internet
Lisa-Marie Ferla
Mid-week at 9pm has always struck me as the perfect televisual sweet spot. It’s not so close to the weekend that you’re likely to want to go out, but enough of the week is done that it seems right to put your feet up and relax with a glass of wine and some exciting new drama or challenging documentary. Or, if you’re Channel 4, an hour on the 'professional pets' that the internet has helped launch to viral fame.Of course, advertisers recognised the purchase power of 'cute' long before Grumpy Cat and her ilk were but a twinkle in YouTube’s eye; with the Andrex Puppy and Dulux mascot being only Read more ...
Naima Khan
Here's a fun fact: this year the Merriam-Webster dictionary added a new definition for the noun "catfish". As well as the amphibian, a catfish now also refers to "a person who sets up a false personal profile on a social networking site for fraudulent or deceptive purposes." Having been popularised by the 2010 American film documentary of the same name, the term is also used casually as a verb, meaning to fool someone online. And so we now have emerging American playwright Kathy Rucker's Crystal Springs (***), which puts the catfishing of a 16-year-old centre-stage without fully coming to Read more ...
Nick Hasted
Terry Gilliam’s career currently resembles Orson Welles’ declining years, and not just in both men’s seemingly impossible quests to finish a film of Don Quixote. Gilliam too is trying to work outside a Hollywood system that has tired of his maverick talent, finding himself in far-flung European corners with motley casts of famous friends and fans, doing him favours in the hope his old lightning will strike.The bad sort of stormy weather has, though, buffeted Gilliam since his greatly underestimated Fear and Loathing in Las Vegas, 16 years ago. The Brothers Grimm, Tideland, The Man Who Killed Read more ...
Beeban Kidron
While newspapers alternately praise and panic about the glittering world of the Internet, there is a generation of children who have grown up with 24/7 connectivity and a smart phone in their hand.Public discourse seems to revolve around "grooming" and "privacy", two issues that embody the fears and concerns of adults. What is less discussed is what it really means to always be on, never alone and increasingly bombarded by a world that has something to sell you and appears to know you better than yourself. A world that is so ubiquitous that it is the first and the last thing you see as you Read more ...
Lisa-Marie Ferla
At what stage will the trend among journalists and documentarians to regard anything relating to the internet with suspicion or, worse, ignorance come to an end? Although I recognise that my relationship with information technology has never been exactly typical, this stuff has been easy enough to access for more than half of my life now. And I’m not exactly young. Google and the World Brain, the first of this week’s two technology-themed instalments of BBC Four’s usually excellent Storyville international documentary strand, argued that attempts to preserve the entirety of human knowledge Read more ...
Adam Sweeting
Read theartsdesk's review of the final episode of UtopiaNew from Kudos, makers of the likes of Spooks and Hunted, comes this sinister six-parter. Steeped in surveillance paranoia, conspiracy theory and online anomie, it concerns a mysterious graphic novel called The Utopia Experiment, created by a brilliant but schizophrenic scientist who killed himself after writing it. Supposedly there was a part two, which was destroyed... or maybe it wasn't.If you weren't seized with dread in the opening moments of this first episode, you must have been overdoing the cognac and sleeping tablets. After a Read more ...
joe.muggs
Club culture has always had a tension between democratisation (“come one, come all!”) and exclusivity (the thrill of being in the know about the newest or most underground thing). The best clubs have always been the ones that find ways of short-circuiting this seeming opposition, and a great part of the success of The Boiler Room is the way they have harnessed technology to perform the same trick.Begun barely a year and a half ago, the premise was incredibly simple – to use video streaming to allow viewers online to watch a DJ playing to a group of friends – but the impeccable quality of the Read more ...
Matt Wolf
Should the people who made Tron - or for that matter James Cameron - ever decide to take on a Broadway musical, they owe themselves a trip to the Menier Chocolate Factory's ludicrous production of Pippin to find out how not to do it. Just because this long-running New York entry was the first Broadway show to advertise on American TV nearly 40 years ago, that doesn't mean it also needs to be the first in my experience to be transformed into a video game so as to accommodate contemporary tastes. I like a high concept as much as the next person (rock on, Michael Sheen's Hamlet), but Mitch Read more ...
theartsdesk
Earlier this week Pete Townshend asked whether “John Peelism”, the ethos of supporting and celebrating small, independent artists at a grass-roots level, could survive the internet. His implied answer was clearly "no". Townshend levelled the accusation that Apple, the owner of iTunes, is “a digital vampire Northern Rock” which doesn’t support or invest in the musicians whose work they sell, particularly the more independently minded ones, but rather sucks them dry before moving on. Claiming that “iTunes exists in the Wild West internet land of Facebook and Twitter”, he went on to suggest that Read more ...
joe.muggs
An album that encompasses pan-global collaborations, iPad/Phone apps, internet jiggery-pokery, art installations, live multimedia shows and even a tuning system, with the “Ultimate Edition” of the album coming complete with a set of tuning forks to demonstrate this. As ever, Björk Guðmundsdóttir is showing no shortage of ambition. But is it any good?The unimaginative answer is: yes, if you like that sort of thing. Björk sounds so completely unlike anyone else, and so standard criteria don't apply. There is a notably meditative air to many of the tracks, though, as demonstrated on the opening Read more ...
Peter Culshaw
One of the problems with Peter Gabriel’s back catalogue for me, I tell him, as he is reclining in an office at EMI in London, is the sounds - some of them really are very dated. Gabriel would often pioneer a sound like the reverse-gated drum sound - others would imitate, it becomes trendy, over-used, and then hugely unfashionable.“Exactly!” he concurs. The excuse for our chat is that he has a new album out called New Blood, reworkings of some of his most celebrated songs done with an orchestra working with arranger and composer John Metcalfe. “The subtext of your question I take to be that Read more ...