guitar
Thomas H. Green
Some country music cosies up as close as possible to pop, in hopes of dragging more listeners in, smoothing away the raw backwoods feel. The most famed exemplar of this route is, of course, Taylor Swift, at least in her early career. Other country music resonates with American folk history, emanating the vastness of the American south, its roots sounds and narratives. Molly Tuttle falls into the latter category and her latest album, her fourth, whips the listener off on a journey that’s as effective as a book of short stories, but with the added benefit of being a toe-tappin’ hoodang.Tuttle Read more ...
Thomas H. Green
Full disclosure. I actively dislike Blur and always have. Don’t get me started on why. That would last seven times as long as this review.In this game, though, at theartsdesk, if no-one will review an album, and it’s one we absolutely should review, either Joe Muggs or I will end up with it. In my defence, I gave Blur’s Think Tank a fair-minded review two decades ago. Even quite liked it for about three months. That’s the best I can muster. If you’re a devoted Blur fan, then, I’m definitely not the most reliable source. For the rest reading, I’ll do my best.Their ninth album, and first in Read more ...
Thomas H. Green
Pete Fij and Terry Bickers are bathed in muted red light. They are sat side-by-side, Fij with an acoustic guitar, Bickers with a vintage 1970s CMI hollow-bodied electric. Behind them, oil wheel lighting gloops and bubbles gently, bespattered with glowing green circles cast by the stationary disco ball hanging high above them. “It’s surprising to see how much life you can fit into the back of a van,” sings Fij, dolefully, then adds, “It only took two trips.”The line, from the song “Broken Heart Surgery”, sums up part of the duo’s appeal, combining, as it does, a world-weary mournfulness with Read more ...
Cheri Amour
When McFly returned to our loudspeakers in the summer of 2020 with Young Dumb Thrills, the record marked their first in a decade. The foursome, comprised of guitarist/vocalist Tom Fletcher, bassist/vocalist Dougie Poynter, guitarist/vocalist Danny Jones and drummer Harry Judd, had no qualmed about admitting the struggles that'd faced coming back together as a band (their lackluster 2010 release, Above The Noise, was very much the sound of a group hitting peak commercial heights with the overprocessed artwork and digital sounds to match).But, whatever your preconceptions of a band like McFly, Read more ...
Cheri Amour
Five years ago, breaking dry January a few days early, I joined a throng of folks amongst the merch boxes and strip lights of Rough Trade East to see Dream Wife. The London-based trio has come a long way since those small-scale shows in the backroom of a Brick Lane record shop.Their last release, So When You Gonna… was the only indie album recorded and produced by all women at the time to break into the Official UK Top 20 album charts. And they’ve shared the stage with the bands who likely informed them to pick up their instruments, opening for Garbage and The Kills across North America.Half Read more ...
Sebastian Scotney
When is the right moment for a musician to step out of the shadows and release an album in her/his own name? Vicente Archer, one of the most in-demand NYC bassists around, has certainly taken his time. In his late forties, and with appearances on over 150 albums by others to his name, he explains: “I wanted to find something that’s more myself.” Short Stories will be released on the Canadian Cellar Live label. Bassist Archer grew up in upstate New York. His first instrument was the guitar, both in a teenage rock band, and sitting as a local jazz gig which happened to include Read more ...
Jonathan Geddes
It is temping to wonder what path the Orielles would have gone down in a world where the coronavirus never occurred. The Halifax trio had just released their second album, Disco Volador when the pandemic struck, and wiped out any hope of touring the record. Instead they reworked material from the record for use scoring a film, and have now returned with last year’s Tableau album as a significantly different beast.That was evident all throughout this set in Glasgow, the final night of their UK tour. When they finally played a track from their first record Silver Dollar Moment, dropping in Read more ...
Cheri Amour
Maybe you’ve heard the Native American parable about the two wolves. An old Cherokee’s grandson is grappling with internal tensions; self-hatred and self-aggrandising. For Phoebe Bridgers, one-third of indie supergroup boygenius (usually styled with no initial capital letter), this analogy sits at the heart of album standout ‘Not Strong Enough’. In it, the trio, completed by Lucy Dacus and Julien Baker, let out the divine line “Always an angel / Never a god,” adding a wry smile to the delivery.Subverting male hero worship is one of the (many) things that’s so refreshingly brilliant about a Read more ...
Thomas H. Green
Welcome to the church of Mulvey. The sold-out venue is packed with a svelte crowd, mostly ranging in age between about 30 and 45. Nick Mulvey is playing a new number which has an air of lockdown-inspiration about it, with its lines about “missing every one of you” and “feeling grace in solitude”. The audience may not know the song, but they’re still in thrall, transported, a good few with eyes closed, hands reaching upwards as in evangelical service, swaying from side-to-side. One dark-bearded man and his guitar are held in esteem beyond the usual fandom.Mulvey, long-ago in Portico Quartet, Read more ...
Thomas H. Green
Mille Petrozza is roaring into the mic, teeth gritted, black hair flailing. Behind his growl-screeching a triumphant martial riff is holding the “tune” and behind that, never-ceasing drum beats, an exercise in pure velocity.“The failed, the outcasts, the sagacious and wise will form a bond, impeccable art crafted through aeons of time,” thunders Petrozza, in a rare popular musical use of the word “sagacious”. “Hail to the Hordes” runs the chorus to the 2017 song, and writhing before Kreator, there they are, the hordes, a mass of denim and leather and skin, buffeting around the mosh-pit like Read more ...
Tim Cumming
Rock'n'roll rejuvenators, Eurovision winners with more of their songs streamed online than there are people in the world, the glammy young Roman rockers have opened for The Stones in Las Vegas, delivered a city-stopping sold-out show at Rome’s historic Circus Maximus and been hailed as “America’s New Favorite Rock Band,” in the Los Angeles Times. They recorded a lovely interpretation of Elvis’s late-Sixties hit “If I Can Dream” for Baz Luhrmann last summer, and their raucous, gritty, upbeat and confrontational third album, emerging from that audience explosion of the past year or two, is a Read more ...
Thomas H. Green
Iggy Pop is one of rock’s great survivors but his fans are divided into two categories; those who claim he hasn’t done anything worthwhile since the late-Seventies and those, like this writer, who find much to enjoy, right up to the present.Every Loser-era Pop takes a break from the less visceral directions his solo career has pursued for the last 20 years, the jazz experiments and the knowingly crafted hat-tips to his Berlin years. Instead, while laced with delicious, crooned West Coast rock slowies, such as the lost sunrise sadness of "Morning Show", it's also righteously rooted in goofy Read more ...