Had we but world enough and time... A new book by the editor of the Guardian makes it clear quite how many hours in the day it takes to run a national newspaper in the digital age. There is the unyielding nature of 24-hour news, while the internet relentlessly asks grave questions of print media’s business model. Some editors respond to the job's demands by keeping obsessively fit, and then there is Rusbridger’s alternative guide to stress-busting: the piano.Play It Again: An Amateur Against the Impossible, written in diary form, is the story of Rusbridger’s attempt to grapple with Chopin’s Read more ...

Site-specific theatre is hard – where to put the audience, can they stand for nearly two hours, how do we enable them to see/hear, most importantly, what is the purpose of the site and how is it to be used? Verbatim theatre, too, is hard – how to shape a narrative, how to develop characters. Put the two genres together, and what have you got? A well-intentioned, rather unfocused mess, to be honest.On paper, the idea is great: three journalists interviewed 43 of their colleagues about their own experiences, their views on the industry and the state of journalism. Then the company (the National Read more ...

The Arts Desk has been voted Specialist Journalism Site of 2012 at the Online Media Awards. In a celebratory dinner at Arsenal's Emirates Stadium recognising "the best and boldest of online news-based creativity and also the most original", The Guardian were the major winners with five awards, but even their new Data Store section was outgunned in the Specialist Journalism category by The Arts Desk.In a category contested by 11 nominees, The Arts Desk's prize was the first of two given by the judges acclaiming two specialist sites "for very different reasons" - the other went to The Economist Read more ...

John Percival, one of the heavyweight group of dance critics of the past 60 years, died last Wednesday, aged 85. He had watched and reported on ballet and dance from their infancy in the Forties right up to recent years, offering a powerful perspective on one of the most vivid and energetic movements in British culture in the 20th century.The first biographer of Rudolf Nureyev and choreographer John Cranko, Percival was for 30 years the dance critic of The Times and also the editor of Dance and Dancers, the now defunct but eminent monthly magazine that charted the growing maturity of the Read more ...

The most finely judged thing about Lowdown on BBC Four is how it takes the tradition of broad Australian humour and makes it broad enough to cover the Outback without causing a breach in laughter or taste. The taste in this comedy of hacks is, of course, bad, but that's what makes it so good. The bogan element in Australian culture - it's their equivalent of the hick - is turned into the comedy of the unspeakable, and is always very, very funny.Now, I'm not the first man to laugh about anal fissures - for yucks it's somewhere up there with lacemaking and Elizabethan constitutional history - Read more ...

When a young Charles Dickens visited New York in 1842 with his wife, he strolled down Broadway, happened upon an unusual dance and naturally checked out theatreland. As his bicentenary is celebrated, here, from his journal, American Notes For General Circulation, are some of his observations on the arts and culture of this foreign city, intervals of refreshment between the widespread social ills that he was principally reporting upon. Dickens on Broadway Was there ever such a sunny street as this Broadway!The beautiful metropolis of America is by no means so clean a city as Boston, Read more ...

Before the internet and the Kindle were invented, generations of Americans saw their lives refracted through the pages of Life magazine. In particular, through its photography, since writers at Life were largely relegated to supplying glorified picture captions. They were also allowed to carry the photographers' equipment.Obviously the idea of being an object of reverence appeals to photographers. Portrait and fashion snapper Rankin has long admired the work of the great Life lenspersons, and in this film he reviewed their accomplishments and tracked down some of the magazine's fabled Read more ...

When the former Miss Wyoming, Joyce McKinney, walked towards UK Customs in 1977, she had a perfect tabloid story in her bag: handcuffs, a Smith and Wesson pistol, and a burning desire to rescue the love of her life from the Epsom Mormons. One of her American accomplices, KJ May, attracted by her newspaper ad - “Big Adventurous Dude Wanted” for a “Free Trip to Europe!” - and tendency to open the door in transparent blouses, stuck with her long enough to help spirit that love, Kirk Anderson, away to a Devon cottage. They had a three-night “romantic honeymoon” (McKinney) or “rape” (the Read more ...

In later years, when callow reporters would be sent to interview the wrecked legend Hunter S Thompson in his Colorado compound, at some point in the weekend, in between the drugs, booze and random gunfire that punctuated his days, the Gonzo journalist would betray unaccustomed nerves, and point his guest to a pile of typewritten pages. This was The Rum Diary, an attempted novel from the early Sixties he picked at for four decades. He never published a novel in all that time, instead making himself the lead character in Fear and Loathing in Las Vegas and other, maybe fictionally extrapolated Read more ...

Journalism is often used to create compelling true-life plays. This drama, written by award-winning actor Nichola McAuliffe, has both a journalistic writing style and a journalist - actually the playwright’s husband - as a central character in a tale about rough justice set in Pakistan. Having wowed audiences in Edinburgh and New York, what kind of impression does this piece, which opened in London last night, make in the metropolis?First the facts. In 1988, Mirza Tahir Hussain - an 18-year-old British subject - was visiting Islamabad. Shortly after his arrival, he got into a dispute with a Read more ...

As an elegiac score plays, bails of early editions of the New York Times are bundled and tossed into a fleet of vans, which roll out into the dawn city streets, to distribute the news. The conviction shared by many in this documentary about the paper is that the vans will soon look as quaint as the last of the horse-drawn hackney cabs. The ritual of late-night editorial agonising over stories before the presses roll, and newspapers themselves, are equally under threat. The New York Times’ possible death, as much as daily life there, is director Andrew Rossi’s theme.He focuses on the Times’ Read more ...

The Arts Desk, or theartsdesk.com, is a website created in 2009 by leading British professional arts journalists and critics to offset the decline in supply of arts coverage in the print media where most of them worked. Launched on 9 September 2009, it publishes daily updating reviews, interviews and features by its member writers that aim to combine the best of print journalism standards with the speed, accessibility and technical opportunities of the web.Its particular strengths are overnight reviews of live plays, concerts and dance, in-depth Q&As with leading arts figures, weekly Read more ...