness of African music isn't colonised by technology but miraculously enhanced.The gutsy authenticity of Bambara music – Rokia Koné hails from Ségou, the capital of the ancient Bambara Empire – is Read more ...
mark.kidel
Toumani Diabate, master of the 21-string kora, along with some other Malian musicians, collaborated on a symphonic concert at London's Barbican Centre in 2008. The orchestra in question were the London Symphony, who have often been open to working with musicians from outside the classical field. The recording has now become available, and joins a number af Toumani's adventurous collaborations that have included the flamenco group Ketama, jazz trombone-player Roswell Rudd, and the blues singer Taj Mahal.The classical music orchestra produces a very specific sound that has attracted musicians Read more ...
mark.kidel
Ballaké Sissoko is one of the greatest musicians in Africa – a kora player of extraordinary quality, strongly rooted in the Manding and family traditions that have nourished him. He’s also a born collaborator, with a sense of adventure that has resulted in very fruitful performances and recordings with musicians from his own culture as well as others from further afield.His relationship with the French label No Format has been immensely fruitful, not least the two now classic albums with the French cellist Vincent Ségal – Chamber Music (2009) and Musique de Nuit (2015). His latest release Read more ...
mark.kidel
Fatoumata Diawara knows how to please: with a winning and innocent smile, she wins the audience over in a matter of seconds. She has a vocal style all of her own: in her first song, “Don Do”, a quiet and meditative prelude to the boisterous show that follows, she seduces with sensual textures and a slight rasp unique among West African women singers, and which owes as much to jazz and gospel as to the traditions of her musically-rich country.After the first of a number of slightly predictable but heartfelt intros, in which she promises to give us an Africa beyond the clichés of poverty and Read more ...
Nick Hasted
Rokia Traoré’s passage through this year’s Brighton Festival has been central, binding it to her Malian identity in a series of gigs. This hands-on Guest Director’s pulsing Afro-rock Opening Night was followed by the first Dream Mandé show’s recasting of traditional sounds. A Malian Dance Night added FGM protest, Seventies s.f.-soundtracked myth and cheeky wit from young choreographers. But this show is surely Traoré’s cornerstone, supporting all the rest, as she takes on the role of griot to recast Mali as democracy’s secret rock.The griot’s role at the root of West African culture, orally Read more ...
Nick Hasted
Much of Rokia Traoré’s set on Saturday night comprised folk songs about Mali’s warrior kings, connecting with her country’s fabulously wealthy, proudly powerful past. They suit this diplomat’s daughter’s regal stature, which she has put at the service of a nation still enviably rich in musical resources, but battered by civil war, poverty and terrorist attack.Traoré has also helped give this year’s Brighton Festival an Afrocentric perspective, ignoring the comfortingly familiar in favour of often black British or African artists. Her commitment as Guest Director extends to three headline gigs Read more ...
Adam Sweeting
Last year’s first season of Deep State featured cloak and dagger exploitations of chaos in the Middle East by the capitalist West and its intelligence services. Judging by its opening episode, this second iteration is about to do something similar, except moving the target area left and down a bit to Niger and Mali.An explosive start was mandatory, and was duly delivered with a bullet-spattered set-piece in a bar in Bamako, where a bunch of off-duty American undercover agents had their pool game interrupted by a squad of turbaned jihadists spraying them with AK-47s. This all kicked off when a Read more ...
Thomas H. Green
The last thing many were expecting from Rokia Traoré’s opening appearance at this year’s Brighton Festival was an Afro-psychedelic head-fry, yet she and her four-piece band prove thoroughly capable of swirling our minds right off out of it. When she returns at the end of the concert and announces she’s going to play one last song. A voice shouts out, “Make it a long one!” Happily, it is. The final number, “Köté Don”, is a culmination of the evening’s ethos, dragging listeners away once more into precisely estimated - yet elastic - patterns of rockin’, revolving minimalism.Dating back 16 Read more ...
Peter Culshaw
The latest of Peter Culshaw’s global music round-up of new and re-released sounds features new albums from veteran Afro-beat pioneer Tony Allen, an astonishing collaboration between revered string quartet Kronos and Malian traditionalists Trio Da Kali (pictured above) and adventurous South Italian acoustic tranciness from Canzoniere Grecanico Salentino. Other highlights include sizzling re-releases from Burkina Faso and Dream Theory From Malaya from a still futuristic-sounding Jon Hassell, plus a healing dose of carnatic vibes from Jyotsna Srikanth and monstrous funk from other points of Read more ...
Tim Cumming
Now in its 35 year, Womad is embedded into British festival culture, flying the flags of a musical multiculturalism that is about breaking down barriers and building new relationships. It’s not something you want to lose.Aside from pleasurable headliners – the likes of Oumou Sangare, Toots and the Maytals and Ladysmith Black Mambazo – it’s the names you don’t know who often leave the deepest impression. The BBC Radio 3 Charlie Gillett Stage hosted numerous full-flavoured festival debuts – the London-Greek sound of Kourelou, for instance, or Italian acoustic trio Vesevo’s folk tunes from Read more ...
mark.kidel
The river of sound from Mali never stops flowing. War in the Sahara and the constant threat of Jihadists haven’t stopped the ceaseless wave of creativity that surges through the West African country.The Malians speak of music giving courage, of song’s capacity to warm hearts. Vieux Farka Touré’s latest in a line of splendidly "encouraging" albums is guaranteed to move, get you up on your feet. and celebrate. The Touré family aren’t griots or praise-singers but members of the warrior caste, and their hereditary vocation is palpable in the great power of their music.A massive counterblast to Read more ...