indie
Russ Coffey
Shea Seger is a woman with a story. A story of a career interrupted. At the age of 20, the fragile and slightly dangerous-looking blonde from Texas came over here and made a record which sent ripples across the pond of the Americana scene. Shortly after, her father became crippled after a botched operation on an old Vietnam injury and she returned to Texas to care for him. During those 10 years she also brought up a little girl, Luna, and lived in a trailer. Now she’s back in the UK; and she’s pumped all the frustration, disappointments and anger from that decade into a new record, simply Read more ...
howard.male
Last night was the third and probably last time this 21-year-old Nashville songstress will grace the humble Windmill pub in Brixton with her charismatic yet down-to-earth presence. Not because the gig wasn’t a sell-out and an unqualified success, but because of the radio airplay and unanimous critical praise she has received for her debut album Own Side Now from everyone from the Daily Mail to the Independent. I wouldn’t be at all surprised if by this time next year she’s performing at the Union Chapel or even the Barbican.I’ve never seen a Windmill crowd so attentive to an act before. Read more ...
Russ Coffey
Coming on stage in a gangsta bandana, wrap-around shades, and what looked like Saddam Hussein’s beard, Mr E was giving little away. There was no opening gambit, nor any indication of what direction the evening was going. Some had said the Scotland concerts hadn’t been so great. I heard one girl say that if Eels concerts had personalities they’d be as capricious as the fragile moods of the man simply known as E. But E stood there saying nothing.Of course, on record it’s been a different story: cathartic, contrary and finally redemptive, Eels year-long concept trilogy came to its conclusion Read more ...
joe.muggs
If there's one festival in Britain where people are ready for the rain, it's the Green Man. After all, nobody goes to the Brecon Beacons to sunbathe, right? The weekend, which began the spate of boutique and specialist festivals that dominate the summer season now, remains one of the most spirited in the UK, and its crowd seems to be one of the hardiest even when, as this year, the deluge is near-continuous. It helps that the site is both beautiful and sloping, so it wasn't able to turn into a grim waist-deep mudbath; the real saviour of the festival, though, is that attention to detail in Read more ...
david.cheal
It’s been a while since I’ve seen an audience go quite as bonkers as this one. Kasabian were performing a London show as a warm-up for their appearances at this weekend’s V Festival, and singer Tom Meighan was working the crowd into a lather of excitement: standing with his legs apart, staring into the middle distance and flicking his outstretched palms in a “Come on!” gesture; leading the community singing of big boisterous tunes such as "Club Foot", "Fire" and "Where Did All the Love Go?" (the last two from 2009’s West Ryder Pauper Lunatic Asylum album); imploring the fans to wave their Read more ...
Thomas H. Green
Kitty, Daisy & Lewis, a highlight of Tapestry's Supersonic Sunday mini-festival
The Tapestry Festival is a labour of love. It's the ongoing adventure of a Camden plasterer called Barry Stilwell who decided a decade ago that he wanted a festival of his own. Irritated by the way corporate branding was piggy-backing festival culture, and disgusted by stringent spoilsport ground-rules at many outdoor events, he started his own in 2003, mostly showcasing bands who'd played his monthly Euston-based club night.In previous years Tapestry has taken place at a Cornish Wild West theme park and a medieval castle in Wales, with attendees dressing to match. This year, Barry Read more ...
Thomas H. Green
It has been said that Dan Treacy (b. 1960) is the TV Personalities in the same way that Mark E Smith is The Fall. Certainly he has been the sole consistent member since they appeared in 1978 with the single "14th Floor" and subsequent cult hit "Part Time Punks". The early Eighties incarnation of the band, which included "Slaughter" Joe Foster and Ed Ball (later of The Times) has a claim to laying down the blueprint for British indie.Treacy's recurring themes of childhood, Sixties culture, and lo-fi, punky psychedelia became scene staples as Creation kingpin Alan McGee has acknowledged. The Read more ...
Matt Wolf
Charity begins at home - or maybe not - in Nicole Holofcener's lovely film, Please Give, which joins the superlative Greenberg as one of the beacons in a summer movie line-up given over to sequels, franchises and pitches that should never have got beyond the story board. (Die, Killers, die!) Like a kinder, gentler Woody Allen, and without the peculiar prurience that has crept into Allen's films as he's got older, writer-director Holofcener anatomises middle-class Manhattanites in all their ever-mutable contradictions. This is the sort of film where a mother won't fork out dosh to a teenage Read more ...
joe.muggs
A couple of very different publications have lately had me thinking about those 21st-century inescapables: death and celebrity. A new magazine called Eulogy hits the news stands for the first time today. It is an attempt – one that is on first sight slightly barmy, but in actual fact may be quite brave – to create a mature and engaged public discourse about death. Death, their reasoning goes, happens all the time, affects everyone, and makes us think about the deeper things in life that otherwise get obscured by banal minutiae – so why not bring it out into everyday discussion and acknowledge Read more ...
Thomas H. Green
The arrival on the scene of The Klaxons a few years back gave indie, pop and rock a much-needed kick in the pants. Sure, they were a band born of self-consciously over-trendy east London, causing the NME to froth about "nu rave" for ten minutes, but they were also a sudden flash of raucous beatnik psych-pop in a landscape dominated by mundane Luddites such as The Fratellis, The Kooks, et al. The Klaxons harked back to rave culture's utopian bluster but littered their music with knowing nods to Ballard, Burroughs and The Beach Boys. How could anyone not be smitten? And when they won the 2007 Read more ...
Russ Coffey
Listening to Woodpigeon’s nuanced indie-folk, I looked around at the 300 or so strong crowd who had also chosen to spend the evening away from Peter Snow and his Swingometer. Some had their eyes closed, others were gently nodding, but mainly they were just smiling. And right then I’m sure they were thinking, as was I, that listening to these luxuriant Canadian harmonies was possibly the best way you could spend election night.Woodpigeon has become known for a sort of lush pastoral sound that sits somewhere between Belle and Sebastian and Sufjan Stevens. And if the latter were the main parties Read more ...
joe.muggs
Musicians from the film, including Ashkan and Negar (front)
The protests around the Iranian presidential elections of 2009 brought home to many in the West not only how dominated by youth the pro-democracy movement in Iran is, but also how westernised the youth of that country are. Symbolised by Neda Agha-Soltan, the young woman whose death at the hands of security forces was caught on camera and beamed around the world, this was an Iran a world away from the glowering Ayatollahs and pepperpot women in black chadors we tended to see on news reports.No One Knows About Persian Cats is a timely reminder of the existence of this young, modern Iran Read more ...