jazz
Matthew Wright
Amy Winehouse, Esperanza Spalding, and Roberto Fonseca were the names tossed and bandied after a London debut of extraordinary charm and maturity from the 19-year-old Spanish singer and multi-instrumentalist Andrea Motis. While a modest Soho crowd was dwarfed by the audience at the Barcelona Jazz Festival where she became, in 2012, the youngest performer to headline, there was a communal tingle of recognition, that we’d witnessed the start of something big.Motis sings an already broad repertoire of standards, both American and Latin, with a sprinkling of modern repertoire such as Amy Read more ...
Kieron Tyler
Sun Ra and his Arkestra: In the Orbit of RaUp till his death in 1993, the space-fixated jazz bandleader, composer, musician and visionary born Herman Blount had issued around 117 albums, about 46 of which were live sets. Trying to pin down exact numbers with Sun Ra is unrealistic. Some albums repeated material from previous releases. Others were re-recordings or re-titlings. Since his passing there has been an outpouring of collections of previously shelved studio material, more live offerings and reissues on CD and vinyl. Getting to grips with this monumental catalogue is close-to Read more ...
peter.quinn
Recorded in the UK, Johannesburg, Paris and Tel Aviv, Sarah Jane Morris's latest album, Bloody Rain, is undoubtedly a labour of love. Hearing it performed live last night in the Union Chapel, in front of an adoring audience, confirmed that it is also her masterpiece.Devoted to the people of Africa and the music of that continent – with melodic, rhythmic and lyrical influences permeating the music-making – the album's themes ranged from homophobia ('David Kato') and corruption ('Bloody Rain') to honour killings (the heartbreaking 'No Beyonce') and child soldiers ('Comfort They Have None'). But Read more ...
Peter Culshaw
It was Jim Jarmusch’s film Broken Flowers that first really got Mulatu Astatke major Western attention – in same way that Angelo Badalementi’s music for Twin Peaks gave a rich and strange dimension to David Lynch’s TV epic, there was an even greater sense of wonderful disorientation, or as Brian Eno put it “jazz from another planet,” with Astatke’s music.While Astatke values the back catalogue (he played on the same bill as Duke Ellington in front of Haile Selassie in the early 1970s) he has really seized the opportunity that opened up for him to create some genuinely terrific new music.This Read more ...
Matthew Wright
Aaron Copland was an unlikely musical portraitist of the American plains and prairies. Son of Jewish immigrants from Brooklyn and student of modernism with Nadia Boulanger in Paris, he nonetheless created the quintessential American orchestral sound with a series of popular (“vernacular” was his phrase) works in 1930s and 1940s. Last night three of his most popular pieces were paired with two new pieces inspired by jazz, that other great American twentieth-century music. While the first half of last night’s concert, three Copland pieces, was charismatic if a little scrappy, the second, the UK Read more ...
Kieron Tyler
An expectant audience isn’t the only thing which can be seen from the main stage of Helsinki’s Flow Festival. Janelle Monáe, Manic Street Preachers and OutKast are also greeted by a gas holder looming ominously before them. This brooding remnant of the festival site’s former use as a gasworks brings a unique flavour to Flow. The setting and site are unlike that of any other festival.In its 11th year, Flow 2014 balanced big international names against edgier artists and Finns of all shapes, sizes and styles. With great food, a kid-friendly third day and art installations, the festival is a Read more ...
Russ Coffey
Laura Mvula, despite her exotic-sounding name, is a quintessentially British artist. Not just because of where she comes from – Birmingham – but also how she stays humble and understated while dripping with talent. Her story is equally endearing. Mvula was working as a receptionist when her debut, Sing to the Moon, was released. Overnight, her world was turned upside down and over the next year she was nominated for nearly every major award going, taking home two MOBOs and one Urban Music Award.Still, Mvula is not ostensibly an r’n’b or soul artist. Her voice may owe a debt to the gospel she Read more ...
Matthew Wright
Pianist Jerry Léonide arrived on the international jazz scene with a splash when he won the Montreux Jazz Festival solo piano competition last year. Born and raised in Mauritius, then transplanted to France at 17 to further his musical education, Léonide’s musical appeal, reflected here with much larger forces, depends on a refreshing blend of Mauritian melodies, jazzed up with the standards Léonide used to play to tourists at home, then filtered through the more cerebral and contemporary sounds of his French academic training, in the form of the keening blend of soprano sax and flugelhorn. Read more ...
peter.quinn
Initiated in the latter part of 2011 by Jazz Warrior and multi-instrumentalist Orphy Robinson and pianist/sound sculptor Pat Thomas, I saw the shape-shifting ensemble Black Top play an incredible gig as a sextet at its spiritual home, Café Oto, as part of the 2012 London Jazz Festival. It was my favourite performance of that year's edition, by a country mile.The elements that so impressed that night - the mercurial interplay, the constant textural shifts, the brilliant musicianship and the playfulness with which the ensemble deconstructed and reassembled their chosen material - are all heard Read more ...
Heidi Goldsmith
If the 15-word limit of a succinct listings blurb ever taught you a lesson let it be immediate suspicion of any performer or musician termed "jazzy". This wariness could extend to anything generically suffixed by "y" or "ish", simply because it suggests either pretence or a lack of original or strong identity. And yet if asked what a "jazzy" performance might be a few concrete elements come to mind; well-tuned glissandi, scored solos, precisely-timed appoggiaturas and that old crooner's classic "swing feel".From conductor Nicholas Collon's swift and jovial entrance onto the stage at LSO St Read more ...
Kieron Tyler
Too Late Blues has many individual aspects which, on their own, would make it notable. Released in 1961, it was John Cassavetes’ second film as a director following the ground-breaking Shadows, one of America’s first full-length expressionist art films. As Shadows had, it centres on jazz and depicts a world which was then thriving, showing it from the inside. It stars Bobby Darin, one of America’s most important and multi-faceted musical figures. When taken together, with the added impact of its female star Stella Stevens, its inclusion of black cast members and disabled children, Too Late Read more ...
Matthew Wright
As the name suggests, New Orleans’ Preservation Hall Jazz Band was established to promote traditional New Orleans Jazz. This release is the band’s first of original material, and the fact they haven’t been short of a tune since foundation in 1961 only confirms what any jazz-lover will already know, that the traditional New Orleans repertoire is pretty well represented in the record catalogue already.The famous community spirit of New Orleans is reflected in two characteristics of the city’s music in particular: the quality of the ensemble playing, and the relaxed approach to genre. While the Read more ...