London
Gary Naylor
It is no surprise that the phrase “Witch Hunt” is Donald Trump’s favoured term to describe his legal travails. Leaving aside its connotations of a malevolent state going after an innocent victim whilst in the throes of a self-serving moral panic, it plays into a founding psychodrama of the USA - the Salem Witch Trials of 1692. Arthur Miller’s play based on those events, The Crucible, is now embedded in the high school curriculum keeping the flame alive, so it makes sense for Talene Monahon to write a prequel from a feminist perspective and, after a run in New York, it has reached the Read more ...
Adam Sweeting
It’s not easy to find a new way to package a drama about that perennially popular topic, the dark side of policing, but Criminal Record at least gets its ducks in a row with some strong writing by Paul Rutman and a strength-in-depth cast. Peter Capaldi (pictured below) is in chilling form as the Hackney-based DCI Daniel Hegarty, a veteran detective who evidently knows where a lot of bodies are buried. When he starts getting inquiries about a decade-old murder case from the comparatively junior DS June Lenker (Cush Jumbo), it looks like a mild irritation he can merely brush off.Naturally that Read more ...
Nick Hasted
This week, the makers of Scala!!! threw a party in what remains of its subject – a notorious, beloved repertory cinema in then sleazy King’s Cross, born 1981, dead 1993, and now a dowdier music venue.The auditorium was cut up, shrunk and sanitised, the seats where hundreds got lost in an especially dank darkness long gone. But old shapes were mentally sketched by ageing regulars as a small screen defiantly unspooled copious gore, nudity and energetic depravity in trailers for Reform School Girls, Thundercrack!, Lynch’s Blue Velvet, Pasolini’s Salo, Hal Ashby Read more ...
Gary Naylor
If a week is a long time in politics, what price 44 years? And 3500 miles? Turns out, not much, as Michael Healey’s sparkling play, 1979, proves that events all that time ago and all that way across the Atlantic maintain a remarkable relevance today.We open on a besieged prime minister, Joe Clark, being harangued by his finance minister, John Crosbie, who has Malcolm Tucker’s lexicon on his lips and a budget to force through a hung Parliament. Lose the vote and Clark’s fragile minority government will fall; postpone the vote and his credibility (not least in his own mind) will plummet; win Read more ...
Saskia Baron
There’s no shortage of documentaries about movie stars, film directors and production studios in their heydays, but very little attention has been paid to the cinemas that showed the movies they made or the diverse audiences they attracted.Opening in the UK after a very successful lap around the world’s film festivals, is Scala!!!! Or, the Incredibly Strange Rise and Fall of the World’s Wildest Cinema and How It Influenced a Mixed-up Generation of Weirdos and Misfits. That breathless title itself hints at the unknown pleasures (and breakneck nostalgia) to come from co-directors Jane Read more ...
Harry Thorfinn-George
In 2023 Dave and Central Cee had the longest running number one UK rap song ever with "Sprinter", a song about the logistics of being very rich. The real star of the show, however, was the spritely, luxurious instrumental which was partially produced by South Londoner Jim Legxacy, who also released the best album of 2023: HNPM.This is my album of the year because it feels both like a snapshot of the internet’s genre-blending rap scene as well as of modern day Lewisham. Legxacy is fluent in mixing genres in a way that only an internet native could be, for example on the standout track "old Read more ...
Bernard Hughes
The Wigmore Hall, the high church of Beethoven and Brahms, hosted something less elevated last night: a programme called “Hey for Christmas” presented by vocal ensemble Siglo de Oro and period instrument band Spinacino. The conceit was of recreating a mid-17th century English family’s musical diet through the Christmas season. And it was a whole lot of fun.As director Patrick Allies explained in his witty introduction, the scenario has traditional music as demanded by the older members of the family, while the teenage daughter is into contemporary dance music – and there is also a starchy Read more ...
Sebastian Scotney
Reviewing, they say, never gets easier. How can one possibly describe chamber music playing as good, as stupendously memorable, as last night’s all-Brahms programme from Dutch violinist Janine Jansen, English violist Timothy Ridout, Swedish cellist Daniel Blendulf and Russian-born pianist Denis Kozhukhin? (Clue: skip to the end for a three-word version.)Kozhukhin, at the centre of everything, was just fabulous. He really does have some very special qualities indeed to bring to Brahms. First, the listener has the assurance that every possible element of technique is Read more ...
James Saynor
You don’t have to be a casting director to know that Britain has a remarkable reservoir of unstarry middle-aged actors who might, just occasionally, get top spot in a movie – Joanna Scanlon in the wondrous After Love (2020) being an excellent example. Now we have Maggie O’Neill, veteran of TV shows like Shameless, Peak Practice and EastEnders, who takes the lead in this equally likeable effort by writer-director Leo Leigh.It’s an ambling, facetious character-piece about hopeless classless numpties going round in circles, a film with surprisingly zero dud notes for a first-time moviemaker. Read more ...
Mert Dilek
Stranger Things has shown us over four seasons that the alternate dimension known as the Upside Down can be the seat of many things: terror, mystery, camaraderie, compassion. As it turns out, it can spawn great theatre, too, for Stephen Daldry’s much-anticipated stage production of the prequel to the Netflix mega-hit has finally summoned its demonic energy to take the West End by storm.In this intensely cinematic and technically stunning show, a spirited ensemble breathes ambitious life into a villain origin story that feels at once epic and intimate – and with no shortage of wow factors. Read more ...
Gary Naylor
We’re in Moscow (we hear that quite a lot) where an ageing woman on a rare trip out of her apartment block catches sight of an advert in a bank’s window. She is soon inside and subjected to a sales pitch by a keen young bank "manager", torn between his understanding of her dementia and the career-boost the loan will bring. Five months later, she’s in her little flat with a debt collector, a man even more ruthless in pursuit of his objectives – and events take an unexpected turn.Theatre503 continues to find highly promising playwrights through its International Playwriting Award scheme, Read more ...
Pandemonium, Soho Theatre review - satire needs a shot of Pfizer's finest to revive tired storylines
Gary Naylor
In 2020, throughout the country, many people’s lives were affected adversely by an ever-present threat to our already fragile society. Though most got over it, many people still bear the cost every day, sapping them of energy, making them cough and splutter frequently, instilling a longing that it would just go away and stay away. Like many, I have been suffering from “Long Boris”, the affliction reactivated last week with his appearance as the Covid Inquiry Variant spread far and wide. And such topicality ought to work in favour of Armando Iannucci’s first venture on to the stage, Read more ...