Jewish culture
Nick Hasted
“I feel as if I am live reporting from a shipwreck,” Dutch-Jewish journalist Philip Mechanicus wrote en route to his concentration camp murder. Steve McQueen’s four-hour reverie on Amsterdam’s Nazi occupation teases out the scars of that arbitrary, vicious time beneath his adopted home’s placid streets. Filming during 2020’s pandemic, this becomes a time-jumping double-portrait of his adopted home city, though the inexact mirroring often cracks.McQueen’s Dutch wife Bianca Sitgers’ book Atlas of an Occupied City (Amsterdam 1940-1945) led him to visit its addresses and use her text, which Read more ...
Gary Naylor
As last week’s news evidenced, genocide never really goes out of fashion. So it’s only right and proper that art continues to address the hideous concept and, while nothing, not even Primo Levi’s shattering If This Is a Man, can capture the scale of the depravity of the camps, it is important that the warning from history is regularly proclaimed anew – and heeded.With just a few bleak, snowy back-projections of Silesia’s woodland near Auschwitz (it was enough to chill my soul with memories of a visit 34 years ago) and a lone cellist (Gemma Rosefield) to accompany her on stage, Samantha Spiro Read more ...
aleks.sierz
British Theatre abounds in forgotten writers. And in ones whose early work is too rarely revived. One such is Michael Hastings, best known for Tom & Viv, his 1984 biographical drama about TS Eliot and his wife Vivienne, so in theory it’s great to see this playwright’s 1956 debut, Don’t Destroy Me, being revived at the Arcola by director Tricia Thorns’ Two’s Company, whose remit is the discovery and resuscitation of long-ignored work.First staged in the same year as John Osborne’s Look Back in Anger, the play is an anguished Jewish family story, but is it any good?Set in a Brixton flat in Read more ...
Jenny Gilbert
On the whole the Bible is not big on sex and sensuality, with the exception of one very short book in the Old Testament. The Song of Solomon – aka Song of Songs – is a hymn to carnal pleasure, one whose vivid descriptions of perfect flesh and brimming wine flagons have divided religious scholars for centuries.The New York-based choreographer Pam Tanowitz turned to the text when looking to deepen her understanding of her Jewish roots, and invited the Pulitzer Prize-winning composer David Lang to collaborate. It should surprise no one that their Song of Songs, which has just played at the Read more ...
Adam Sweeting
The Diary of Anne Frank became a Broadway play and has formed the basis of a lengthy catalogue of films and TV series, but the name of Miep Gies is rather less well-known. Yet without Gies the Anne Frank story might never have reached the wider world, since it was she who helped the Frank family, along with four other Dutch Jews, to remain in hiding and evade capture by the Germans from July 1942 until their luck ran out in August 1944.It was Gies, too, who kept Anne Frank’s diary safe after its author was arrested by the Gestapo, and who gave it to Anne’s father Otto when he returned to Read more ...
Helen Hawkins
As films and television series based in New York City tend to do, Fleishman Is in Trouble opens with an aerial shot of Manhattan – except, significantly, this sequence is presented upside down. To the celestial sound of tinkling arpeggios, the slim skyscrapers of the Upper East Side hang down from the sky into a blue cloudless ocean like futuristic stalactites, the camera moving gently through them before dipping, Psycho-style, through a window. There, the man whose life has similarly been upended is lying on a bed in an austere room, with a buzzing phone beside him. Its screensaver is a Read more ...
Gary Naylor
We’re reminded, in a grainy black and white video framing device, that, as late as the summer of 1941, the USA saw World War II as just another European war. As brilliantly illustrated in Phillip Roth’s The Plot Against America, not only was such indifference to the rise of fascism more widespread than feels comfortable to reflect upon, but so, too, was a sympathy extended to the Nazis in their psychotic mission to make Germany great again.It was against that complacent background that Lillian Hellman wrote Watch on the Rhine, a seductive call to arms that knew its audience of New York’s Read more ...
Saskia Baron
We hear the projector whirr as the mute 16mm film flows through the sprockets and on to the screen. For three minutes and a little longer we watch children and adults spilling out of buildings, intrigued by the novelty of a camera on their streets.They smile, wave, and jostle each other. One or two of the kids pull faces. It could be any old amateur footage by a holidaymaker visiting a distant town where the locals are unused to cameras. But this is Poland in 1938 and what we are seeing is a community that was about to be destroyed. These precious few minutes of celluloid were found in Read more ...
Graham Fuller
Holidaying in Europe with his wife Lisa and friends in August 1938, David Kurtz of Flatbush, Brooklyn, whose family left Poland in 1892 when he was four, returned to his hometown of Nasielsk (population 7,000), 33 miles north-west of Warsaw. There, as an amateur cameraman, he unwittingly made a brief away-from-home movie that would prove to have unimaginable emotional power.With his new 16mm Ciné-Kodak camera, Kurtz recorded three minutes of footage in his old Jewish community around the Nasielsk town square. People poured outdoors or lingered where they were to be filmed. Many of them were Read more ...
Laura de Lisle
“The bands came in 1933.” So begins C P Taylor’s Good, a play that tries its hardest to resist being Googled. It was first performed by the RSC in 1981; this production, starring David Tennant as a mild-mannered German professor who gradually becomes a paid-up Nazi, has been delayed several times by the pandemic. Director Dominic Cooke has crafted a punchy first act, but he can’t save the second from Taylor’s stodgy script.“The bands” play constantly in the head of Tennant's John Halder, their repertoire ranging from Bavarian oompah to American jazz. Halder is a professor of literature in Read more ...
Laura de Lisle
Robert Icke is an expert in corporate tragedy. I don’t mean that in a bad way - just that he has a penchant for taking classics (Hamlet, The Oresteia, Mary Stuart) and transporting them, with the help of designer Hildegard Bechtler, to the frosted-glass doors and pale wood of the boardroom. The Doctor, his 2019 swan song at the Almeida Theatre now transferred to the Duke of York’s Theatre, is an adaptation of a 1912 play by Austrian writer Arthur Schnitzler. It’s a sharp-tongued vivisection of identity politics, anchored by an astonishing lead performance from Juliet Stevenson.Like all good Read more ...
aleks.sierz
What is the Royal Court theatre for? Is it a space that stages innovative new writing, or does it prefer to do documentary theatre? Is it concerned with reaching out beyond its regular audiences, or is it more focused on its own internal problems? In November 2021, it made an appalling blunder by allowing an antisemitic stereotype – a money-grubbing billionaire called Hershel Fink in Al Smith’s Rare Earth Mettle – to get through the rehearsal process despite protests from several members of the company. Eventually the character was renamed, and you’d think that the venue would Read more ...