LGBT+
Ismene Brown
The bristling chest, the suggestive swell under the feathered crotch, the leering lipsticked mouth, the size 12 pink pointe shoes. Even the name of the troupe tickles the ribs, so serious yet so ridiculous. What's a camp word like Trockadero doing in the middle of a legendary Russian ballet company name?It's time to raise a scented handkerchief in respect to the male comics known as the Trocks, visiting Britain on their 40th anniversary tour. The beefy ballerinas with their fragile Russian nerves have been dying on stage before us for decades and show no sign of stopping, so much do audiences Read more ...
ronald.bergan
Both on screen and off, Montgomery Clift was sensitive, hesitant, introspective, self-destructive and often tortured. A personality that expressed itself on film as if afraid of what the camera would reveal. There were at least three faces of Clift. The early public one of the dark, romantic, handsome star of the fan magazines; the face of extraordinary beauty marred after a car accident in 1956, and the private face of drink, drugs and a series of unloving homosexual encounters. Although the accident itself had not really disfigured him too seriously, it seems to have scarred his character Read more ...
bruce.dessau
It is probably not unreasonable to argue that all of the original Monty Python's Flying Circus team – including lovely Michael Palin – were, and are, a complex bunch. But none were as complex as the late Graham Chapman. Gay, alcoholic and partial to smoking a pipe and playing authority figures such as army officers, there is more than enough meat there for a colourful film about his life.In keeping with Chapman's unorthodox career, A Liar's Autobiography, which has been doing the festival rounds since last year, is a pretty unorthodox film. Directors Ben Timlett, Jeff Simpson and Bill "son of Read more ...
Tom Birchenough
Poetic restraint dominates Ligy J. Pullapally’s 2004 Kerala-set lesbian drama The Journey (Sancharram). Based on a true story of a relationship between two young women that ended in one's suicide (a conclusion that’s left open in the film), its opening symbol is a butterfly, and flight would indeed be the only escape for its schoolgirl heroines.It would be away to a city from the small town - which looks rural and idyllic, centred around the school from which both girls are due to graduate - where social pressures dictate that conventional family life must be adhered to. When the slow- Read more ...
Karen Krizanovich
Director Ira Sach's autobiographical tale of Erick and Paul's 10-year relationship shows the passion and destruction that can occur in any relationship. Here, we follow the decade of ups and downs that happen between documentary filmmaker Erik (Thure Lindhardt) and his attorney boyfriend Paul (Zachary Booth) as drug addiction takes its toll.Shot in crowded city spaces and cafes, the drama closely follows Sachs' own relationship with literary agent Bill Clegg (whose memoir was published last year). What may shock is how lives can be changed by a chance meeting on the way to the subway. Sachs, Read more ...
Veronica Lee
David Hare's 1998 play wasn't terribly well received when it was first produced by the Almeida; several critics regarded it as a thin work, weakly directed by Richard Eyre, and opined that Liam Neeson was miscast in the role of Oscar Wilde. Now comes a revival, directed by Australian Neil Armfield that has, on the face of it, dream casting in Rupert Everett as the Irish playwright hounded by the British ruling classes for his homosexuality.It's a play of two halves, in more ways than one, as Hare creates a sort of diptych of Wilde's life. The first act is set in the louche Cadogan Hotel on Read more ...
aleks.sierz
Is discretion really the better part of valour? This question arises in a particularly acute form in this new play, which looks at Danny, a gay primary school teacher who decides to come out — despite the risk of being seen as a paedo. But although it is great to enjoy EV Crowe’s follow up to her 2010 debut Kin, which was an account of a posh girls boarding school in the 1990s, does her latest — which opened last night — have a lesson to teach us about the meaning of courage in daily life?Danny’s choice is not ideological: it comes about almost by accident. He lives in a civil partnership Read more ...
Tom Birchenough
With a title like this, you know you’re getting something different. Madeleine Olnek’s first feature is a quirky love story set in her native New York, which is portrayed with enchanting zaniness. Where else would you expect the arrival of female space aliens, with bald heads and distinctive collared costumes (to hide their gills, since you ask) to pass unnoticed? Welcome to Olnek’s micro-budget, stylish black-and-white world that revels in its Fifties B movie sci-fi ancestry, complete with juddery spacecraft. Homely Jane works in a stationery store that gives new definitions to banality Read more ...
Tom Birchenough
Stubbled, chubby and aged beyond his 34 years, Yossi, the eponymous hero of Israeli director Eytan Fox’s film played by Ohad Knoller, has a hang-dog loneliness to him that stands out a mile away. He may be a qualifying cardiologist, but his own heart seems stuck at the glacier stage.With no friends or family in the picture, staff at the hospital seem to be the only company he gets in this sterile, green-tinged (coloured by the medical uniforms) environment. There’s a nurse who feels something for him, though the play she asks him out to, titled The Stranger, hardly looks set to raise the mood Read more ...
Glyn Môn Hughes
Those of us growing up in the heady days of 1960s Liverpool knew that four local lads were taking the world by storm. Some really grown-up people might even have been to The Cavern and seen the phenomenon in their early days. And yet there was always an enigma in the background: the figure who made it happen but about whom we knew almost nothing.Brian Epstein – pronounced Epsteen – seemed to have it all: wealth, good looks, ability, contacts. He was the gifted businessman who launched several epic popular music careers, not to mention a major music business in Liverpool which continued well Read more ...
Tom Birchenough
American indie director Ira Sachs’s last film was Married Life, and he returns to similar territory in Keep the Lights On, which could just as easily be titled Scenes from a Relationship. Episodes over the decade from 1998 onwards tell the story of the coming together - and falling apart - of a New York gay relationship, one that Sachs has said draws on his own life.Sachs is writing implicitly from the point of view of his character, Erik, a blond, slightly gap-toothed and emotionally open Dane (Thure Lindhardt) who’s floating happily in Big Apple life. The film’s title doesn’t refer to Read more ...
Tom Birchenough
There’s little beauty of any conventional kind in this tale of the hidden queer - "gay" would have associations of a very different world - life of South African patriarch François (Deon Lotz) imploding. He falls for Christian (Charlie Keegan), the 20-something son of an old friend, with violent and wrenching consequences: the closet door may be opening, but the cracks are in a deeply repressed family life.An opening wedding shows François in all his provincial Bloemfontein status, a proud father giving away his daughter, the prosperous owner of a timber yard, a figure in the local Read more ...