jazz
Peter Culshaw
The political tectonic plates were re-aligning, the economic indicators were jittery, but the cultural kaleidoscope also shifted a bit last night with the unveiling of Susheela Raman’s new material from her yet untitled new album, which on this evidence and some unfinished masters floating around could be one of the albums of the year. Names for the album being talked of include Vel, the Tamil for spear, Tamil Voodoo and Incantation (don’t do that one, guys, people will expect Andean pan-pipers, one of the few global influences you won’t be getting here).Raman, born in London from Tamil Read more ...
Veronica Lee
On my previous trip to the Second City in 2009, the much-awaited Art Institute of Chicago extension wasn’t quite ready for visitors, but is now about to celebrate its first birthday, and it’s a treat. The Modern Wing adds 35 per cent more space to the Institute, bringing it up to a nice round one million square feet and making it America’s second biggest art museum after the Metropolitan Museum of Art in New York. It was designed by Renzo Piano, whose new wing (another glass-and-steel box) will be unveiled at the Los Angeles County Museum of Art later this year; he’s clearly the go-to guy for Read more ...
peter.quinn
A bad cover version can be a dangerous thing. Imagine, for example, that your first encounter with the brilliant Gershwins was Kiri Te Kanawa's egregious Kiri Sings Gershwin. This, potentially, could be so distressing that it might put you off George and Ira for life. In fact, it could put you off music for life. Rather than "(Sittin' On) The Dock of the Bay", Michael Bolton's typically understated take makes you want to throw yourself in. And then there's Sting's John Dowland tribute, Songs from the Labyrinth. This was released over two years ago, so there's a possibility that Dowland has Read more ...
Anonymous
Eight hours of “improvised and experimental music” would not be on everyone’s list of Bank Holiday essentials, and the marathon programme that constitutes the first half of the two-day Freedom of The City festival could have proved daunting for even the free jazz faithful. That the experience turns out to be very far from gruelling is, then, in no small part thanks to the curators, among them such luminaries as Evan Parker and Eddie Prévost.One of the accusations frequently levelled at this type of music is that it all sounds the same, yet the eight acts offer an impressively diverse range of Read more ...
graeme.thomson
Rokia Traoré has always seemed most comfortable creating at trysting points, darting between different worlds without ever quite belonging to any one of them. The daughter of a Malian diplomat, as a child her favourite locations were airports, “this middle point between two places; the idea of leaving a place to go to another one was the most interesting part of my childhood”. As a musician, too, the singer and songwriter gets a creative kick out of being in transit, moving from Mozart to Billie Holiday, from folk to jazz, in order to escape what she calls the “kind of jail” of world music. Read more ...
david.cheal
It’s my habit as a music critic to take notes at shows such as this: nothing extensive, just words and phrases jotted down to jog the memory when it comes to writing the thing up afterwards. Looking back at my scraps of paper for this, the London leg of the Hypnotic Brass Ensemble’s UK tour, I can see only a handful of scrawled words: “war”, “party”, and, er, “dum dum da dum dum dum”. I think I was having too much fun to bother with writing much down. It was that kind of night.The Hypnotic Brass Ensemble are a bunch of eight brothers, joined on tour by a drummer, who play – well, Read more ...
howard.male
Fool’s Gold’s debut album brims over with the enthusiasm of a band who have discovered - primarily through African music - that there’s another way to play the electric guitar other than to just form workman-like bar-chords, stamp down hard on the distortion pedal, and then hit those six strings as hard as you can. And fortunately for them, there’s a young audience clearly thrilled to have this discovery passed onto them. By the end of their set at the jam-packed Bar Fly, there’s actually a substantial number of the audience pogo-ing! I never thought I’d see that occurring to music that owes Read more ...
Adam Sweeting
Despite his "interesting" haircut and fondness for the undeleted expletive, violinist Nigel Kennedy is a man of exceptional taste and discernment. While recording his new jazz album Shhh! at Rockfield studios, he took time out to hail theartsdesk and greet the 'desk's Adam Sweeting.This is a hectic year for Kennedy. He's currently playing a programme of J.S. Bach and Duke Ellington on a German tour with his newly-formed Orchestra of Life, comprising young musicians from Kennedy's adoptive home, Poland, and at the end of May he hosts a weekend of Polish music (and other activities) on London's Read more ...
howard.male
“I can’t fucking hear yer!” are not the welcoming words one expects to hear from a world music favourite, it has to be said. But the audience at Dingwalls don’t look like the usual world music crowd either. This Brooklyn trio have clearly crossed over into the more lucrative club global category, and their hyperactive light show is further evidence of this. But good luck to them, because they are certainly the best of the bunch at doing this whole funky, jazzy, ragga, reggae thing, as well as being far more interesting than the more pantomime-like Gogol Bordello (of which Tamir Muskat used to Read more ...
Peter Culshaw
This week’s birthdays of musicians include a couple of disturbed geniuses, Billie Holiday and Joe Meek, underrated rock’n‘roller Carl Perkins, country legend Merle Haggard, as well as Doris Day, Pharrell Williams and bluesman Muddy Waters, whose mojo is working overtime. Videos below.9 April 1932: Carl Perkins was never the most famous rock’n’roller, but among aficionados is one of the best. Shot on a fuzzy Canadian TV show from 1956. 7 April 1915: Billie Holiday, one of the greatest singers of the 20th century, sings “My Man”, about an abusive relationship that was all too Read more ...
Anonymous
Like Hugh Masekela, pianist Abdullah Ibrahim first emerged as a member of The Jazz Epistles - that seminal, if short-lived, group who at the start of the 1960s were the first to offer a South African take on modern jazz. Both under the stage name Dollar Brand and, following his conversion to Islam, as Abdullah Ibrahim, it's an instinct he's been honing ever since. As early influences such as Ellington and Monk have gradually become less tangible, he has emerged as one of the most distinctive artistic voices of his generation.In his old age, however, Ibrahim seems to have re-embraced Ellington Read more ...
Peter Culshaw
This week's musicians birthdays include the genius/lecherous mediocrity (according to taste) Serge Gainsbourg, singing a duet with Brigitte Bardot, classic early 60s footage of Marvin Gaye, vibraphone maestro Red Norvo, Herb Alpert in a rodeo video doing “Casino Royale”, and Astrud Gilberto from Ipanema. Composer birthdays of the week are Franz Joseph Haydn and William Walton. Videos below.2 April 1928: French maverick Serge Gainsbourg, here singing a duet with Brigitte Bardot of “Bonnie and Clyde”. 2 April 1939: Marvin Gaye, with an early TV appearance singing the sublime “Can I Get Read more ...