independent cinema
Owen Richards
Sean Baker’s The Florida Project is a wonderful ode to childhood summers and America’s forgotten class. The film follows foul-mouthed six-year-old Moonee, who spends her days playing with friends and terrorising fellow motel residents, and her equally abrasive but likeable mother Halley. It’s an unconventional life, but it’s the best they can do with their lot.The Florida Project is primarily a character study. At times it almost feels documentary in style, as scenes are lined up to show everyday encounters and relationships. There’s no overt mission or threat driving the story forward; we Read more ...
Demetrios Matheou
The Viennale is one of the best film festivals in the world and an indispensable part of Vienna’s cultural life. Yet this year’s edition was launched amid trying times. For one thing, whatever sanity-altering toxin is affecting voters the world over recently burst over the Austrian skies to leave that country with a likely coalition between right and far-right parties, not just bonded by anti-Islamic and anti-migration sentiment, but leaving anyone with an interest in cultural funding fearing the worst. More than that, the sudden death in July of the Viennale’s charismatic, fiercely Read more ...
Tom Birchenough
While bird-lovers will certainly not be disappointed by Portuguese auteur João Pedro Rodrigues’ new film, the ambitions of The Ornithologist stretch considerably beyond such avine fascinations. Its opening title, “Whoever approaches the Spirit will feel its warmth, hence his heart will be lifted up to new heights,” ascribed to St Anthony of Padua, hints at a distinctly sacred element, and in fact Rodrigues’ film is (very) loosely based on the life of that saint, the patron both of the director’s native Lisbon and of the lost, another theme that becomes central to his film.That is not, however Read more ...
Tom Birchenough
Pere Portabella’s remarkable Vampir Cuadecuc is almost impossible to classify. It may have been filmed on the set of Jesús Franco's 1970 Hammer horror film El Conde Dracula – with the obviously enthusiastic participation of a cast led by Christopher Lee – but it certainly isn’t a "making-of" film. In fact, it seems wrong to call it a documentary at all: so vivid is the Catalan director’s imagination that the result is best treated as its own original version of the Dracula story.But it’s the Bram Stoker novel as we have never seen it before, focused through the intoxicating prism of Read more ...
Saskia Baron
Hearing that a music video director has just made their first feature film generally strikes fear into my heart. But in this instance, Geremy Jasper has done a pretty good job, directing a warm and quirky drama about a young woman from a working-class, chaotic family who dreams of being a famous rapper.Patti Cake$ is an archetypal indie film, the kind that are acclaimed every year at the Sundance Film Festival by critics sated on Hollywood formula. It won a hefty distribution deal there from Fox mainly because it ticks all the right boxes – it's a character-driven tale told with Read more ...
Tom Birchenough and Nick Hasted
It’s fitting that the first name on The Hospital Club's h.Club 100 film list for 2017 is that of Ken Loach. But though the director has a cinema career of more than half a century behind him – and had even officially retired before he came back to make I, Daniel Blake – his presence here is in no sense a Lifetime Achievement award. If you follow the adage, “You’re only as good as your last film”, this was Loach at his urgent best. Worldwide critical acclaim was matched, encouragingly, by box office success, not least in the UK where I, Daniel Blake touched a nerve in society.Loach certainly Read more ...
Markie Robson-Scott
A Ghost Story must be the first film with a sheet – a very expressive one – in the leading role. Beneath it is C (Casey Affleck), with two holes for eyes. It’s funny at first, but the Halloween cliché is rapidly transcended. C, a musician, haunts the faded ranch house in Texas where he lived with his wife M (Rooney Mara) before his death in a car crash nearby. A simple plot line, but this, David Lowery’s fourth feature (St Nick, Pete’s Dragon, and Ain’t Them Bodies Saints, which also starred Affleck and Mara) is a complex and beautiful movie about time, loss and impermanence. After seeing it Read more ...
theartsdesk
Summer's here, which can only mean Hollywood blockbusters. But it's not all Spider-Man, talking apes and World War Two with platoons of thespians fighting on the beaches. There's comedy, a saucy menage-à-trois, a film about golf and even a ghost story. It's called A Ghost Story. We hereby bring you sneak peeks of the season's finest and more titles anticipated in the autumn (and hey, the trailer might even be the best part).AUGUSTThe Odyssey. Director: Jérôme Salle, starring Lambert Wilson, Pierre Niney and Audrey Tautou. Jacques Cousteau: le movie. Released 18 AugFinal Portrait. Read more ...
mark.kidel
Julie Dash’s remarkable 1991 film tells the story of the Peazant family, the descendants of freed slaves who live on the Georgia Sea Islands, an isolated community on the South-Eastern seaboard of the USA, more in touch with African traditions than other black Americans.The three generations depicted in the film are at a crossroads: the younger Peazants are about to move to the North, leaving the elders behind in the South. Th film's dialogue is in Gullah, a vivid and poetic patois reminiscent of street Jamaican. Dash and her cinematographer, her then husband Arthur Jafa, have achieved a Read more ...
Tom Birchenough
Maurice Hatton’s 1978 Long Shot comes with the subtitle “A film about filmmaking”, a nod at what has practically become a cinematic sub-category in itself. But while other directors have used the genre for philosophical or aesthetic rumination, Hatton’s subject is far more immediate and down-to-earth – the perilous business of just trying to get a movie made.Specifically, an independent movie: Long Shot is a glorious satire on the sheer rigmarole of attempting to stitch a deal together. It’s set against the backdrop of the 1977 Edinburgh Film Festival, which gives rich extra atmosphere, and Read more ...
graham.rickson
“People think babies are sweet. But this one’s bitter.” So squeaks Alice Lowe’s malevolent unborn daughter in the horror comedy Prevenge, prompting her heavily pregnant host Ruth to embark on a killing spree. Think of it as an unholy blend of Rosemary’s Baby, Sweeney Todd and Kind Hearts and Coronets, as Ruth seeks to murder those who she blames for the death of her lover in a climbing accident.Childbirth should be a celebration of love; here, it’s a very grim business indeed, Ruth’s body being subject to what she describes as a hostile takeover. Prevenge makes a virtue of its limited budget Read more ...
Jasper Rees
The Shepherd – original title El pastor – is a Spanish film which carried all before it at the Raindance Festival. It’s a very Raindance kind of movie. Shot on a low budget with a small cast, a single handheld camera shaking like a leaf, it sticks up for the little guy against a big bad corporate world. And it’s very much the vision of one sensibility: Jonathan Cenzual Burley wrote, shot, directed and produced it. It’s his third film - not bad for someone who only six years ago was a junior research on Never Mind the Buzzcocks.The shepherd of the title is Anselmo (Miguel Martín), a solitary Read more ...