humour
Owen Richards
At a point in the early noughties, every third film was a teen comedy about a road trip to lose one's virginity. It’s a genre most were glad to see the back of. What a pleasant surprise Come As You Are is then, which brings much needed heart and relevancy to this tired trope.Based on a true story, we follow Scotty, Matt and Mo as they travel to Montreal to visit a brothel. But this isn’t some sleezy trip – each of the characters has a physical disability, and with their parents as their primary carers, having an active sex life has been nearly impossible. So, with the support of driver/nurse Read more ...
Jessica Payn
Maria Reva’s humorously gloomy debut collection, centring on the inhabitants of a block of stuffy apartments in Soviet (and post-Soviet) Ukraine, starts, predictably enough, with Lenin. Instead of an austere symbol of ideology, he’s a statue who “squinted into the smoggy distance. Winter’s first snowflakes settled on its shoulders like dandruff.” A clumsy figure, whimsically at one with the amplified dreariness around him, he fits comfortably within the brisk, deadpan comedy of the stories that follow. By the end of the book, he’s been reduced to “a concrete pedestal”. “Only his feet remain Read more ...
graham.rickson
Curling could be an enigmatic contemporary noir, but for the fact that it was made in the depths of winter in rural Quebec. Shades of brilliant white and murky grey predominate, as witnessed in an early sequence where Jean-François and his 12-year old daughter Julyvonne trudge home from an optician’s appointment along a windswept snowy road. Spurning the offer of a lift from a police officer, Jean-François’s reluctance to engage with the outside world is established within minutes. A craggy, taciturn loner holding down a couple of menial jobs, he’s an over-protective single parent unwilling Read more ...
Markie Robson-Scott
DI John Major (Daniel Mays) has been dead a year, shot in the line of duty, though we’re far from that series in terms of tone. Now he’s back at the London Met, artificially augmented, but not very intelligently. If anything he’s a bit more shit than he was before, as one of those involved in the shooting observes.“Think of me as Oscar Pistorius,” he encourages his wife Kelly (Anna Maxwell Martin) who’s strangely reluctant to welcome the new part-AI him back home, probably because she and his partner DI Roy Carver (Stephen Graham) are in a relationship. In fact on the night he was shot, they’ Read more ...
Veronica Lee
It's interesting to note that this Netflix series – the second of Ricky Gervais's study of bereavement, which he writes, directs and stars in – is broadcast during lockdown. We've quickly become used to a different pace of life – slower, less rooted in strict timeframes of work or family routines – so we should, in theory, be able to ease ourselves into the slowness. But there's slow, and there's “nothing much happening here, mate”.The first season of After Life, in which Gervais plays Tony, a journalist on a free local newspaper in the fictional town of Tambury, who lost his wife, Lisa ( Read more ...
Jasper Rees
Roy Hudd, who has died at the age of 83, was the last link to the age of entertainment before television. Born in 1936, he entered the business just as music hall and variety were dying out. But he knew the luminaries of that era: Gracie Fields, Max Miller, above all Chesney Allen, who asked him to play the late Budd Flanagan in a stage revival of the songs of Flanagan and Allen. Four years ago he impersonated him one last time in the BBC drama We're Doomed! The Dad's Army Story as he sang the famous theme tune.Associated with a bygone age, Hudd was the first person his friend Dennis Potter Read more ...
Joseph Walsh
Created in the mould of Made in Dagenham and Pride, Philippa Lowthrope offers up a cheery, kitschy British comedy centred around the 1970 Miss World Contest that was disrupted by feminist protests. Leading this crowd-pleaser are Keira Knightley, Gugu Mbatha-Raw and Jesse Buckley. Rebecca Frayn and Gaby Chiappe divide their screenplay across the trio, but the central perspective is that of Knightley’s character Sally Alexander. As a young mum trying to make it as a mature student, her battles with the prevailing patriarchy are given a stiff kick when she meets Buckley’s Jo Read more ...
Jill Chuah Masters
Welcome to New Mushroomton: a fantasy land that’s forgotten itself. This is how we’re introduced to Pixar’s Onward, which is set in a Dungeons & Dragons daydream of suburbia. Director Dan Scanlon’s film is a tribute to his late father, but it begins with a separate elegy. “Long ago,” we’re told, “the world was full of wonder.” Until the day that convenience killed magic — electricity was invented, spells cast aside. Today’s mythical creatures have become ordinary: trolls run tollbooths, gnomes are garden-variety.Such is life for Onward’s heroes, the elven Lightfoot family. There’s meek Read more ...
Veronica Lee
ITV's drama department is in overdrive at the moment, with a seemingly endless release of series with high production values and stellar casts, and the latest is The Trouble With Maggie Cole. It's a six-parter based on an idea by Dawn French (who also stars) and is written by Mark Brotherhood.It's set in Thurlbury, a fictional coastal community in the West Country, where everybody knows everybody else. Self-appointed “local historian” Maggie Cole (French), who has a museum cum gift shop at the town's ancient keep, minds everyone's business but her own, and is flattered when a local radio Read more ...
Markie Robson-Scott
It’s hard to believe that Jesse Armstrong (Succession, Veep) co-wrote the screenplay for this feeble American remake of Swedish director Ruben Ostlund’s Force Majeure (2014). Where Force Majeure is subtle, dark and original (never have electric toothbrushes seemed so significant) Downhill is an unfunny flop in spite of comedy stars Will Ferrell and Julia Louis-Dreyfus (she’s also a co-producer) as leads.It might have been more successful, perhaps, if directors Nat Faxon and Jim Rash (The Descendants, The Way, Way Back) hadn’t stuck so slavishly to the original storyline about family Read more ...
Demetrios Matheou
Steve Coogan’s long partnership with director Michael Winterbottom is probably best known for The Trip and its spin-offs, involving Coogan’s comic culinary excursions alongside Rob Brydon. But for its serious undercurrents and disreputable subject matter, their new film is more akin to The Look of Love, in which Coogan played the sleazy Soho entrepreneur Paul Raymond. Here he is again, playing a real heel. This time, their story doesn’t’ start in sex clubs, but clothes shops. Coogan is Sir Richard McCreadie, aka “Greedy McCreadie”, public school drop-out turned Read more ...
Demetrios Matheou
With the Oscars approaching, one film building momentum in the fight for best picture – and whose victory would delight all but the most blinkered – is the Korean Bong Joon Ho’s deliriously dark and entertaining black comedy, Parasite. It remains an outsider, given that no foreign language film has ever won the main prize. But if Bong breaks that barrier, it will be no fluke. Parasite’s theme, the gulf between rich and poor, resonates far and wide; its delivery – mixing social satire, twisty plotting and Hitchcockian tension – a masterclass in serious-minded but accessible mainstream Read more ...