The English-language drama Holiday, Danish filmmaker Isabella Eklöf’s feature debut, is an anthropological study of the corrosive effects of absolute male power and calcified misogyny. Inspired by a book written by Eklöf’s co-writer Johanne Algren and drawing on their experiences, as well as those of their gifted lead actor Victoria Carmen Sonne, it’s a harrowing movie – one of the most urgent of the #MeToo era.After deplaning at an airport that serves the Turkish Riviera and coaching into the port town of Bodrum, the protagonist Sascha (Sonne), a fragile woman of about 22, crouches on Read more ...

“Movies are all the same,” says one character in Photograph, the latest film from India independent director, Ritesh Batra. It’s true, the plot feels familiar, but if stories are all the same, it’s how you play with the form that makes a film a success or not. Batra once again shows he knows how to craft a good story. Rafi (Nawazuddin Siddiqui) is a struggling street photographer. His days are spend snapping tourists next to the Gateway of India in Mumbai. It’s in this tourist trap that he meets Miloni (Sanya Malhotra), a younger woman who is still living at home and studying to become Read more ...

Chinese director Jia Zhangke has made a masterful career from following the changes that his native land has undergone in the 21st century, catching the speed of its transition from old ideological order to the relentless dynamism of subsequent economic development – and, most importantly, the human consequences of the process. Fitting then that the action of his latest film, Ash Is Purest White, which premiered at Cannes last year, unfolds in three episodes set between 2001 and 2018. It’s a boldly drawn, sumptuously shot canvas that takes in the scale of the country, while catching the Read more ...

French director Agnès Varda looks back over a cinematic career of seven decades in this a richly moving film farewell, finished not long before her death at the end of March, aged 90. It’s structured around a series of masterclasses in which she takes audiences through her work, joined in conversation by some of her collaborators (plentiful screen clips present many more). Varda defines the three words important to her in making films as “inspiration, creation, sharing”, and Varda by Agnès is testament to her special talent in that last category.It’s a selective survey, from her Read more ...

“All this evil and dark crap was supposed to be fun,” complains exasperated Norwegian black metal overlord Euronymous, played by Rory Culkin, as his world spirals out of control in a cataclysm of murder, suicide and church burnings. The true events that inspired Lords of Chaos are some of the most bizarre and twisted in the history of popular music. Fun they are not. Freakish, depressing and horrific, certainly. Strangely, however, the film is, upon occasion, very funny.Director Jonas Åkerlund is primarily renowned as the man behind ground-breaking pop videos (notably for Madonna, Lady Gaga Read more ...

This debut feature from Mark Gillis is a film of real anger and considerable tenderness. The anger is both at the general situation it depicts, and reveals itself in the particular when his protagonist Micky Mason (Martin Herdman) repeatedly has to restrain himself from acts of violence – a punch thrown, a brick through a windscreen – that would tip him over the edge. For a crucial few seconds he manages to hold himself back, but we sense the desperate effort involved.Sink is an East London film, its location defined by close proximity to the towers of the City, their insistent presence Read more ...

A chronic recycler, Dennis Potter fashioned five feature films from his earlier TV dramas and another from one of his novels. The best of them are 1985’s Dreamchild (from the BBC's Alice, 1965) and Track 29 (1987), which he adapted from the BBC's Schmoedipus (1974). The latter was one of Potter’s "visitation" plays, in which frustrated or guilty protagonists conjur into existence an angel – or the devil, in the case of Brimstone and Treacle (banned in 1976, remade in 1982) – to commit an act of liberating violence.As in Schmoedipus (which starred Anna Cropper and an inspired Tim Curry), Read more ...

The title of Khrustalyov, My Car! comes, infamously, from the words uttered by NKVD chief Lavrenty Beria as he departed the scene of Stalin’s death in March 1953, and Alexei German’s film comes as close as cinema can to dissecting the surreal terror of those times, indeed of the Soviet era itself. It's the work of an extreme auteur at the height of his unpredictable powers, shot over the course of some five years in the mid-1990s, the official interference that had dogged German's Soviet-era films a thing of the past. Its hallucinatory power looks as striking as ever in this Arrow Academy Read more ...

There’s an admirable modesty in the way Jonah Hill has approached his first film as writer-director. The popular actor (Superbad, Moneyball, The Wolf of Wall Street) has taken a low-key indie approach to Mid90s, his gently humorous coming-of-age drama about a pint-sized 13-year-old, Stevie, who wills himself into a gang of older LA skateboarders. He’s played by Sunny Suljic, who’s as absorbed and absorbing here as he was in The Killing of a Sacred Deer.Stevie is an appealingly sweet kid with a big mop of hair and zero street wisdom. He’s first seen being beaten up by his older brother Ian ( Read more ...

Finnish horror is a niche genre if ever there was one. Erik Blomberg’s directorial debut The White Reindeer is a seminal example, a beguiling, unsettling little film that’s two parts local colour to one part metaphysical thriller. Blomberg cut his teeth making documentaries (one of which is included as an extra in Eureka’s reissue) and if you’re curious to know about rural folk culture in 1950s Lapland, start here. Though set in what was then the present day, you sense that we’re watching a way of life that hasn’t changed in centuries. That Blomberg used a mostly non-professional cast and a Read more ...

When Jason and Tracey were trying for a baby, the worst happened. Tracey was diagnosed with breast cancer, and although she eventually recovered, was unable to carry a child. For Jason, the answer was clear - as a trans man, he would become pregnant instead.The new documentary A Deal with Universe follows Jason and Tracey’s journey as they attempt to conceive. It might sound niche, but in reality, it’s a universal story of love and determination. Like many couples, they struggle with failed IVF treatments and miscarriages; Jason’s gender is almost an afterthought.  Told through home Read more ...

Turkish director Nuri Bilge Ceylan has been a Cannes regular for almost two decades now, and one of the festival’s more frequent prize-winners: over his career he has come away with two Grand Prix (for 2003’s Distant and 2011’s Once Upon a Time in Anatolia), the Best Director award in 2008 (Three Monkeys), and the Palme d’Or for his previous film, Winter Sleep, in 2014.Which made the fact that The Wild Pear Tree came away without a gong last year something of a surprise in itself, and indeed Ceylan seems to be rather treading water with his new film. It charts territory familiar from his Read more ...