jazz
peter.quinn
From brooding masterpieces (”Love for Sale”) to classic list songs ("Let's Do It"), Cole Porter was one of the greatest songsmiths of the 20th century. As one of his peers, Richard Rodgers, eloquently put it: "Few people realise how architecturally excellent his music is. There's a foundation, a structure and an embellishment. Then you add the emotion he's put in and the result is Cole Porter."For his debut album on his new label, the legendary Verve Records, musician and actor Harry Connick Jr. takes a deep dive into 13 of the 1,000-plus songs that Porter composed during a career that Read more ...
Thomas H. Green
It’s reckoned that this time next year vinyl sales will have overtaken CDs. It’s still a small market and anyone who thinks vinyl will one day replace streaming is living on Planet Lah-lah. There’s so much coming out even theartsdesk on Vinyl cannot review it all, but what we can do is devote 7500 words to what grabs our attention. We are not limited by genre or by new vs reissue. We eat it all up and want more. So check below for the juice on what’s out there. Dive on.VINYL OF THE MONTHMambo Noir Trio Mambo Noir Trio (Oona)If you see the name Matti Bye on anything, check it out. His 2017 Read more ...
Tim Cumming
Bassist Dan Berglund was a founding member of the highly influential euro-jazz Esbjörn Svensson Trio (e.s.t.) until the accidental death of Svensson, while diving, in 2008. The first Tonbruket album appeared the following year, with Berglund joined by guitarist and multi-instrumentalist Johan Lindström, keyboardist Martin Hederos and drummer Andreas Werlin, the music stretching into prog-rock territory, some distance away from e.s.t.’s supple euro-jazz dynamics.Since then, four further albums have come, including last year’s live set, Live Salvation, with each musician bringing their Read more ...
Thomas H. Green
It’s half a century since Iggy shrieked that it was “No Fun”, that it was “1969, OK”, that he wanted to be your dog. His original Stooges and his storied cohorts David Bowie and Lou Reed are all no longer with us. The Ig is the last man standing and he knows it. 72 years old, he’s the lizard-punk shaman figurehead who, off-stage, is a considered literate gent, the radio presenter with the velvet croak. His new album acknowledges that he’s now an old dude. It does so with elegiac poetry, cheeky humour and unforced gravitas.While Pop’s last album, Post Pop Depression, was a sonic tribute to his Read more ...
Russ Coffey
Chrissie Hynde has always loved a cover song. But never before, has she strayed so far from her comfort zone. The 14 covers on Valve Bone Woe are a million miles from new wave. They're a kind of jazz odyssey - a journey from bebop to easy listening via early soul. It couldn't be any less like what usually happens when a rock star 'goes jazz'.Hynde's approach is both sophisticated and tasteful. Along with her Valve Bone Woe Ensemble, the Pretenders' singer explores songs as diverse as "Wild is the Wind" and Charlie Mingus's "Meditation (for a Pair of Wire Cutters)". The band Read more ...
Thomas H. Green
Welcome to the latest edition of theartsdesk on Vinyl, the monthly online musical resource that knows no genre boundaries as it treks through every release on plastic that it can find. This time round we’ve everything from death metal to obscure jazz to electropop, sounds for almost every musical taste. Dive in!VINYL OF THE MONTHDona Onete Rebujo (Maid Um)Known as the “Grande Dame of Amazonian song” Dona Onete, now 80, only recorded her first album at 73. She’s now a sensation in her home country of Brazil. She’s seen as representing the country’s minority peoples and is as much a folk Read more ...
Thomas H. Green
Parisian outfit Caravan Palace have now had a career that’s lasted over a decade. They’ve not busted the British charts open (although they have had hit albums in France), but they’ve long been festival favourites with multi-millions of YouTube plays, and their UK profile has never been higher. Their new album dials back the manic dancefloor energy they sometimes emanate, yet succeeds as a wittily constructed, summery, electronic dance-pop concoction.Caravan Palace have long been associated with the dance music sub-genre electro-swing (a mash-up of swing jazz and club beats), an easily Read more ...
Kieron Tyler
To Whom Buys a Record roams through 12 crisply recorded pieces confirming that jazz which isn’t shy of acknowledging its heritage can still have an edge. Though structured and tight, each composition is defined by an attack positing this as an unmediated music: not so much improvisation, but still free-flowing.Take “Bøtteknott”. A sax takes off; stabbing, then weaving. The drums are relentless. A double bass dives, runs and skips. During the more subdued “Broken Beauty”, a mournful sax refrain gives way to a tense wash of cymbal and then, on its own, pulses of bass. A storm is coming.The Read more ...
joe.muggs
You can see why of all jazz acts, the indie-centric Domino label went for this one. In particular if you took the drums and guitar of Lizy Exell and Shirley Tetteh alone, at various points here you could be listening to post-rock, with hints of Sigur Rós or God Speed You! Black Emperor especially on the album's epic centrepiece “EU (Emotionally Unavailable)”.The production, too – from Kwes (Solange, Damon Albarn, Micachu) – is as hefty and sometimes experimental as you'd expect from a left of centre rock or electronica act. But crucially, these parts are just aspects of a larger whole. Once Read more ...
Marianka Swain
It’s too darn hot, BoJo is in Downing Street, and we’re all going to Brexit hell – so we might as well sing the blues. Or at least take a night off from the apocalypse to enjoy a virtuoso company singing them for us in this rousing revival of Sheldon Epps’ 1980 musical revue, which showcases jazz greats like Bessie Smith, Duke Ellington, Benny Goodman, Johnny Mercer and Harold Arlen. It’s also unfinished business for Susie McKenna, who directed a short run at Hackney Empire back in 2014.Sharon D Clarke once again plays The Lady, whose concise narration sets the scene. We’re in a rundown hotel Read more ...
Thomas H. Green
As this month’s edition of theartsdesk on Vinyl appears the sun is blazing outside, a heatwave hits, and our record collections must hide in the shadows or warp. Yet still we want more to join them in their sheltered rows and where better to seek the greatest new releases than the longest, most complete monthly round-up of new vinyl releases. As ever, we run the gamut. This time there’s everything from grunge to soul to trap to Qawwali and a whole lot more most of us never imagined could exist. Dive in!VINYL OF THE MONTHQasim Naqvi Teenages (Erased Tapes)Teenages, latest album from New York Read more ...
Katie Colombus
I never quite know where I stand with with jazz. The endless, drifting circular loops of sound, subversive grooves and syncopated rhythms are like having the same conversation over and over, with slightly different turns of phrase and emphasis on different points.Brazilian psychedelia band Boogarins’ interpretation of this intimate interchange saunters from soft whistling and the warm murmur of trancey beats, through the casual discourse of bluesy guitar harmonies and synthy chatter, punctuated by harder rhythmic rock.Their singing in Portuguese distances me even further from a full grasp on Read more ...