Iceland
Nick Hasted
Benedikt Erlingsson (b.1969) was already an established theatre director and actor in Iceland when he directed his debut film, Of Horses And Men, an uncategorisable blend of humour, romance and horror, set away from Reykjavik amongst stubbornly individual, isolated farmers. Its indelible first scene, when a proud horse-breeder parades his prize steed to his neighbours, only for another horny horse to leap a fence for a shag with the mortified owner still on board, making him then shoot his horse in the head, shows Erlingsson’s talent for tackling radical shifts in tone with dry nonchalance. Read more ...
Demetrios Matheou
What is it about Nordic women and the environment? Hot on the heels of the London visit by Swedish teen activist Greta Thunberg – the most inspiring climate change campaigner since Al Gore – comes this timely, singular, enormously enjoyable comedy-drama from Iceland, whose heroine is another no-nonsense Nordic eco-warrior, albeit one with a very different modus operandi than young Greta. Halla (Halldóra Geirharosdóttir) is a middle-aged choir conductor, with a double life as an environmental activist whose exploits win her the moniker, ‘the mountain woman’. We first see her Read more ...
Kieron Tyler
Although In the Dark comprises 11 tracks of outward-facing contemporary North European electronica-infused, dance-edged pop along the lines of “Faded”, the 2015 international hit helmed by Norwegian DJ/producer Alan Walker, an undercurrent implies a fondness for the Eighties.The evidence racks up. “Scarcity” sports a vocoder-like vocal effect. The title track and album opener suggests a familiarity with the keyboard saturation of Kim Carnes’ “Bette Davis Eyes”. The stuttering effects on “Erase You” and “Round Two” are akin to what cropped up when sampling keyboards became endemic. And a fair Read more ...
Markie Robson-Scott
If you’ve ever had an argument with a neighbour, watch Under the Tree and take notes. This mesmerising story of a dispute over a tree blocking the sun in a next-door garden is based, says Icelandic director Hafsteinn Gunnar Sigurðsson, on an actual domestic conflict, though surely one with less cataclysmic consequences. But trees are relatively rare in Iceland and the summer is short, so too much shade is no laughing matter.Although billed as a suburban satire, the film is much darker and more complex than that, with death, loss, sex and broken relationships examined with a dispassionate wit Read more ...
Tom Birchenough
Icelandic writer-director Gudmundur Arnar Gudmundsson has made an impressive feature debut with this story of crossing the threshold from childhood to young adult experience. Heartstone acutely and empathetically catches the path from innocence to experience of its two 14-year-old protagonists, Thor (Baldur Einarsson) and Kristján (Blær Hinriksson), in which the film’s twin themes, coming of age and coming out, become uneasily intertwined.Gudmundsson opens his story at a leisurely pace – and, at a few minutes over the two-hour mark, there’s no calling its rhythm hurried – as we discover the Read more ...
Kieron Tyler
Óttarr Proppé, the stylish chap pictured above, was appointed Iceland’s Minister of Health in January this year. Last Saturday, when the shot was taken, he was on stage in his other role as the singer of HAM, whose invigorating musical blast draws a line between the early Swans and Mudhoney. At that moment, at Reykjavík Art Museum, it was exactly a week on from the declaration of the first results in the country’s Parliamentary election, the second within 12 months.While rare but not unknown for political office and active involvement in rock music to co-exist, Proppé was in what must have Read more ...
David Nice
London orchestras do communicate with each other, sometimes at least, when it comes to programming. It can’t have been a coincidence that on Wednesday we had one Finnish chief conductor, Sakari Oramo launching his BBC Symphony Orchestra Sibelius cycle with a searing Fifth Symphony, followed last night by another, Esa-Pekka Salonen at the head of the Philharmonia, with the Sixth and Seventh, each prefaced by new(ish) Icelandic music in a programme which looked on paper even more enticing. Trouble is that while Oramo’s Sibelius really was that rare wonder where passion and precision become one Read more ...
Saskia Baron
Oh dear. I thought that this was going to be one of those exciting fantasy films that livened up TV on weekend afternoons in my childhood, and that there would be kitschy special effects and ludicrous dialogue. But no, it's not 20,00 Leagues under the Sea, The Seventh Voyage of Sinbad or even Dr Doolittle. It's a turgid plough through a Jules Verne yarn which doesn't even introduce a freaky creature until almost 50 minutes into the storyline, and then it's just some poor old lizards matted into a drab seaside set. Journey to the Centre of the Earth frankly doesn't deserve the full Read more ...
Kieron Tyler
We’ve been here before. Not to exactly the same territory, but to a neighbouring space in the same time frame. Last year, theartsdesk looked at a reissue of 2007’s Room to Expand, the first widely available album by the minimalist pianist Hauschka. The album’s reappearance was a moment to reflect on Nils Frahm, Jóhann Jóhannsson and Christian Wallumrød, some of Hauschka’s fellow travellers in the inelegantly tagged post-classical groundswell, all of whom first attracted widespread attention a decade ago. Also mentioned in that review was Iceland’s Ólafur Arnalds. Now, his debut album Eulogy Read more ...
Nick Hasted
Neil Gaiman understood the country where he’d landed as an immigrant in the Nineties by writing American Gods. His first substantial novel after his crowning comics achievement, The Sandman, mined an idea of infinite plenitude: if every immigrant since the Vikings took their gods with them to America, what happened when the worshippers assimilated, and forgot?This first season of Bryan Fuller and Michael Green’s Gaiman-overseen adaptation answers with an increasingly discursive road-trip taken by Mr Wednesday (Ian McShane as a genial but ruthless con-man, the twinkle in his eyes sometimes Read more ...
David Nice
Anyone who's followed Yrsa's earlier novels, many of them featuring down-to-earth attorney Thora Gudmundsdóttir as heroine, will value her superb evocation of very distinct and haunting parts of Iceland - the Snæfellsnes Peninsula, Heimaey island, the Western Fjords. Sense of place is relatively unimportant in The Legacy, 2014 start to a new series now translated by Victoria Cribb. Sporadic references to the Icelandic way of life and recent history apart, its Reykjavík interiors could be part of any place where child welfare is a priority. The connecting thread in all the writer's work is her Read more ...
Boyd Tonkin
Odin the All-Father, “lord of the slain, the gallows god”, has two ravens that “perch on his shoulders and whisper into his ears” as he wanders in disguise around the world. They are Huginn and Muninn, Thought and Memory. Over many centuries, the folk-stories of the northlands have lodged in our memory and shaped our thought. “Winter is coming” runs the doomy refrain of Game of Thrones, haunting the imagination of the millennial millions who have never directly heard of Ragnarok, “the end of all things”, and the big chill of the “Fimbulwinter” that will usher in apocalypse. George RR Martin Read more ...