Leeds
Marina Vaizey
Gather round the fire, friends: no Santa down the chimney this Christmas Eve, but the curiously comforting Alan Bennett, with his sardonic and occasionally optimistic diaries. The latest published instalment has the slightly wry title Keeping On Keeping On; Bennett tells us the original title was to be Banging On Banging On.Bennett is 82 now, and lives much of the time in NW1 – the very street once home to the Lady in the Van, who parked in his front garden, in a neighbourhood memorialised in the Mark Boxer comic strip, Life and Times in NW1. Now much has gone: the real-life Mr and Mrs String Read more ...
graham.rickson
Baz Luhrmann’s Strictly Ballroom started life as a short stage play in 1984, drawing on its creator’s own experiences in the heady world of amateur ballroom dancing. That the iconic 1992 film exists at all is something of a miracle; production funding was scarce and no distributor was willing to screen it until it was accepted for the 1992 Cannes Festival. Strictly Ballroom is still an intoxicating viewing experience: a visually arresting and upbeat modern fairy tale, smartly cast and superbly performed. The credits for this stage musical version are impressive: Luhrmann was one of the Read more ...
David Nice
"That cursed mist" may hide the French from the crew of the HMS Indomitable and cause far more deadly damage to moral certainty. But clarity and strength are the assets of Orpha Phelan's new production for Opera North: no gimmicks, superb company work and three principals for the battle of good and evil all equal to their dramatic challenges at a level I haven't seen for decades.Britten and his co-librettists EM Forster and Eric Crozier pose some challenges in their adaptation of Melville's story, all well handled here: there's a bit too much moralising, especially about avenging angels and Read more ...
graham.rickson
The National Youth Orchestra of Great Britain’s standard of playing is consistently impressive, so much so that it’s easy to forget that the ensemble is effectively reconstituted from scratch each autumn. Last night’s fresh incarnation, deftly conducted by Nicholas Collon, sounded as if they’d been playing together for decades, though without any sense of complacency which that might bring. When you’ve 163 teenagers squeezed onto a stage, the worry is that the details will get lost in a blurry soup of sound. But no; this account of Prokofiev’s Fifth Symphony was immaculate.Collon’s flowing Read more ...
graham.rickson
The few ensemble lapses and moments of insecurity during the first half of this concert had nothing to do with Richard Farnes’s conducting, or with the playing of an augmented Orchestra of Opera North. It’s in rude health; Farnes has refined and deepened the orchestra’s string sound, and the winds and brass are world-class.But they weren’t able to compete with Hurricane Desmond. You could almost feel the building buckling under the strain, and at several points you feared that large chunks of Leeds Town Hall’s roof were about to blow off. It can’t be easy to play securely when you’re worried Read more ...
graham.rickson
We’ve been spoilt over the past few summers in Leeds; Opera North’s semi-staged Ring has been a triumph, and the whole cycle will be performed complete in June 2016. To fill the Town Hall in 2015 we’ve got concert performances of Wagner’s The Flying Dutchman. You have to commend the decision taken to play the work straight through without any intermissions, though it’s a bit of a slog in places; much of Act 2 feels dramatically inert. By contrast, Götterdämmerung’s five hours pass in the blink of an eye.You marvel at how much Wagner’s style was to develop in just a few decades; in a work like Read more ...
graham.rickson
Nielsen: Symphonies 2 and 6 Royal Stockholm Philharmonic Orchestra/Sakari Oramo (BIS)Few composers' music can blow away the cobwebs quite like that of Carl Nielsen, and David Fanning's sleeve note to this BIS disc rightly describes him as “the greatest life-affirmer in the 20th-century symphonic tradition”. It's been a joy to watch Nielsen's stock rise in recent years, and John Storgårds' new cycle of the symphonies has just appeared in the wake of Alan Gilbert's blazing New York Philharmonic set. This disc of Symphonies 2 and 6 is the final instalment of Sakari Oramo's series, and I'm Read more ...
graham.rickson
You’ve booked the iconic Czech Philharmonic Orchestra and their charismatic chief conductor Jiří Bělohlávek to do a whistle-stop UK tour. Hoorah. But what do you get them to play? The mind boggles with programming possibilities. A symphony by Martinů? Janáček’s Taras Bulba? Suk’s Asrael? Naah – what you do, inevitably, is look at the Classic FM Hall of Fame and ask them to perform The Lark Ascending and the Bruch G minor Concerto.Not that there’s anything wrong with either piece, but I couldn’t help feeling musically short-changed by half of this concert, and wonder if the players felt the Read more ...
graham.rickson
The good news first: director Christopher Alden’s new production of Gianni Schicchi is quite brilliant, and one of the funniest, cleverest things you’ll see in an opera house. Puccini’s taut one-acter is difficult to mess up, but it takes some skill to present it this well. Alden’s version is full of pleasures. Like Rhys Gannon’s stroppy young Gheradino, who spends most of the action wearing headphones and playing on an iPad. Choreographer Tim Claydon’s mute, acrobatic Buoso Donati leaves this earth with some reluctance, his ghost continuing to haunt the stage. Victoria Sharp’s blingy Nella Read more ...
Lisa-Marie Ferla
By the time I reached “Coming Home” - the second track on Kaiser Chiefs’ fifth album, and the band’s "comeback" single - I was predicting not a riot exactly, but certainly a few snide comments below re: my knowledge of the Leeds lads’ back catalogue. While not wholly unpleasant, its drivetime radio-friendly smoothness seemed an odd choice for a band best known for anthemic, stadium-filling indie swagger - particularly as it was always going to be seen as something of a mission statement for their first album without chief songwriter and drummer Nick Hodgson.But then Education, Education, Read more ...
graham.rickson
Middle-period Mahler can be hair-raising enough under normal circumstances. In this performance of the Fifth Symphony, the angst and intensity dials had been turned up to 11. Every orchestral colour shone with greater intensity, and each change in dynamics registered with piercing clarity. Which could only mean that this year's freshly reconstituted National Youth Orchestra of Great Britain were giving their first concert of the season.Half of these musicians have only been playing in the NYO for less than a week. That the quality remains so consistently high each year is remarkable – credit Read more ...
graham.rickson
When you're young, you think that liking Elgar is a habit you'll grow into later in life, like buying a set of golf clubs or following The Archers in detail. As I shuffle into middle age, I find that I'm beginning to love this music more and more. I've given up making excuses to younger, hipper friends. Richard Farnes' intense account of Elgar's disconcerting Second Symphony was a great performance, one in which intense dynamism served to accentuate the score's lingering, fin de siècle nostalgia.Elgar's own recordings are strikingly fast; Farnes (pictured below by Clive Barda) was a pretty Read more ...