jazz
peter.quinn
This fourth studio album from pianist, vocalist, songwriter and producer Oli Rockberger highlights his remarkable knack of marrying instantly memorable chorus hooks with captivating harmonies steeped in jazz, soul, gospel and R&B.Consisting of 10 beautifully crafted explorations of love, desire and loss, Sovereign was conceived and recorded in New York with the trusted rhythm section of bassist Jordan Scannella and drummer Jordan Perlson, just as Rockberger was on the cusp of returning to his London birthplace following 16 years in the US – a journey which began with study at Boston’s Read more ...
Thomas H. Green
Mélanie De Biasio is a Belgian jazz singer, an album-charting artist in her home country, and rising star elsewhere. She is not a woman who takes the straightforward path. No album of Nat King Cole covers for her. No Jamie Cullum guest appearances on her third album, Lillies. Instead, she offers up her own moody take on alt-pop which, if she feels like it, as on the smoky slow late night piano title track, might sit within an immediately recognizable jazz idiom, but is equally liable to be something pulsing, electronic and very quietly groove-ridden, as on the single “Gold Junkies”.De Biasio Read more ...
Guy Oddy
It’s now thirty years since Courtney Pine stepped out from underneath the shadow of the Jazz Warriors with his debut solo album, Journey To The Urge Within, and his unforgettable contributions to the Angel Heart film soundtrack, to stake his claim as British Jazzman Number One. It is a position which he has resolutely refused to relinquish since then and one that is definitely confirmed by his nineteenth solo release, Black Notes From The Deep.While Pine’s last disc, 2015’s The Ballad Book, featured a set of duets with pianist Zoe Rachman, Black Notes From The Deep sees a complete change of Read more ...
peter.quinn
Held auspiciously on the hundredth birthday of one of the giants of the music, composer and pianist Thelonious Sphere Monk (1917-1982), the winners of this year's Parliamentary Jazz Awards were announced at a congenial ceremony at London’s newest live venue, PizzaExpress Live Holborn.MC’d by PizzaExpress’s debonair Music Manager, Ross Dines, this thirteenth edition of the annual awards – organised by the All Party Parliamentary Jazz Appreciation Group (APPJAG) – was the first to take place outside its spiritual home, the Houses of Parliament. Fuelled by pizza and Peroni (sponsors of the Read more ...
peter.quinn
With her third recording for Mack Avenue, Grammy Award-winning vocalist and songwriter Cécile McLorin Salvant has delivered a vocal jazz album for the ages. A 2CD set recorded live at NYC’s renowned Village Vanguard, the fascinating track list juxtaposes jazz standards, vaudeville songs, blues and more. A number of studio recorded originals sprinkled throughout, featuring the exquisite playing of the Catalyst Quartet, offer an intriguing commentary on the live material.Having immersed herself in early jazz and blues, it’s no surprise to see McLorin Salvant dusting down the glorious “You’ve Read more ...
Peter Culshaw
When we were at peak Norah a decade ago, she looked rather intimidated by the large crowds at venues like the Forum. Having been suddenly catapulted into the limelight she looked nervous, lacked any real stage charisma and her so-so band looked like the kind of musicians you’d find in an average bar in Brooklyn, competent rather than anything remarkable. Her recent Day Breaks, was something of a return to the style of her first multi-million selling album 2002’s Come Away With Me, and to see her back playing a smaller venue like Ronnie Scott’s was a treat.She looked and sounded Read more ...
Barney Harsent
David Crosby might be entering life’s twilight but, like a tired drummer, he seems to be speeding up towards the end. Perhaps he’s simply hit a rich vein of form – the success, both artistic and critical, of 2014’s Croz, and the 2016 follow-up, Lighthouse, certainly suggest that he has. But one can’t help wondering whether the quickening of the pace is also down to a sense of time running out.If anything, this new creative burst feels more like a rebirth than the end of anything and the dichotomy this presents is not something lost on Crosby. The lilting rise and fall of “Here It’s Almost Read more ...
Matthew Wright
Caressing the microphone, and gazing into the audience with winsome, soulful sincerity, tousled auburn locks glistening in the stage light, Mads Mathias looks like nothing so much as Ed Sheeran’s more handsome older brother. His voice has the softest of rasps, like being rubbed gently with velvet, and he has his saxophone on hand, as if threatening to shimmer phrases of Sanborn smooth into the night.To judge purely by appearances Mathias seemed an incongruous choice for one of London’s most esteemed jazz venues. And yet, while seemingly at home in every stereotype of the romantic singer, Read more ...
Matthew Wright
Danish pianist Søren Bebe has led a trio for 10 years, building a reputation as one of Europe’s most distinctive jazz ensembles. His warm, spacious and melodic sound is often compared to Esbjorn Svensson and Tord Gustavsen, or the influential sound/genre of German label ECM. Yet the lyricism of Bebe’s piano - balanced throughout by the energy and sharper edges of long-standing drummer Anders Mogensen - has an emotional accessibility that elicits a passionate response from audiences across jazz and beyond. In the last few years, he has launched a spectacularly successful sideline as a Read more ...
Robert Beale
Every 21st birthday deserves a party, and the Bridgewater Hall in Manchester celebrated the anniversary of its opening with a weekend of fun and "access" events, ending with a recital by four pianists on its four Steinway pianos – playing them all at once, in eight-hand arrangements.It was very different from the opening 21 years ago, when orchestras dominated the programmes. This time even Manchester Camerata, the chamber orchestra with which the hall co-promotes events, moved round the corner to play in the gallery at HOME, a newer arts centre. But one of the early discoveries about this Read more ...
Matthew Wright
Think Charles Mingus, and it’s unlikely that a neon-coiffed saxophonist playing acoustic house while doing a solo can-can around the stage will come to mind. A highly original, introspective figure whose best music is a thrillingly rumbustious fusion of bluesy melody and gruff rhythmic experiment, Mingus is a bold choice for the usually lush-toned Metropole Orkest. Yet conductor Jules Buckley assembled a stellar line-up of mostly young soloists, and he oversaw a Prom of extravagantly entertaining music - sometimes faithful to the spirit of Mingus.The programme included Mingus’ best-known Read more ...
Phoebe Michaelides
After the gruelling five-hour coach journey to Powys, Wales, we strolled over a bridge into Glanusk Park, through two security guards, and into Green Man with only so much as a sing-song “Bore da”. Satisfied, we picked a spot and set up camp in the intense heat. Young Welsh scholars waved their A-level results in the air and cracked open that first bottle of cider, quaint middle-class families eagerly discussing the multitude of vegan opportunities.On Thursday nothing played on the main Mountain Stage, an impressively large set-up in the dead-centre of Green Man, and the camping fields were Read more ...