horror
Tom Birchenough
Pere Portabella’s remarkable Vampir Cuadecuc is almost impossible to classify. It may have been filmed on the set of Jesús Franco's 1970 Hammer horror film El Conde Dracula – with the obviously enthusiastic participation of a cast led by Christopher Lee – but it certainly isn’t a "making-of" film. In fact, it seems wrong to call it a documentary at all: so vivid is the Catalan director’s imagination that the result is best treated as its own original version of the Dracula story.But it’s the Bram Stoker novel as we have never seen it before, focused through the intoxicating prism of Read more ...
Barney Harsent
Beware – here be spoilers, though if you can make them out through the blizzard of cliché that engulfed the last double-bill of this thunderingly underwhelming Nordic noir then you’re already ahead of me.Black Lake (BBC Four) saw a group of largely unlikable wealthy young people, led by the rude and overbearing Johan (Filip Berg, pictured below), stuck at a ski resort in the middle of nowhere with, wait for it: no phone signal, a pair of unlikely brothers (one of whom looks like a serial killer, while the other acts like one) and, best of all, a grumpy and deeply suspicious caretaker. After Read more ...
Nick Hasted
Breathing through an oxygen mask with a busted diaphragm and rib after shooting a single scene in mother!, Jennifer Lawrence had rarely suffered more for her art. Nor have we. Darren Aronofsky's latest begins as an enjoyably enigmatic, Polanskiesque waking nightmare, as the Mother (Lawrence) and her beloved Poet (Javier Bardem) find creepy strangers barging into their happy home. It ends in ineffectual, flailing chaos.The blurring of mythic dreams with supposed reality begins in the first minutes, as a fire-razed mansion reconstitutes itself around Lawrence as she sleeps. Big close-ups and Read more ...
Nick Hasted
The Ghoul is an occult British thriller about depression, with a bleakly poetic view of London, and a seedy sadness at its core. This sensibility is greatly helped by its star Tom Meeten, who as police detective Chris is haggard and run-down, ready to flinch at the world. Called in by his friend Jim (Dan Renton Skinner, pictured below) to investigate a double-murder in which the victims kept walking despite being shot in the head, he tracks a suspect, Coulson (Rufus Jones), by going undercover as a clinically depressed patient of Coulson’s psychotherapist, Helen (Niamh Cusack). But reality Read more ...
Stuart Houghton
It is 2017 and we are still having this conversation: are video games art? We have been using computers to play games for at least 55 years. Arguably the first true computer game, Spacewar!, was developed in 1962 at MIT, although simple games had been played on early mainframe computers as early as the 1950s. The first games with a narrative arrived in the early 1970s.Film critic Roger Ebert famously declared in 2010 that “video games can never be art”, but his perception was based on a limited exposure to anything beyond the simplest arcade games. If film can be considered art – and if Read more ...
Kieron Tyler
A well-known internet sales site currently offers seven previous home cinema editions of The Bird With the Crystal Plumage. Some are DVD or Blu-ray only, others are on both formats – increasing the amount of packages on offer. Only a brave company would enter such a crowded market with another version of the film to take the total to eight. Yet, here we are with a new dual format DVD/ Blu-ray edition.Despite the spiffy packaging – including a limited-run configuration with a 60-page booklet, a poster and postcards – and fresh extras – including a new interview with director Dario Argento, a Read more ...
Adam Sweeting
The best bit is in the trailer. It's the scene where Nick Morton (Tom Cruise) and Jenny Halsey (Annabelle Wallis) are inside a stricken Hercules transport aircraft as it suddenly plunges vertically out of the sky, leaving its occupants in weightless limbo as they struggle frantically to find parachutes so they can bale out. But it's too late – the ground comes screaming up to meet them, and poor Tom can't get out.It's a classic teeth-clenching Cruise set-piece of the kind he painstakingly builds into his Mission: Impossible movies, and it's a shame he didn't concoct a few more of them here. Read more ...
graham.rickson
“People think babies are sweet. But this one’s bitter.” So squeaks Alice Lowe’s malevolent unborn daughter in the horror comedy Prevenge, prompting her heavily pregnant host Ruth to embark on a killing spree. Think of it as an unholy blend of Rosemary’s Baby, Sweeney Todd and Kind Hearts and Coronets, as Ruth seeks to murder those who she blames for the death of her lover in a climbing accident.Childbirth should be a celebration of love; here, it’s a very grim business indeed, Ruth’s body being subject to what she describes as a hostile takeover. Prevenge makes a virtue of its limited budget Read more ...
Adam Sweeting
When Ridley Scott returned to his hideous intergalactic monster with Prometheus five years ago, he brought with him a new panoramic vision encompassing infinite space, several millennia of time and the entire history of human existence. With Alien: Covenant, he makes a more modest proposal.Picture, if you will, a spacecraft loaded with 2,000 hibernating colonists. They are en route to a distant planet called Origae-6, but the voyage is interrupted when the ship (it’s called Covenant) is battered by a blast of cosmic radiation. The emergency wakes the crew, and you might find yourself thinking Read more ...
Kieron Tyler
After watching the grim Crimson, it’s impossible not to feel grubby and perplexed. Grubby, as this is a catering-size example of squalid exploitation cinema. Perplexed, as its plot is senseless, the charisma-free acting so inept that the cast may as well be talking in a bus queue, and the technical aspects of the film-making thoroughly lacking: continuity errors abound and microphones are in shot. It also lacks any sense of drama and pace, and is over-talky. Yet, as it rolls towards its ludicrous conclusion, Crimson exerts a horrid fascination. “Could it get worse?” And yes, it does.Crimson Read more ...
Adam Sweeting
In space, no-one can hear you say “hang on, haven’t I seen this before?” The sprawling, labyrinthine space ship full of ducts and passageways for terrifying creatures to hide in, the laid-back crew who’ve become a little too blasé about life in space, the cute little outer-space organism that looks like an exotic novelty pet…There’s plenty of Alien in Daniel Espinosa’s lovingly-crafted new space epic, more than a few echoes of the disaster-in-orbit thriller Gravity, and who knows how many flashbacks to countless spook and ghoul extravaganzas set inside haunted houses. Startlingly original it Read more ...
Kieron Tyler
With its familiar scenario of massed zombies on the offensive against the living, South Korean blockbuster Train to Busan stands or falls on the fresh twists in brings to the table. For director Yeon Sang-ho’s first feature with live actors – previous films The Fake, King of Pigs and Seoul Station were animated – he sets the action on a high-speed train hurtling towards a zombie-free zone on which hordes of zombies are sniffing out the unafflicted. Its prequel, Seoul Station, was also a zombie film and set in the titular train station and its trains. Train to Busan, so to speak, leaves the Read more ...